I enjoyed the concerts and rehearsals so much I couldn’t bear the thought of parting ways with the choir after the shows last weekend. I got such a lovely, friendly, positive energy every time I was around the members of the choir! Chancing my arm, I offered my services of alto vocals and my offer was greatly accepted with open arms! I attended my first rehearsal as an alto last Tuesday and there I received the warmest welcome from everyone.
I have been aching to take part in a music production for a long time, I’m so excited!
Today we performed at the Annual Mass for Road Traffic Accident Victim’s in the Augustinian Church, Drogheda. I was playing bass again alongside Alan Barton on drums, Gerry Simpson on piano, backing up the choir. It was a very beautiful and touching Mass.
I will be announcing further performances in the near future!
I’m delighted to announce I have joined Gerry Simpson and the Augustinian Gospel Choir band for their upcoming concerts in Drogheda, Co. Louth this November!
I will be playing bass guitar alongside Dermot Roche on electric guitar and Alan Barton on drums.
This is the biggest production yet of the Augustinian Gospel Choir with their special two night show in the Barbican Theatre, William St, Drogheda, November 9th and 10th with a full camera crew and special guests Pat Coldrick (amazing classical guitarist) and Gerry Mulroy. They will be launching their new DVD and everyone joining them will receive their latest CD- free!
Tickets are available at the Barbican venue itself and in CD World, Town Centre, Drogheda.
I’m very, very excited and hope to see my friends there!
Trouble with a capital “T” came to Drogheda last night! The Trouble Pilgrims played a secret gig and rocked Clarkes Bar!
Delivering high energy rock since 1974, the Trouble Pilgrims are the current members from the Radiators From Space- Steve Rapid (vocal and theremin), Pete Holidai (the Devil’s guitar and vocal), Johnny Bonnie (drums and vocal), Paddy Goodwin (bass guitar and vocal) and are joined by Tony St Ledger on rhythm guitar and vocal. The Radiators are without founder member, vocalist/guitarist Philip Chevron.
The Trouble Pilgrims live set includes material from all of the Radiators From Space albums, classic cover versions as well as songs from Pete Holidai’s solo album The Devil’s Guitar.
The band are playing small venues in preparation for their big performance in the Olympia this August.
It was a personal delight to catch up with Pete Holidai and watch him rock out with his devilishly handsome leftie Burns Hank Marvin white electric guitar and red 1976 Fender Strat. Pete is a huge inspiration to me as a guitar player, music producer, song-writer and teacher.
I’m a huge fan of the sound of Pete’s white Burns guitar in particular, clean yet crunchy with plenty of sexy Rez-o-tube tremolo, it’s the unmistakeable sound of the Devil’s guitar! I’m MAD to own a Burns Hank Marvin guitar myself now (because the nine guitars I already have aren’t enough!).
Pete’s solo album The Devil’s Guitar is a personal favourite of mine, it being the main album I listened to the second half of 2011! The Trouble Pilgrims treated us to “Jack of Hearts” which was the very first song I heard from The Devil’s Guitar before the mix was even finished in early 2011!
My favourite song from The Devil’s Guitar (that baritone guitar gets me every time!):
Wonderful live sound, wonderful performance and a wonderful atmosphere! If you get the opportunity to see the Trouble Pilgrims in an intimate venue near you, I urge you to go! They rattle cages and pull chains!!!
It’s that busy time of the semester again! The time where time itself is running out and the assignments are piled high! Recording projects are wrapping up and are in the final mix stages, essays are full speed ahead and how I wish there were more hours in each day!
Tonight I finished tracking my Music Production Project for semester 4. I haven’t blogged about the production process like I did last semester, so apologies for that! This semester FLEW, I think the Erasmus trip to Norway accelerated that, where does time go when you’re having fun, eh?!
I have been working on one of my own songs for this semesters’ production project. It is a song I started working on over Christmas, inspired by Electronic/Dance music I had been listening to a lot (and still am- I’m also currently enjoying various Dubstep tracks while walking, the Sound City album while driving and Evanescence while running!). I have been writing New Age/Chilled Electronic for a few years now as I really have been enjoying creating music “in The Box”. Logic Pro 9 is my little getaway place!
