Tag Archives: Electronic music

My Names A, Your Names Zed… New Music from El Grey

For the creators and for the fans, active listeners or passive listeners, music has the power to move us all incredibly deeply. Sometimes we’re right here- in the moment and sometimes we’re floating in a sea of sounds- we blissfully lose ourselves for a tiny while.

And sometimes we’re both- Here and There.

The latest release My Names A, Your Names Zed from El Grey is exactly that.

el grey my names a your names zed
My Names A, Your Names Zed

If you’re already a fan of El Grey you’ll come to expect haunting, stunning and breathtaking vocal performances as standard. You’ll also expect crunchy beats mixed with a wash of synths and gentle acoustic guitars. You’ll also be aware that her music is deeply personal to her and each song is a little piece of her soul, committed to record.

Take all that you already know about El Grey and put a little twist on it. You won’t find this track anything like her previous release El Grey, but you will find her distinctive, trademark vocals affirming her ardent passion right here. Glistening synthy motifs bounce over and back a sound world of luscious piano playing and looped, reverberant vocals. Instantly you’re taken by the hand of El Grey herself into the infinite cosmos. If you haven’t gotten goosebumps multiple times within the first 60 seconds then you’re not ready for the journey she wishes to bring you on.

Hypnotic yet deeply grounding, her chanting vocal pulls you right into the centre. Looped over and over with additional harmonies, her voice guides the way- “Grab a coat, find a home”. While the chant gives way to a choir of swirly, angelic vocal expressions, we’re lifted further into the heavens, soaring high, looking for Home.

The mood changes somewhat after this point. You’ll hear a male voice enter- another new sound for El Grey. You’ll know that there’s something very special going on here- something very deep and very personal. In absolute contrast to what we’ve been listening to, she sings in her native tongue- and it works brilliantly. Switching languages in one song is a new and brave move for El Grey for she has something personal to say-revealing another dimension of herself and affirming her spirituality though her music.

El Grey

For me the most poignant lyric comes in around the 7-minute mark- “It’s just one heartbeat away from you” with echoes of “one” bouncing around, underpinning it. The music producer in me loves that line. The sentiment in me loves it too. It’s a line I’d hang on to for dear life.

This recording is 100% live and one take only. There was no pre-production. There was no doctoring this up in post-production either. The barest moments of extraneous sounds pop in and out here and there but these are not faults. Such sounds tickle my imagination and for me, they add to the soundscape. The piece in its entirety has a completely natural feel and I’m certain the musicians lost themselves in this performances-lost themselves to find a little something on the way back.

You could use a multitude of words to describe this track (atmospheric, holy, meditative, serene, gripping, stunning, special…) and you could find a multitude of situations to enjoy it in – at home with a candle, on a long, night-drive home, walking around a busy city- for it’s completely immersive and completely El Grey.

Enjoy the music here: My Names a, Your Names Zed – EP by El Grey on iTunes

El Grey: My Names A, Your Names Zed – Music on Google Play

el-F# | El Grey

elf logo7

El Grey perform tonight at the Hot Spot Music Club, Greystones in support for Oxfam Ireland alongside bands Calm State, Woodlark and Retrofix. More info: El Grey, Calm State, Woodlark, RetroFix play for Oxfam

 

 

1st Annual Final Year Showcase of BA Music and Audio Production

Tomorrow night is a big night for us Third Year Music and Audio Production students at DkIT. We are presenting our major production projects in the Spirit Store and we’re very excited about it!

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We were the first ever intake of Music and Audio Production (2011) and our production  projects combine everything we have studied over the last three years.

We have worked with teams of musicians from the BA Music Applied plus other courses in DkIT as well as musicians outside of the college on our individual projects.

There will be something for everyone at this event- our songs range from Folk to Rock, Pop to Dance and Celtic New Age to Metalcore!

We are looking forward to celebrating our hard work and hearing each others final mixes.

Entry is free and doors are at 7.30pm, do come along!

