Tag Archives: Dundalk

A Night to Remember: Jim Corr and Liam Monagher in the Lisdoo, Dundalk

Just before Christmas, Dundalk was treated to a very special night of music in The Lisdoo in aid of the Louth Society of Prevention of Cruelty to Animals. The night was so lovely and enjoyable that it deserves further acknowledgement than just a handful of Instagram posts.

The bigger picture of the night was of course, raising awareness for mistreated animals and for raising funds for a worthy charity who work tirelessly to care for, treat, house, feed and rescue animals who need positive human intervention. A topic close to my own heart and indeed many hearts, as the venue was close to full. Such a positive and affirming act in itself!

Musically, the event was centred on Dundalk musicians, in particular those who are aligned with Irish traditional music- Jim Corr, Liam Monagher, Zoë Conway, John McIntyre and The Oriel Traditional Orchestra. If you were in any way interested in the music of our ancestry performed by professional, highly regarded and empathetic artists, you didn’t need a second invite to attend- for this was a once in a lifetime show.

Following a brief introduction from local broadcaster Harry Lee, The Oriel Traditional Orchestra opened the event. The orchestra performed pieces from the Oriel region which encompasses Louth, Meath, Monaghan and Armagh, arranged for orchestra. Their sound was as big as their number. They performed the sweetest melody on solo tin whistles to a hushed audience and they filled the room with the joyous sound of approximately sixty musicians in harmony. You couldn’t not be in awe of their collective passion and talent. At this point I will add that Zoë Conway and John McIntyre who played after Jim Corr and Liam Monagher, were fantastic. They’re a wonderful duo who compliment each other in a fantastic way, vocally and instrumentally. This blog is about Jim and Liam so I will not delay.

Succeeding the flurry of sixty-odd chairs getting packed away and guests’ tables getting pushed closer to the small-rise stage to fill the gap (no problem, I’m not shy! I very much would like to be closer to the artists I’m there to hear!), Jim Corr and violinist Liam Monagher sat on the edge of the stage very casually and chatted with Harry Lee. The friendship between Jim and Harry was obvious as Jim chatted about his sister Andrea’s newly published memoir and spoke about how much he enjoys the fact his son Brandon reads it to him in the evenings. Undoubtedly emotional and nostalgic for Jim, as his sister recounted stories and memories from her childhood right up until the time of publishing, many of which concerned their family while growing up. Harry turned to Liam and asked him to speak about his professional career as a violinist. Liam humbly revealed he has performed in prestigious venues including the Royal Albert Hall, London and Carneige Hall, New York. The pair have played together before, but this night was to be their debut public performance, one which Harry inquired, might be the beginning of a future project?

While Jim Corr needs little or no introduction due to the global success of The Corrs with his three sisters, he has always been a steady musician onstage, keeping an eye on each of his sisters in brotherly support and contributing to the formidable sound without drawing heaps of attention onto himself. I watched their performance in the O2 Dublin in 2016, each sister sibling cast adoring looks at their brother as they nervously returned to the Irish stage and I watched Jim acknowledge them and give a small and reassuring smile. Jim Corr is a pillar in terms of a live, performing musician and is a force of creative energy in the recording studio with an incredible wealth of knowledge concerning music production.

Liam Monagher also from Dundalk, began playing violin at the age of six and trained with the renowned violinist Ms. Patricia Treacy and also with Mr. Michael d’ Arcy at the Royal Irish Academy of Music, Dublin. As a solo violin performer, Liam has won many awards at Feis Ceol’s at Newry, Warrenpoint, Belfast and Sligo and also competed with success at Feis Ceol Dublin. As an orchestral musician, he has performed with numerous orchestra’s including the Orchestral Musicians of Northern Ireland, the National Youth Orchestra of Ireland (NYOI), the NYOI Camerata and the Cross Border Orchestra of Ireland (CBOI). Throughout the years, he has performed in many of the world’s most prestigious music venue’s including Boston Symphony Hall, Carnegie Hall, New York and Chicago Symphony Hall. Most notably, he was leader of the CBOI in performances at the World Expo Shanghai, China, the Lincoln Centre, New York and the Royal Albert Hall, London. In addition, he has played in all the major venues in Ireland including the Helix, the National Concert Hall, the RDS, Dublin, the SSE Arena and the Waterfront Hall, Belfast. Although principally a classical violinist, Liam who has been described as an “accomplished and stylish player” has won awards at Fleadh Ceol Na hÉireann at county, provincial and national level, including two gold medals, under the tutelage of respected Dundalk musician, Brendan Gaughran. Throughout his career to date, he has had the opportunity to perform for many dignitaries including President of Ireland Mary Mc Allesse, Her Majesty Queen Elizabeth II and HRH the Duke of Edinburgh, Prince Philip to name but a few. In recent times, Liam’s musical career has taken a diverse twist, seeing him record and perform with some of Ireland’s most outstanding musicians including Lisa Hannigan, Jim Corr, Miss Paula Flynn and Brian Kennedy.

Both musicians, with their incredible respective achievements, talent and musical training show no hint of pomposity, in fact they showed albeit only briefly, slight nervousness as they were playing to a home audience on home turf. They opened with the serene Irish traditional air Lough Erin Shore, more famously known as Paddy’s Green Shamrock Shore (Paul Brady and Dolores Keane). Corrs fans know the air very well as two versions of the tune bookend the album Forgiven, Not Forgotten (1995), and was still part of their White Light Tour set in 2016. Of course, this wasn’t exactly a typical Corrs audience, it was an audience of friends and family which is a different level of support, and enthusiasm is expressed in more reserved ways (That means I didn’t bring my hotel pillowcase with “Jim, you’re looking well!!!!” colourfully drawn with twenty Sharpies- who let the fangirl in?!). By reserved, I mean you could have heard a pin drop in the room as Jim took to the keys and effortlessly danced over them, his right hand providing beautiful ornaments to the melody while his left hand supported with his signature rich bass notes and chords. All eyes and all ears were on the duo. Jim played one round of the tune before giving Liam the very same assuring smile he gave his sisters in Dublin as he lifted his violin bow to join him. Liam’s 1802 Perry violin sounded rich, full and warm, perhaps one might argue that’s not an overly traditional tone for an Irish performance but we’re not here to discuss authenticity, innovation or tradition. We’re here to listen to two fine musicians play the music of their heritage. And I for one quite appreciate a rounded and smooth violin tone, it’s kinder to my ears. Liam’s vibrato is graceful, measured and in my view, appropriate, as he draws a gentle sweetness out of his instrument. His execution of the pitch slide in the second part of the melody evokes the spirit of the first recording on Forgiven, Not Forgotten and he imparts his own signature by adding extra ornaments throughout. The pair arrive at the tune’s crescendo and Jim nods to Liam, taking over the melody in the upper octave, his delicate performance bringing to mind stars twinkling in the night sky with the fairies or siogs dancing beneath. One more round of the tune with Liam and with mutual smiles, signalling an silent agreement that this was to be the final phrase. Broad smiles to rapturous applause and cheers from the audience, their rendition was very much enjoyed.