While I was in Norway I continued working on the piece of music, structuring and shaping the sounds and taking deep inspiration from the emotions and experiences of the Erasmus Programme and the natural beauty of the cold, snowy, sunny, fjord and mountain landscape. The programme was very intense emotionally as I struggled with homesickness for my friends, college, home and family, I felt slightly lost at times as workshops made me close my eyes, look inside myself and think about sound, light and creativity in new ways.
When I came home I had a draft mix of synths, beats and ambient nature recordings, which I was very happy with. There were only 2 lines of lyrics, which I tracked at home “Close your eyes/What can you see?”. I listened to my mix on the lovely Genelecs in the college studio just for fun and it was suggested that I make the the music into a song, go write lyrics and melodies and think about bringing the song to a whole new level, record acoustic drums and other instruments! Make it my production project! I was skeptical at first as I was rather attached to this piece of music (music for thinking to- as I saw it as), which I composed entirely by myself.
Enter Keith Caffrey. If you have been following my blog, you’ll already know that Keith is like the other musical half of me! He is my songwriting partner and close friend, the music I’ve written with Keith through the years has always had deep, personal meaning and a creative enjoyment I never experienced before. I sent Keith the draft mix and emotional ideas I would love to communicate through lyrics (closing of the eyes, looking inside myself and being more aware of myself yet still feeling slightly lost).
Very quickly the music turned into the song. Keith came down to my bedroom studio and we tracked the entire vocal idea. The lyrics were so deep, personal and emotional, Keith understood perfectly what I had been feeling (as spiritually close friends, there are few who understand me so well!). It was also as if Keith KNEW we had only been studying the art of vocal expression in college, he felt the song should have lots of aspirate on-sets and releases, creaks and shakes.
With minor structure adjustments and a guide vocal done (and a huge migration into Pro Tools 10!), the song was ready for addition instrumentation. I’m not going into the nitty-gritty details of my sessions but I recorded drums in session 1, harp, piano and electric guitar in session 2 and female vocals in session 3.
During my time in Norway I made lots of new friends and valuable contacts, Fiona McErlane being one of them. We met in the airport and sat next to each other on the plane from Dublin to London and hit it off straight away with giggles over drinks! I heard her singing in the music performance workshops in Norway and was blown away by her pure, crystal clear, angelic voice. I knew back then I wanted to work with her in the future but didn’t know for what project!
I asked her to sing on the project and play a little bit of traditional harp. She was excited about the song and the inspiration of the music and lyrics (she was actually present when I made the recording of the fjord shore in Norway).
So tonight was our final recording session, we tracked lots of vocals and had a very productive session. I was so happy with her performance, she gave it 110% emotionally and technically, she jumped right in with suggestions and gave it her all. I was also happy that I got to finally track using the Distressor compressor (gentle 2:1 ratio) and got to try out the Rode K2 valve mic, it sounded sweet!
Our session was the first official night time recording session in DkIT 6pm-9pm. Yes! Finally! A night time recording session!!! I’m a big fan of working in the evenings/nights (last semesters’ Monday 9am-12pm were not to my liking!). Energies are high, vocals are warm, people tend to be more relaxed in the evenings I find! So please, for next semester, more night time sessions please!
I better go to bed, it is 12:30am now and tomorrow is a new day of vocal editing! I will of course share the song “Close Your Eyes” when it’s mixed. Special thanks to Keith Caffrey, Fiona McErlane, Craig Sullivan, Gavin Clarke for their creative input and help and to my friends for their support!
I’ll leave you with this fun snap from tonights session!
Very excited for tomorrow! Part 2 of my music production project is taking place! I’m recording double bass and acoustic guitars and one electric guitar for “December” the song myself and Keith Caffrey (we’re better known as Shock Sorrow!) wrote together this summer. The parts are all written and ready to go! Keith is going to play a fantastic guitar solo, it’s all very exciting! 🙂 I will be advancing my recording skills by applying a little (and I mean a little) bit of compression when tracking! I’m looking forward to this!
I’m all packed (I’ve a ridiculous amount of stuff to bring with me, hehe, I’ll be the crazy music lady walking through the college corridors tomorrow! Roadie position is available! haha!) and I’m off to bed, tomorrow’s an early start!
Reflection diary plus photos will be online tomorrow evening, like the last time!