More info: 1st Annual Final Year Showcase of BA Music and Audio Production | Dundalk Institute of Technology.

For course details please visit: BA (Hons) Production of Music and Audio | Dundalk Institute of Technology.

New Song: “Go Left”

Go Left

(Lyrics, music, performance, production and mix by Stephanie Caffrey, December 2013.)

Should I go left?
Should I go left?

Losing my path,
Losing my way.
Afraid to ask
Should I go left?
Longing to go,
Aching to stay.
Afraid to ask
Should I go left?

Should I go left?
Should I go left?

If I go what will I find?
Will I heal this heart of mine?
I’m looking for where I belong,
Searching deep for so long…

New Music: “Avradî” is an Instrumental For The Soul

I have been feeling compelled to create some new music lately, especially the last couple of days. In recent times I have been feeling a strain and somewhat hampered when it comes to creation but tonight I put all thoughts of negativity out of my head and let my creative mind wander.

I knocked off the click track and just played. I played what I have been feeling in my head and my heart. There are emotions and thoughts bound to this piece of music which I cannot disclose here.

This all sounds rather holistic and I suppose it is, my approach to creativity and music has always been focused on my Higher Self and expressing my inner-most thoughts.

So I’m putting this piece of music online because I feel it’s an accurate representation of who I am and what’s going on in my head at this point in my life.

New Song: “Close Your Eyes” feat. Fiona McErlane and Keith Caffrey

Today I’m sharing my latest music production project “Close Your Eyes” which features my guest vocalists Fiona McErlane and Keith Caffrey.

I talked about the creative and recording process in my previous blog post.

I finished the mix last night and I’m delighted with the response already to the song. This was yet another very personal and emotional project. I hope you enjoy it!

“Close Your Eyes” was composed by Stephanie Caffrey and the lyrics and vocal were written by Keith Caffrey.

Female vocals: Fiona McErlane
Male vocals: Keith Caffrey
Acoustic drums: Craig Sullivan
Traditional harp: Fiona McErlane
Acoustic piano: Stephanie Caffrey
Electric guitars: Stephanie Caffrey
Synths: Stephanie Caffrey.

Recorded, produced and mixed by Stephanie Caffrey.
Special thanks to studio assistant Gavin Clarke.

Recorded in Dundalk Institute of Technology Feb-May 2013.
Copyright Stephanie Caffrey.

It’s Christmas!!!

I wanna scream and shout and let it all out!!!

Thank goodness the assignments are DONE (apart from the write-ups, DOH! but they are to be done over Christmas anyway, phew!) !!! I have to say the last 2 weeks in particular were an absolute killer! I love the busyness of college life but when life duties get in the way that’s when I get super stressed! But no matter, I seem to have made it out alive, once again!

I have learned an absolute wealth of information this semester, especially about Pro Tools and microphones. I was always very fraidy of microphones until really the last few weeks! I was unconfident as to selection and positioning but now I have a much clearer head and feel like I’ve learned something! I’m also not as afraid of the big, bad mixer console! I really got to grips with it in the last couple of weeks and finally it makes sense. Of course I understood it before but now I really do feel better about it! I was told I need to be more confident and get a little bit of attitude but I think it’s coming 🙂  I’m only just starting to feel like I can trust myself. I’m ever doubting myself. I need to throw that away and not be afraid to make a mistake.

DkIT CRM1 :)
DkIT CRM1 🙂

The last week or so you wouldn’t have seen me without my head stuck in Pro Tools on my laptop (unless I was in the studio playing violin on recording projects for fellow students!). I was busy mixing, doing small touch ups for my own music production project “December” by Shock Sorrow (the mix is now complete and will be shared soon). I was also creating a sample library of 4 instruments recorded separately in various acoustic environments with 3-4 microphones (close, near and far). I have put together a library of fiddle (recorded in a long corridor) traditional flute (in a big room), bass trombone (in the Winter Garden) and snare (in a small room). I shall blog in detail about that during the weekend!