Liam took the centre stage for the next tune, Brian Boru’s March. Liam led the way with Jim watching intently and adding beautifully accompaniment with occasionally jazzy chords and mirroring the melody as if the two players were one. Jim looked visibly at ease during this performance, perhaps any nerves of playing the first number dissipated and the two seemed to be feeding off each other musically. Indeed the two were so well rehearsed that they could relax, catching the briefest of staccato notes in perfect synchronisation, to snap you awake just in case you were floating off with the dancing siogs! And indeed to pre-empt what was coming next. The two started a new tune immediately, in classic Corrs style (think the unabridged version of The Carraroe Jig that was on the Love to Love You maxi-CD which pops a jaunty Trout in the Bath in unison violin and right hand piano). Certainly a joy of life of its own, the surge of energy from both musicians was lifting and playfully, Jim played the very last phrase in unison with both his left hand and his right hand for dramatic effect! Class!

At this point in their set, I’m delighting in the opportunity to listen to the keyboard musicianship of Jim Corr in such close proximately and liveliness. Yes, we get a sense of his incredible talent particularly on the Forgiven, Not Forgotten and Home albums, we know he’s a brilliant player but we don’t really get to appreciate it fully as there is so much more excellent music going on around him. United, The Corrs are genius, there’s no doubt about it, they have a synergy unique to them and they’re all fantastic (and I would argue, underrated) musicians. But here in the Lisdoo, it’s just Jim and Liam. No drums, guitars and more going on, this is very stripped back and very live. Jim is not a show off, he’s too gentle and grounded to be, but he definitely deserves celebration. The fluidity of his playing, his choice of chord arrangement, his choice of volume velocity and the perfect execution of his performance would leave you open-mouthed. He’s a totally different player, but he’s got that same midas touch Thomas Bartlett of The Gloaming has. My only wish at this point is that I could physically see his hands but I’m too shy to get up and move my chair, even for one song.

Speaking of The Joy of Life, Liam introduces the next tune as it. Jim starts the tune slightly slower than he normally would with The Corrs (it’s better to be too slow than too fast) and Liam picks up on this and pushes ahead, encouraging Jim to pick up the pace. The best tunes sound easy to play but are actually quite the handful (I’ve tried this particular favourite myself but alas, it’s definitely best left to the professionals). The Trout in the Bath rushes in, and some super-enthusiastic soul in the back of the room screams his lungs out in appreciation. Jim stomps on an endearing piece of wood with a boundary microphone attached to it, placed on the ground underneath his keyboard, emulating a kick drum or perhaps, emulating the stomping of the ground at a session in full swing (at this point in my own sessions, I’m rolling off as much low-end as possible on the mixer and have already requested the players to kindly remove their shoes!). But you can’t beat Jim’s energy, the audience are clapping in time with his stomping. We get a momentary rest with Jim’s jazzy sustained chords underneath Liam’s energetic playing and then in classic Corrs style, Jim yells “one two three four!” with support from the audience. They’re elated. Another few rounds of the tune before a flashy finish of violin tremolo’s and a sweep of all the keys, finalised by a synchronised final home note.

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Liam Monagher and Jim Corr. Photo by Stephanie Caffrey 2019.

Jim takes the microphone to introduce the next piece of music, the theme song from the 1988 film Cinema Paradiso. I had forgotten all about that film, we watched it in school during our Leaving Cert year. According to Andrea Corr in her memoir, Jim has perfect pitch and I well believe her, but Jim admitted difficulty in learning this particular piece of music solely by ear and said he only recently obtained the sheet music for it. Talented and humble. He had no sheet music in front of him that night and he grinned “I hope I play it ok now, I’m under pressure!”. The piece is distinctly classical, a far cry from his fusion/Irish sound he is known for. But let’s remember that Jim Corr has been playing piano since he could reach the keys. His father Gerry, taught him (and all the girls) and Jim studied at the Royal Irish Academy too. He could have pursued a career in classical music if he chose so. And evidently from this performance, Jim didn’t let the piano fade in the dust after his commercial zenith with The Corrs, nor did he stop playing classical altogether. His performance was flawless. Liam joined him with an equally flawless rendition of the melody, sliding effortlessly between left hand positions- one of the many hallmarks of an accomplished classically-trained player. The hairs on the back of my neck stood on end at the beauty of their sound. Truly it was a sound to behold. And I’m not into classical music at all, bizarre I know (call myself a music lover?).

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Liam Monagher and Jim Corr performing Cinema Paradiso. Photograph by Stephanie Caffrey 2019.

Return to Fingall was performed next. Another one from The Corrs’ repertoire, Return to Fingall featured as a bonus track on the Japanese release of their fifth album, Home (2005). Why it wasn’t included on the Irish/UK releases baffles me as it’s a stunning tune. Originally a piping tune made famous by the great Séamus Ennis, it translates onto violin, tin whistle and piano beautifully. Delicate ornaments from Liam decorated the tune, putting his own stamp on it, he also emulated well through his choice of expression, how the tune might be played on the uilleann pipes. “Is that it?!” Jim yelled as Liam raised an eyebrow and shook his head mid-bow, “Oh yeah!” Jim grinned and seemed to remember by muscle memory the delicate piano solo that’s next. It was different to what we hear on Home, in fact there was a touch of Enya in Jim’s choice of harmony, perhaps a tip of the hat to the Donegal musical family that inspired his own. He ended the tune with another sweep of the keyboard but this time in key and with his foot on his sustain pedal. The audience were too polite to clap over the extended decay which made a beautiful and poignant chord, until it fully diminished.

The last tune to be performed was of course, Toss the Feathers. The Corrs’ staple. A big “aw” from the audience and an apology from Jim for “only” giving the crowd six songs (six perfect songs!). “Not too fast” said Jim as he launched in a mock high speed tempo, which made Liam laugh out loud and tease Jim. After a moment of inner contemplation, Jim decided on a tempo and Liam launched the reel with bells and whistles. Not wanting to slow down, Liam carried on and impressively executed the melody perfectly at that pace. Jim started stomping on the stomp box again and “yeeeeeow”s interspersed the audience clapping along. We’re used to hearing a massive production on this tune (drums, bass, tin whistle, guitars, the whole sheh-bang) but the momentum was carried by the two musicians. Jim varied up the accompaniment with his jazzy syncopated chords (I say “jazzy” but I don’t really mean stylistic jazz, I mean chords you might typically find in jazz), he showed groove is possible in Irish fusion with just two instruments. He smiled broadly as he executed his offbeats along with his constant floor stomping, music and groove just flows through him. And Liam kept up the whole way, never relenting or missing a note. The duo finished with a flamboyant ending, complete with a leg thrown up on the keyboard (!) and more rapid violin tremolos. Pure class. Sure I only lost my mind there and then.

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Go on ya good thing! Liam Monagher and Jim Corr performing Toss the Feathers. Photograph by Stephanie Caffrey 2019.

Myself and my mother highly enjoyed this wonderful night in the Lisdoo. We had such great craic, heard some truly stunning music and got to contribute to a wonderful local cause. If Jim and Liam were to perform again, we would be there in a heartbeat and we’d probably bring an army of fans with us too. The world could definitely do with a little more of Jim and Liam. Hup the lads! Love to love you both!

End of the decade ramblings! Happy New Year 2020!

It’s that time of the year.  The time where everyone is posting their Top Nines on Instagram, reflecting on another orbit around the Sun and the ending of another decade.

This time ten years ago I wasn’t blogging, it was the weird interim between Myspace blogging and WordPress blogging. Are the MySpace blogs still out there? Cue tumbleweed.

In Christmas 2009 I had just completed my first ever semester in college (Music Production in Ballyfermot). Black Daisy was long in the history book as the last gig was in December 2008, in Dolan’s Warehouse, Limerick. I didn’t know that then! While I did involve myself in other music performance projects for a little while (the two-piece acoustic Shock Sorrow 2009-14, the rock band Aztaria 2010-11, the rockabilly covers band the Full Moon Boogie Band 2012-13 and the gospel choir 2013-16), I haven’t played onstage during the latter half of the decade.

Do I miss it? No.

I noticed towards the end of Black Daisy, in fact I can remember the very gig, where I started feeling anxiety onstage. It was during our You’re a Star bootcamp shenanigen, when we played in the wee bar in Knockanstocken (I’m 99% sure it was part of the You’re a Star bootcamp, maybe I’m wrong, but definitely late 2007). I remember being up there thinking to myself “What the hell am I doing up here?” and feeling completely out of place. That feeling continued for every gig since. I didn’t realise it then either, that what I (and everyone else) thought was just “oddballness” was my anxiety manifesting itself in a different way.

So instead of the full blown rock n roll antics of the 00s, the 10s saw me going to college and edu-macating myself in music production. I excelled in Ballyfermot 09-11, academically and personally, as I felt embraced my classmates and lecturers. I definitely belonged there at that time. Then DkIT straight after that 11-15 where I definitely improved my skills and academics but also reclused back into myself. I didn’t experience the warm feeling of Ballyfermot there but I did make friends, some of which I still see from time to time.

Then there was the 2 weird years in between the degree and the masters. I was too burned out to jump straight into a masters as I put my heart into my work and got the grade I longed for but the absence of routine and like-minded people affected me. I stopped playing music but The Corrs came back and that took my mind off most matters as I went to as many concerts as possible and made friends along the way. That was fun.

I came back to DkIT to start my masters as a rattling shaking mess of nerves. I found postgraduate life very difficult and to be honest, there isn’t enough talk going on about postgraduate stress as I didn’t know about it until it hit me. The funny thing is, it doesn’t come from school, it comes from yourself. I wanted to ace postgraduate life like I did during my undergraduate years but then, I put massive pressure on myself to excel. I stopped believing in myself and my dissertation topic. I had months were I stopped altogether. Sitting around, feeling guilty for doing nothing yet throwing up when I thought about sitting at my computer or opening a book. Wouldn’t you think an award-winning graduate student who once volunteered to ease in First Year undergrads would know about who to approach for mental counselling? I didn’t. The professional I did talk to (and ultimately helped me) ended up fighting with me for some of it (I’m frightfully stubborn). I came to understand a good bit during this period and I think I’m getting better. Some kind hearts helped me along the way and made sure to check in on me, most days of every week. I know who they are. Thank you especially R and C!

What was most noticeable about the 10s was the swap from the stage to the sound desk. I found myself setting up mics for high-profile sound engineers, gulping back nerves as I set up for acclaimed Irish traditional and folk musicians.  Then I found myself behind the desk, making sure the shows ran smoothly. The first few were absolutely bonkers as my nerves were rattling like billy-oh “I don’t belong here, this is not my scene” but lo and behold, I settled in. The same familiar faces were pouring in the doors, sitting in their favourite seats, “Hiya Stephanie!” smiling at me, and oh my goodness did that make me feel nice. I still get nerves before every show, still get sick most mornings of gigs but once I get the gear set up and running, the rest is a doddle.

Now I’m fast approaching the end of my masters, with only weeks of heavy thesis writing left before the shower of corrections and re-drafts before submission and hopefully, graduation. 2020 will be the year I dance out of DkIT feeling finally accomplished. 2020 will be the year I get more traction on my music production life, be it as a sound engineer or otherwise. 2020 will be the year people stop thinking about me as a performer and more as sound engineer. 2020 will be the year I will go on a holiday. And will be the year I will not feel guilty about doing nothing.

I realise all that anxiety/mental health stuff sounds very “first world problems hun”. I’m entirely grateful for my good health, my families’ health, my nice house, my fluffy kitties, the opportunity to study, the opportunity to work in music, and for my lovely circle of friends.

Below is a collection of my favourite moments from 2019:

The couple of days I spent with my Australian friends Rachel, Chris and Ruby, I took them on a whirlwind tour of the North East and Rachel and I partied in Dublin seeing Sharon Corr in concert.

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My Charlie is so ridiculously cute and snuggly ❤❤❤

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Adopting Charlie to be the purrfect borfur for Rírá. Char is a muffin.

Oh my, the Tom Hardy look-alike in Aberdeen. ‘Nuff said.

Nailing two tickets for Rammstein for 2020, bring on the Feuerzone!!!! RZK I’m comin’ 4 ya.

The rainy Sunday we spent at Barmeath, the old castle we could see peeping through the trees from the basketball court of primary school and wondered what it was like. Now I know. More magical than expected.

Fostering Jimi kitten, the 6-week old tabby who was rescued from behind the billboards on George’s St. He came into my care on my birthday (808 day also International Cat Day). He didn’t want to go back to the rescue centre for adoption and shacked up with us. He’s brilliant.

Working at this was massive.

Doing sound for Kevin Conneff was also massive. He’s a perfect gentleman.

Racing down to Dublin with my Mum to meet Andrea Corr for her book signing. Andrea was a dream and so very nice. We were too shy to ask for a photo though!