I’m delighted to mention that after the Christmas exams in January, I’m heading off to Norway with the Erasmus programme! I can’t wait!

Can’t believe I’m halfway through this degree! I absolutely love student life at Dundalk Institute of Technology, I’ll be a sad bunny when I have to graduate in 2014!

Christmas shopping has to be completed on Friday, lol, I haven’t had the headspace for it this year! Only of course when it came to Christmas divil-ment in college earlier on this week! 😉 teehee…nom!!!

Now all I want to do is dance and have a drink, or two… Here’s some tunes I’ve discovered this week and they make me want to dance so much! (not that I can actually dance, but it would be awesome to hear these loud, in a club and be merry!)

Nice and dirty track with those great trancey vibes I love R3HAB for. I think Skrillex is the master of that robot synth and slick editing sound but this latest offering from R3HAB is well sweet! Approval! Play it loud!

I feckin DIG this! It’s so catchy! I heard it on the radio in work when I was in the stockroom, I literally stopped what I was doing and hid so I could enjoy it and hear who they hell it was. I was shocked when I realised it was Britney bitch! Rockin! Catchy vocals, awesome synths, simple beat, great hooks! Love this kind of pop production (but you knew that anyway!). Sexy stuff!

Happy Christmas all!!!!!!!!

Lola kitteh IS looking forward to Santy.... :)
Lola kitteh IS looking forward to Santy…. 🙂

Studio Session 2: A Reflection :)

I must be getting old or I must just be a hard worker! After the 3 hour session in the studio this morning, I was left absolutely exhausted for the rest of the day! Teehee! Only now, at 11pm after a long, hot shower and a couple of headache tablets do I feel like my normal self again! 😀

Studio session number 2 for “December” went fantastically well! In short I got everything I hoped to record committed to virtual tape/disk/the digital land that is Pro Tools! 😀

I recorded 3rd Year Applied Music student Ciarán O’Brien first thing this morning. Ciarán is an expert in all things bass! Armed with a double bass and a bow, Ciarán gave me unexpected goosebumps, I couldn’t help but squeal with the sheer audio-pleasure! Hehehe! I literally could have listened to that all day long. But time was precious so we had to get to business straight away and track pizzicato bass for “December”. We had to keep a very strict schedule as I only had 3 hours from the minute I entered the studio to the minute the gear is checked off when I wrap up! So working quickly, I set up a Neumann U87 about 14 inches away from the bridge of the bass. Time was ticking faster than I thought and we got 4 takes (20 minutes-the song is 5 minutes long). I will have to comp a little here and there but I’m absolutely delighted with what Ciarán played. He’s a little star, a pleasure to work with, very professional!

Ciarán O’Brien and the Neumann U87

Next was the recording of my own 12 string acoustic guitar. My assistants Shauna Kearney and Shane Taaffe were absolutely brilliant help here. They set up my microphones as I required; an AKG C414 in a corner, cardioid pattern, 1 overhead, omni-directional for some room ambience and a Shure SM57 at the 12th fret. A sparkly 12 string with some bass presence. The corner idea may seem odd but trust me, the warmth it offered works in the production.

Myself in my multi mono mic set up

In case you were wondering, Shane played the guitar in the style of the song while I monitored the sound in the control room and asked Shauna to move the mic here and there, an inch or two closer etc! Only after I was happy, did I sit down (on my cajon actually, brought it with me just to sit on it-best seat in the house for guitar playing!) while took over the recording process for me.

Ever watchful of the ticking time, I spent exactly 30 minutes tracking my part. The only problem I had was of my own right hand on one part which decided to have a mind of its own, when I got over that, we had a few takes which I will comp together later.