Meeting Sal Abruscato before A Pale Horse Named Death gig in Dublin. The gig was simply amazeballs.

Meeting Jim Corr (for a third time in my life), taking my Mum and hearing him play in an intimate venue with the lushious violin playing of Liam Monagher. I could have listened to them both forever. Stunning.

Getting lamped with my work friend at a great wedding, it was mighty craic! 

And of course, receiving this awesome edit of Charlie on my beloved DX7! Thanks Rach!!!!

 

Happy New Year 2020 to you!

Steffy x

Love, Revenge, Fancy Shirts and High-Speed Ship Chases: Kern “The Left & The Leaving” Album Launch in the DC Music Club, Dublin, 17/10/19

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Kern 2019 photographed by John Wilde. Source: Kern on Facebook.

On Friday night, traditional-folk group Kern launched their second album The Left & The Leaving. Their debut album, False Deceiver was critically acclaimed when released in 2016 (see Tradconnect.com, Irish Music magazine, The Irish Echo, thebestofmusicandfilm.com and others) and Kern spent the better part of the next three years gigging their socks off. They’ve played many stages in Ireland and Europe: the Spirit Store in Dundalk, Temple Bar Tradfest, both recent Fleadh Cheoils in Drogheda, Milwaukee Irish Fest, Whelan’s, The Cobblestone, Vantastival, Culture Connections, Dingle, Germany to name but a few. Not only this but they kept their finger on the recording studio in the interim and released a “winter mix” of the single Short Term Thing and Till The Docklands Drown. I’ve attended a bunch of their Dublin/Louth gigs and have always been impressed by their thrilling live performances. Also, their sound translates excellently from studio to stage and back again. As a music producer, sound engineer and follower, I find both arenas equally enjoyable to listen to Kern in.

The Left & The Leaving was produced by Trevor Hutchinson, the founder member of Lúnasa. Mr Hutchinson also produced False Deceiver and performed double bass on both albums. The album artwork is a beautiful painting by Louth artist and illustrator Caoimhe McCarthy and inside there’s a handsome photograph of the band with their respective instruments, taken by Meath photographer, John Wilde. In keeping with False Deceiver, the comprehensive and interesting inner sleeve-notes are attractively presented.

Young Louth traditional-folk group Alfi opened for Kern in the DC Music Club, Dublin. The trio consists of Fiachra Meek (uilleann pipes/vocal/low whistle), Alannah Thornburgh (harp/vocal) and Ryan McAuley (banjo/vocal). They played a charming set from their debut EP Wolves in the Woods which combines American old-time and traditional Irish music. They displayed fine musicianship with stellar performances on each instrument respectively, a fantastic vocal blend- particularly the male harmony on The Drink Song, well-researched notes on their tune and song sources and engaging banter between tunes. I worked with Fiachra during the final year of my undergraduate degree, pestering him to join me in the studio as I tried out various microphones and combinations on his uilleann pipes, quizzing him on how to the pipes make sound and dropping in on pre-production sessions with his then-band Na Tonnta, for our 3-track studio production. The last time I saw him was at a post-studio session dinner in the student apartment block, where he and a fellow band member tried to open a coconut with the tiniest hammer you ever saw. One hour, a scratched floor and a marvellous vegetarian curry later, the band collapsed in hearty laughs and I actually can’t remember if they did crack that coconut or not. Fiachra carries forward his witty humour into Alfi and I’m very interested to follow this promising young band’s career.

Following Alfi, Kern arrived onstage to a rapturous applause with very special guest- Mr Dónal Lunny. Dónal launched The Left and The Leaving with light-hearted commentary and much praise, citing his favourite as Drowsyman’s Hornpipe/Martin Young’s Polka. SJ McArdle (guitar/vocal), Brendan McCreanor (uilleann pipes/low whistle/vocal) and Barry Kieran (fiddle) along with Mr Lunny (bouzouki) played a joyous set of tunes. Off the bat, the amount of practice and thought that went into the set was obvious- tight performance, intricate and unexpected pauses, superb energy and purest passion and joy. The four beamed at each other constantly throughout.

Kern continued their set after Dónal took a polite bow and settled into the audience for a deserved drink. It was immediately apparent that the fans Kern worked so hard to attract would not be disappointed with their new material. Their new songs clearly excellently crafted, sounded like a perfect continuation from those on False Deceiver: Powerful, energetic strumming and expert dexterous fingerpicking from SJ which at times was so gentle, he hardly seemed to be touching his guitar strings at all, yet each note rang through clear as a bell. More husky vocals telling stories of Irish days past, joked by SJ as mostly having maritime themes. Despite the giddy laughter concerning extra-fancy shirts that magically blag you communion faster in Mass, tales of high-speed ship chases and what not, SJ sings beautiful songs of a serious nature- Irish emigration, the Famine, the wars and hard-working class Irish heroes. Kern’s way of combining Irish tunes into their songs is certainly distinctive and works very well. Brendan and Barry each weave gorgeous melodies around SJ’s vocal, adding an extra layer of emotional essence. If you’re too enthralled by the music to listen to the lyrics, you’ll not be in left in the dark of the subject matter. Barry’s light-handed vibrato will tug at your heartstrings while Brendan’s lilting chanter can convey a graceful joy.

Kern’s new tunes are equally impressive. Clearly innovators who have a deep respect for the tradition and players, the lads unleashed new compositions of their own. Barry’s Somers March/Daragh Patrick’s is quite frankly a masterpiece. I was blown away. His march, named after the group’s stay in Germany, is delicate and sweet while the jig, named after his godson, is a bundle of joy. Both tunes, separately or combined could easily feature in a movie soundtrack, they’re that cinematic. Brendan’s Martin Young’s polka, part of the Drowsyman’s Hornpipe/Martin Young’s Polka set is such a cheerful tune and instant toe tapper also. Brendan dedicated the tune to the memory of fellow piper Martin Young. Staying within the locality, Bonny Light Horseman, heralded as “Drogheda’s National Anthem” roused a chorus of voices, filling the venue. And speaking of innovation within the tradition, I couldn’t help but be impressed by Kern’s magnificent stops and starts within Russian Reels and The New Jigs. Tasteful, dramatic and intelligent, the lads kept the audience on their toes.

All in all, the old Louth tunes and songs, and the new regional-inspired material are clearly safe in the hands of Kern. The album launch was a visible and audible success and several early listens of The Left & The Leaving indicate that this album too will be a staple in my playlist of Louth coastal beach walks.

Hup the lads! Well done and many congrats to you! Onwards to this new season in Kern’s career, we can only listen in delight.

Kern’s newly launched official website: https://kernmusic.com/

Follow on Facebook: https://www.facebook.com/kernband/

Purchase The Left &The Leaving on iTunes: https://music.apple.com/ie/album/the-left-and-the-leaving/1482957996

Alfi Bandcamp: https://alfi.bandcamp.com/

 

Gig Review: Kern at Richmond Fort, Drogheda

Last Friday saw a belter of a night of music in Richmond Fort in Millmount Cultural Quarter, Drogheda.  Louth traditional musicians Kern, with support from Drogheda singer-songwriter Gene Carolan, showcased local, contemporary talent in the new music venue which holds much promise for future, intimate gigs in the town.

Source: https://twitter.com/Hawthorns_Andy/status/989559096469868544

A performance space which was neither too big nor too small for both, Richmond Fort is a delightful room to enjoy music in. The small upstairs room was cosy, bright and comfortable while boasting a high ceiling which carried the sound adequately. A professional sound set up surrounded by thoughtful and considered lighting made for a delightful setting in which to enjoy the music.

Gene Carolan opened the night, delivering a showcase of original songs which reflected his life experiences to date while looking brightly to the future of Drogheda, the town hosting this years Fleadh. Usually flanked by his brothers on stage, Gene carried a big show solo with his intricate fingerpicking guitar skills which seamlessly blended into his songs. His charming personality warmed the audience and his honesty and authenticity leaves no doubt that Gene has a long, sparkling musical career ahead of him.

Source: https://twitter.com/genecarolan?lang=en

Kern, a trio of musicians from south, mid and north Louth respectively, SJ McArdle (lead vocal, guitars, harmonica), Brendan McCreanor (uilleann pipes, whistles and backing vocal) and Barry Kieran (fiddle and floor stomper/fire-out-putter!) are the counties’ gem in contemporary folk and traditional music. Opening with the first two tracks from their debut album False Deceiver produced by Trevor Hutchinson, one can see instantly why their record was so well received. Executed so well on the stage, one would be hard-pressed to tell the difference between the CD and the live performance! A testament to their first class musical talents and the production of the album which in both settings sound full, warm and beautifully thought-out. Ale saw fiddle player Barry take the solo with the beautifully charming The Ale is Dear Scottish reel later accompanied by Brendan on the low whistle and SJ on acoustic guitar. The nuances of Barry’s fiddle playing so clearly audible in the perfect room, I couldn’t help by gaze in awe at his tasteful dexterity. The sudden break into the faster Teampall An Ghleanntain hits you right in the solar plexus followed by Crooked Road to Dublin, a delight to hear so early in the set as it sets the tone for the entire show.

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Savage gig tonight from Louth musicians @bandkern in Drogheda

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SJ’s years of being a singer-songwriter in his own right, took him around Europe with multiple recordings under his belt. A natural front-man, his ad-libbed jokes and natural dry wit between songs left the room laughing hysterically.  With the sudden realisation that most of the songs in their current repertoire are marine-themed, SJ made light-hearted banter about the coincidence while pointing out the true issues at hand, such as the sorrows of Irish emigration, love and loss. The town of Drogheda has a rich history of Irish maritime, my own great-grandfather worked on the port so it was a delight to hear a local group pay tribute to such an important part of our hertitage.

Buy the single here: https://itunes.apple.com/ie/album/till-the-docklands-drown-single/1259502612

The group’s set has expanded since the last time I caught them, in Dublin’s infamous Cobblestone pub and venue. New jig sets, reel sets, new songs and sounds hint at what the band’s sophomore album will sound like. With each musician offering so much variety and creativity to the collective sound, backing vocals, harmonica, various whistles and last but not least, a growing number of guitars (acoustic and electric) and a plethora of pedals to boot/Converse (SJ even worked in live looping with absolute precision and perfection), it’s obvious that the possibilities for the future of Kern are endless! It’s refreshing to catch such an innovative band with traditional values at it’s heart and it’s wonderful that the musical heritage of Louth is being honoured in such a beautiful way.

Hup lads! Can’t wait for the next one! Here’s hoping there’ll be more of the like in Richmond Fort!

Buy False Deceiver on iTunes: https://itunes.apple.com/ie/album/false-deceiver/1077962411

 

The Corrs Live at the Marquee, Cork, June 2016

Two days after the Corrs played the Marquee, Cork and I’m still reeling. I have never felt such profound happiness, love, devotion and respect in all my life. Absolutely every little thing that happened at the concert was nothing short of amazing.

Where do I start?!

A Corrs fan from the word go, as a teenager I dreamed about the life the Corrs lived. Their astounding beauty and style coupled with their amazing music had me spellbound. How exquisite were Sharon Corr’s violin melodies? How angelic were Andrea’s vocals? How utterly mind-blowing was Caroline’s drumming? And how much did Jim rock his black and white Fender Strat and every other instrument he put his hands on?! I was ever-so-mildly obsessed!

Lansdowne Road happened. My first concert and my first time seeing the Corrs in real-life. I was truly smitten.

Next time I saw them was 2004 in the Point, Dublin. A very polite concert- in complete contrast to the dancing and celebrating in Lansdowne Road, the audience sat and clapped. I just wanted to scream “I love you Jim!!!” Nevermind- my sister did that for me! Jim looked up into the seating area in our direction in bewildered amusement!

Fast forward to 2016. January saw their spirited return to the Point. I have already blogged about that amazing night: Bring on the Night- The Corrs Dazzling Homecoming Gig, Dublin 28-01-16 | Audio_Girl so no need to delay, let’s talk about Cork!

That evening something amazing happened and we found ourselves invited backstage to meet and greet! How incredibly LUCKY were we?!!! We jumped up and down in excitement, fixed our hair, lashed on perfume and wondered out loud what on Earth were we going to say to the Corrs?!!!

When we got backstage we were in awe of our surroundings. The Corrs crew were like a family and were so warm and friendly to us. My knees went weak when I caught a glimpse of Jim peeping his head out of the band-room. There was my greatest inspiration!!!

When he came out, he was beaming. His smile broke my heart there and then (in the nicest possible way!). He looked ultra-cool in his black and white kicks, black jeans and grey camo t-shirt. Sporting a sexy, scruffy stubble and his hair spiked up, he was the picture of youthful joy and well-being.

I watched Jim (open-mouthed!) talking to the other lucky fans and suddenly manager John Hughes was by my side, chatting to us. I recognised him immediately. A moment after he drifted off, Andrea literally bounced over to us, talking excitedly about our pizza party she seen online while she was on her way down! She talked to us like a giggling school-girl and busily signed our merchandise and posed for selfies. Caroline was with her, much quieter and reserved  but eager to say hello and graciously signed autographs and allowed photos. I was astounded by her natural beauty- herself and Andrea were total goddesses!

 

Breathless I turned around when I heard a very familiar voice “hiya Steffy!” there was Jim Corr himself smiling at me! I think I managed to squeak out a “hi” and threw my arms around him! He gave me the best hug of my life! We had our picture taken immediately and I introduced my boyfriend. Autograph signed during relaxed chitchat, I felt like we were talking to an old friend. I forgot it was the Jim Corr talking to us, it seemed like a garden party or a bbq and Jim was about to offer us a burger! He asked ME about my music and I managed to squeak something out! I gave him a soft teddy with a rose- a gesture of my humble love for him which he thanked me for 3 times!

 

Time to be moving out, the Corrs had to be on stage shortly! Sharon was talking fluent Spanish to a fan, I politely waited- enthralled by the sound of her voice. I loved her green sparkly eyeshadow- I told her so and she seemed genuinely pleased, having done it herself!  She signed my White Light album twice (it was raining- she apologised for it! Good gracious lady, no need to apologise for that!) and let me take a photo! This was my second time meeting her and she was every bit as lovely and beautiful as I remembered!

 

Hurrying out I heard a shout “Hey Steffy!!!” I turned and Anto Drennan himself hurried toward me! Anto Drennan the legend himself recognised me!!!! We got a quick photo and a quick “great to see you again!” before we had to part ways! The Corrs were late for the stage and it was my fault! 😛 I still can’t believe my guitar hero called ME- what a perfect gentleman!!!!

 

Back in the Marquee, the Corrs did not disappoint! The concert was every bit as magical as the Point earlier this year. The band were tight, flawless and nothing short of insanely talented. One thing different from the Point was that the Corrs smiled much, much more this time. They never stopped smiling all night!!! The crowd out-sang the band during Runaway moving Andrea to near tears- her voice cracking in emotion. We danced the night away, bopping to our favourite Talk on Corners songs, Anto shredding his guitar solos like the string god that he is famous for, Keith Duffy pounding the bass through our hearts and each Corr shining on their instruments. The vocal harmonies were stellar- especially during Kiss of Life (my favourite track from White Light), those chorus “oohs” gave me goosebumps which still haven’t worn off yet.

 

The icing on an already amazing day was when the lovely security man gave me Jim’s setlist! I’ve always wanted one! I pressed it to my chest in pure joy and the people around me smiled- a stranger walking up to me saying “You deserve that setlist! I’m glad you got it!” Corrs fans are truly the nicest people on the planet!

 

 

 

The Corrs are amazingly kind and generous to have gifted us with these memories.

The Corrs give the world so much with their thoughtful, mature and poignant music.

The Corrs make the world a better place and inspire their fans to do the same and to enjoy life.

This is why the Corrs are so successful.  White light surrounds them and they are earth angels.

Preview, buy and download songs from the album White Light, including ”I Do What I Like”, ”Bring On the Night”, ”White Light” and many more. Buy the album for €10.99. Songs start at €1.29: White Light by The Corrs on iTunes

 

 

 

For Your Ears, Heart and Soul: Leaca Bán – Na Tonnta

Posting and sharing with you, my most recent music production project, the beautiful Leaca Bán by 5-piece, traditional Irish crossover group, Na Tonnta.

Na Tonnta
Na Tonnta

Introducing Na Tonnta (L-R as above): Daniel ‘Hearthrob’ Whelan, Ellie ‘Ellington’ J McGinley, Sinéad ‘Brings her own teabags’ O’Malley, Ciara ‘I♥ Beoga’ Moley and Fiachra ‘Figgy’ Meek. The group met while studying Music in DkIT together and bonded through their love of traditional Irish music, popular music, tea, biscuits and cakes!

My journey with Na Tonnta began in September 2014. I was searching for a musically-new band to introduce to the recording studio and collaborate with for my final music production project at DkIT, resulting in three songs- one being the core and most-polished production.

Approaching Na Tonnta was an easy task. It was actually perfect timing! I already knew Sinéad, their flute and whistle player from the Norway erasmus trip in 2013 and I worked with Ellie, their vocalist and fiddle player on my previous production project, “Crystal Hearts” feat. Fiona McErlane by Audio_Girl | Free Listening on SoundCloud.

I knew I wanted to carry forward my love for traditional Irish music while bringing it into a contemporary production and I also knew Na Tonnta were a hard-working, creative and driven group from my Facebook stalking since they formed in October 2013!

Na Tonnta warming up for the Spirit of Folk Festival, 2014
Na Tonnta warming up for the Spirit of Folk Festival, 2014

Leaca Bán began in the rehearsal room. Sinéad introduced the idea to the group with the beautiful, haunting traditional tune, 250 To Vigo, accompanied by accordion player, Ciara. I sat, mesmerised by the performance- the beautiful tone of the B flat whistle, the rhythm of the tune, the sombre accordion, gently accompanying the haunting tune. The hairs on my arms stood and I knew instantly that this was a tune I wanted to be a part of. I could already hear our studio recording in my mind’s ear!

What happened next lifted my spirits even further. There was a lyrical idea. In fact, there was more than just an idea- there was a theme, a mood, an atmosphere and a poem! A vintage book was produced- a little blue book with yellow pages, about to be tossed out from a local school library where Sinéad worked. For some reason unknown to me, Sinéad opened the book and there was a beautiful poem at the beginning. The Lights of Leaca Bán by Alice Cashel is an old book intended for secondary school children but the poem simply titled Leaca Bán, found at the begnning of the book, is a literary work of beauty.  It was suggested that Ellie fit the tune to the words- amazingly, it worked like a dream. Ellie suddenly started singing the poem and it was just right.

Ellie and Fiachra in the rehearsal room
Ellie and Fiachra in the rehearsal room

By Christmas a humble demo which consisted of a vocal, fiddle, tin whistle and accordion was recorded and then my audio fun began. What I already had was a beautiful tune which was deeply Irish and could hold up on its own with such a small ensemble- how about adding drums? Synthesisers? Guitars? More vocals? How big could we go?! How big did I dare?!

Well, here’s the final production.  Listen for yourself.

My Week at the Honeycomb Creative Buzz Award Bootcamp 2014

I can’t believe it’s Monday already! This time last week I was sitting in this exact chair in Starbucks, DkIT School of Informatics and Creative Arts, planning my journey to Derry and feeling rather anxious about it!

What in the world was I worrying about? Absolutely nothing!

My journey begins with the completion of my music production project “Crystal Hearts” feat. Fiona McErlane by Audio_Girl on SoundCloud – Hear the world’s sounds at the end of last semester. On a whim I sent off my song to The Honeycomb Creative Buzz Award – Honeycomb – Creative Works.

Honeycomb Creative Buzz Award
Honeycomb Creative Buzz Award

I heard about the award through one of my lecturers at DkIT, they insisted I give it a shot. Normally I wouldn’t even dream of entering competitions!

You can imagine my surprise when I received an email a couple of weeks later telling me I was chosen as one of the top twenty digital creators of class of 2014 from colleges and universities across Northern Ireland and the six Republic of Ireland bordering counties! My prize was a week of workshops in Derry, meeting industry professionals, attending interesting talks about creative arts and business, working with the 19 other winners and an opportunity to pitch my skills to a panel of industry experts in a bid to win the grand ultimate prize!

I was immediately delighted but also a tiny bit anxious! Travelling 190 km to spend a full week with strangers! Shy, self-conscious and over-thinker- Steff almost completely backed out- if it wasn’t for the same lecturer who assured me attending the bootcamp was something I absolutely needed to do!

And glad am I for their assurance!

My drive up to Derry was very pleasant. As soon as I arrived at the hotel I met some of the other winners and I was immediately put at ease with their big smiles, interesting chat and genuine warmth. These were people like me!

That night we were treated to a fantastic meal in the Exchange restaurant in Derry city centre. The craic was ninety and the food was delicious!

The next morning (Tuesday) bootcamp officially kicked off with lovely welcomes from the Honeycomb team and straight into a fun personality workshop. After a card game which got the group instantly giggling and working together,  I learned about the four general different types of people (not that anyone can be labelled into any one type of course)- the two extroverted types and the two introverted types. I learned how these kinds of people generally think, behave and react to each other. The card game revealed that I am indeed an introvert- the kind who responds to others body language instantly, smiles a lot, tends to procrastinate, is generally quiet and shy and likes to take direction from others (over a cup of tea!)- yes, that’s me all over! I knew this already but it was lovely to learn there ARE others like me and how to approach the extroverts!

This was followed by a fantastic talk from Richard Williams from N.I Screen with great advice and useful information for us.

Great talk from Richard Williams to Honeycomb Creative Buzz Award winners. Really good advice on how to get started! pic.twitter.com/t8LCnKXgBi
Great talk from Richard Williams to Honeycomb Creative Buzz Award winners. Really good advice on how to get started! pic.twitter.com/t8LCnKXgBi

After lunch we started working on our pitching skills, learning how others deliver successful and smart pitches quickly and with structure.

After this we attended a Culturetech event in the Craft Village (much to my delight as there was a beautiful little shop I wished to visit there!) about starting up businesses in the creative arts. We listened to fascinating stories from three speakers about their ideas, their initial struggles, their developments and their successes. It was fantastic to hear how they went from their normal day-job to the job of their dreams.

Wednesday started with a workshop which was all about thinking on your feet- how to improvise. This was a lot of fun as it was all games that got us interacting as a group. I was initially terrified of staring into a strangers eyes- I tend to find looking into a strangers eyes unsettling- it makes me feel invaded and uncomfortable! And in turn, I tend to think I’m making them uncomfortable! I’m always aware of trust issues regarding eye contact but this is not my intent! (People I know and trust I am ok with!) So some of the games really freaked me out and I very nearly bolted but the ladies running the group were very understanding and said my feelings were totally ok- something I was never told before! It wasn’t long before I felt brave enough to join back in and enjoy the craic!

This workshop actually turned out to be one of the biggest benefits for me on reflection. It tied in perfectly with my life coaching that I’ve been working so hard on during the summer- building my self confidence, accepting myself, learning to feel joy towards myself and others, not feeling lost in the crowd and indeed- looking people in the eyes without fear.

After another amazing lunch, Josh Richards (science comedian and speaker, physicist, ukulele lover and astronaut candidate. graduate short-listed among 705 to colonise Mars with ) captivated us with his stories, his dreams, his infectious laughter and smile. We fired loads of questions at him and even though his hour ran out, he stayed back and chatted some more with us over coffee, we milled around him, taking photos and asking as many questions as we could! He really touched my heart and he will very well be the source for inspiration for a very future song I wish to write!!!

Meeting Josh Richards!
Meeting Josh Richards!
Funny Twitter conversation with Josh later!
Funny Twitter conversation with Josh later!

We continued our pitching skills workshop afterwards, pitching fun ideas to each other and then working on the tough stuff- our real pitches to deliver to the industry panel the next morning! We also received mentoring from industry experts- invaluable experience!

Teamwork!
Teamwork!

The next day (Thursday) was the day of truth- we were all a light-hearted bunch of people with all of our different personalities but one thing we shared- an anxiety about pitching our skills or business ideas to an industry panel! It was a big deal as we wanted to do our best- it wasn’t about winning, it was about doing a good job and pushing ourselves that little further.

My pitch went good! I couldn’t help but be nervous, my voice revealed that! But I felt good- I did push myself into something I would normally run away from- and hey, it didn’t hurt! 🙂 I pitched to them my skills as a music producer- what I could offer them if they were a top music studio, what ideas I have for the future of recorded music, my experience etc etc! My three minutes flew by in a heartbeat.

After a very pleasant walk around the city and lunch, there were more talks to listen to.

Greg Spence (producer of Game of Thrones) inspired us with his stories of the work he’s done, his journey and what he loves. He showed us the incredible work that goes into Game of Thrones (I knew it was brilliantly done but their pre-production is out of this world!!!). He didn’t just talk for the film/video/tv people, he spoke about the other creative work that goes into making a tv show (music, art, design, textiles, animation etc, etc.).

Honeycomb Creative Buzz Award winners 2014 with Greg Spence, producer of Game of Thrones.
Honeycomb Creative Buzz Award winners 2014 with Greg Spence, producer of Game of Thrones.

The last talk was more business- how to get investment in projects etc- valuable information was learned.

Bootcamp came to an official close that evening with two announcements- the person who came up with such a brilliant business idea that it was going to get further advice from an industry professional and the overall winner of the Honeycomb Creative Buzz Award.

It was after the celebration that our lovely group parted- some of us left for home and some stayed for further partying and Culturetech events! I went home as Derry is about a three hour drive and well, I missed my cat 😉

My cat missed me too :)
My cat missed me too 🙂

It took me the rest of the weekend to recover from such an intense week! The wonderful thing is we’re all keeping in touch. All the Creative Buzz Award winners are connected online and we are doing a great job staying in touch!

The seven graduates from DkIT who won the wonderful week of bootcamp (Rebecca Dykes and Sinead Duffy - graduates of the BA in Communications in Creative Media. James Heffernan - graduate of the BA (Hons) in Communications in Creative Media. Stephanie Caffrey, Ashling Grufferty and Sean McKeown – graduates of BA in Music and Audio Production and Hugh Thornton – Graduate of the BSc in Computing in Games Development.)
The seven graduates from DkIT who won the wonderful week of bootcamp (Rebecca Dykes and Sinead Duffy – graduates of the BA in Communications in Creative Media.
James Heffernan – graduate of the BA (Hons) in Communications in Creative Media.
Stephanie Caffrey, Ashling Grufferty and Sean McKeown – graduates of BA in Music and Audio Production.
Hugh Thornton – Graduate of the BSc in Computing in Games Development.)

Thank you Honeycomb Creative Works for a brilliant week. I gained so much, I’m so glad I went! You did a brilliant job and events like these really do perk up people like me! I have new friends, new contacts, new skills, new self-confidence and new experiences!

Enjoy Derry! Yours truly sitting in the Mayors Throne in the Guildhall!
Enjoying Derry! Yours truly sitting in the Mayors Throne in the Guildhall!
I may have come home 2 stone heavier ;) yum!
I may have come home 2 stone heavier 😉 haha yum- worth it!

Update: The seven DkIT graduates were featured in this weeks DkIT Times, read the full article at DkIT graduates attend CultureTECH festival | Dundalk Institute of Technology.

Exquisite Performance Of Original Music by El Grey at the Spirit Store, 09-08-14

Last night I finally got to see El Grey live! I have been waiting for an ideal opportunity to hear the voice of El Grey herself live for a long time and last nights performance at the Lockup Big Day Out gig in the Spirit Store, Dundalk, did not disappoint.

It was one of those gigs where you felt like the singer was singing only to you. One of those gigs where the hairs on your arms stand on end. One of those gigs that literally takes your breath away. And such gigs are rare.

I was in awe of El Greys voice- her vocal is powerful, expressive, delicate, haunting and strong- all at the same time. Her range is astounding and her style is unique. A voice you will never forget once you’ve heard it.

I watched her performance in absolute delight, superbly skilled in acoustic guitar- flawlessly, effortlessly fingerpicking- a natural player. During her performance she seems to enter another state of consciousness- a higher state of mind- her voice expressing her deepest emotions through soaring notes, beautiful on-sets and releases- a very dreamy sound world. A talented musician, she also plays the ukulele with a grace I’ve never seen before- no tacky jokey jingle-jangle here- her unique guitar fingerpicking style translates beautifully onto her charming little instrument.

Accompanied by Chris Topher on percussion and live electronic MIDI sequencing, her music takes on another dimension. Chris programs percussive loops using a MIDI interface and laptop. He also plays a large djembe while playing basslines with his toes! He trades El Greys acoustic guitar and ukulele throughout the set.

A duet clearly in control of their sound and production, El Grey uses the Boss vocal processor for hands-on control of her reverb and delay effects. Her long reverb tails and massive echoes are her trademark and her vocal processor is used to great effect. She clearly understands what she’s doing and doesn’t cloud her sound in a foggy, confusing mist of unnecessary decay. The overall sound is minimal and focussed- and believe me, anything but boring. The 45-minute set included all original songs except one Nirvana cover which was played in absolute El Grey style- she really made it her own.

It’s very clear there’s a super talent here. No wonder she has being going from strength to strength in the last year- winning an EP recorded with United Records and mastered in the world-famous Abbey Road Studios in London in 2013. Her 3-track self-titled debut EP was released 2014. The EP has been given airplay on a number of radio shows in Ireland and beyond, including Dan Hegarty’s The Alternative (2FM), Near FM Sessions (Near FM), and CSM – leading alternative show by Aleksandra Kaczkowska on Polish National Radio ‘3’ (Trojka Polskie Radio). Also El Grey’s recently become the Finalist of the Big Break All Ireland Music Competition organised by Hot Press Magazine (Top Five 2014).

It was very exciting for me personally to get to meet the duet after the gig, I couldn’t help but feel a tiny bit starstruck- when you follow an artists music online for some time that you really admire, you just can’t help but feel in awe, especially after such an amazing gig! I have to say, both Chris and El Grey are absolutely stunning people- they have such a genuinely beautiful energy and spirit, I couldn’t help but feel as if I had met them before! El Grey is very giggly and light-hearted, taking my camera and posing for hilarious selfies, I genuinely laughed this morning looking back on my photos!

Before I share some of my photos of the gig, get yourself a copy of the beautifully recorded EP on their Bandcamp here: El Grey.

Watch her official music videos and special behind the scenes footage of her EP here: el grey – YouTube.

Like the official band page on Facebook for regular updates and further information: el grey.

I hope you enjoy her music as much as I do.

El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14

Love and light.

Words That Burn Release New Single “Before The Fall”

Attention metal heads! Dundalk-based metallers Words That Burn released their new single “Before The Fall” via BandCamp over the weekend. And it kicks serious ass.

For me personally, the song brings the likes of Primordial to mind. The excellent production showcases the band as a mature and highly-polished unit with plenty of edge and energy expertly performed. Catchy guitar hooks, tight as hell bass and drums, excellent lyrics and a savage vocal performance make this latest release the bands finest output to date. I love the fabulous contrasting middle eight for the well-considered, layered vocal harmonies- the lower register of Ronan’s vocal gets me every time.

Download the song at the link here: BEFORE THE FALL | Words That Burn. Name your price! It’s free if you want it to be!

The accompanying video was released this evening on YouTube- excellent work! Check it out below:

 

Their previous album Praey is also available on BandCamp to download- name your price: PRAEY | Words That Burn. Also awesome merch is available here: Home / Words That Burn Shop.

The band’s next major gig is at PhilFest 2014 in Fibbers, Parnell St, Dublin (Sunday the 29th of June)- a 2-day heavy metal event with a fantastic lineup for a mere €5 per day- you’d be bonkers to miss it!

Get liking Words That Burn on Facebook.

Get following @words_that_burn on Twitter.

Rock out!!! \m/

WTB

1st Annual Final Year Showcase of BA Music and Audio Production

Tomorrow night is a big night for us Third Year Music and Audio Production students at DkIT. We are presenting our major production projects in the Spirit Store and we’re very excited about it!

Image

We were the first ever intake of Music and Audio Production (2011) and our production  projects combine everything we have studied over the last three years.

We have worked with teams of musicians from the BA Music Applied plus other courses in DkIT as well as musicians outside of the college on our individual projects.

There will be something for everyone at this event- our songs range from Folk to Rock, Pop to Dance and Celtic New Age to Metalcore!

We are looking forward to celebrating our hard work and hearing each others final mixes.

Entry is free and doors are at 7.30pm, do come along!

More info: 1st Annual Final Year Showcase of BA Music and Audio Production | Dundalk Institute of Technology.

For course details please visit: BA (Hons) Production of Music and Audio | Dundalk Institute of Technology.