Following that was Keith’s 6 string guitar parts using the same multi mono mic set up. Keith owns a gorgeous Tanglewood jumbo guitar which a lovely bass presence. His parts are complimentary to mine, filling in single strums for the chorus’s (two separate takes, one left and one right for the mix-down), an arpeggiated fill for the final chorus and of course the big solo. Keith was so in the zone he played the main rhythm and solo in the same take, much to my delight and the ticking clocks! The arpeggiated fill took the longest to record like myself, one finger refused to be told where to go! It happens to us all huh? 🙂 But Keith is also a pro and nailed it.

Keith recording in studio

Looking at the watch, 20 minutes left? Let’s record one more thing before we leave! Pop the Shure SM57 in front of the Marshall Valve-State combo (to one side of the cone), whip out that Fender American Stratocaster, plug in the Boss DD6 Digital Delay pedal and pop that bottleneck slide on your finger please Keith! Make me some noise, anything at all! Soulful cries of a Strat, yes, this is an element I wanted indeed for that final chorus.

Keith feels it out on my Strat 🙂
Excuse my mess but with minutes to spare, Keith tracked electric guitar like a pro 🙂

Ten minutes left…. tidy up, fast! All hands on deck as we backed up the project, tidied away the mic stands, leads, guitars etc!  Bang ont he stroke of midday we were ready to hand over the studio to the next session team!

Not a single minute was idle and I have to thank my production team for working so hard, they deserve a well earned drink! Thank you Keith Caffrey and Ciarán O’ Brien for your artistic skills, very creative and especially appreciated before 12 Midday! Morning studio sessions are never easy! 🙂 Thank you Shauna Kearney and Shane Taaffe for the technical side, you were both stars and complete professionals with the equipment!

So next to do on the list is some minor edits and minor comping. Then we get ready for our last session in 2 weeks time where we nail the lead vocal, harmony vocal and creative element track! 😀

And after that? A small mix and Christmas drinks! 😉

New Song – “The Key” by Stephanie Caffrey :)

I have been feeling creative lately! I’m announcing the follow up track to “Ashes Forever” which I posted online a couple of weeks ago… “The Key”. 🙂

Composition for this piece started about two weeks ago in my bedroom studio. I wished to complete it before my trip to Oxford so I could mix it over there, but feeling this song was coming from somewhere very deep inside me, I didn’t want to rush the creative process.

I had composed all the music by the time I got to Oxford and there I mixed what I had and structured half the song.

I returned home to Ireland in a whirlwind of emotions and penned the lyrics and vocal melodies shortly afterwards. This song is a deep one to me and I hope the listener enjoys my creation.

It’s the first time I’m publicly showcasing my violin skills on a recording and also my lovely B flat tin whistle, I was really surprised how nice it recorded, adding just a touch of reverb! It’s probably also the first song I’m actually not playing guitar! Written, composed, recorded, produced, mixed and mastered entirely by myself with the exception of giving my friend Lee Fitzpatrick some deserved credit for advising me on my equalisation curves at the early stage of mixing!

Me and my violin! (This picture is back to front, I’m not left handed!)

So put on your headphones, sit back, relax and breathe and enjoy “The Key” 🙂

Steffy xx

Listen to This! Trend-E feat. Stephanie Caffrey “Don’t Assign Yourself” (Extended Vocal Mix)

Have to share this! I’m so excited about this song!!!

Completely spontaneous, completely natural, definitely inspired!!! I present my latest creative, collaborative production; “Don’t Assign Yourself” composed, mixed and produced by the brilliantly talented Trend-E!

Trend-E

Trend-E is a young, up-and-coming electronic music producer based in Drogheda. We actually got to know each other through Facebook after our bands played a few gigs in the town (Sarsfield’s Bagfull of Songs open mic night, the Purple Room’s Jam for Japan, multi-band charity night to name a few!). Trend-E is also a very talented rock drummer! He got in touch with me and we got to know each other, sharing music videos of our favourite bands (of which we have alot in common actually!) and sharing our original compositions through SoundCloud.

We actually never formally met until last week!

Trend-E uploaded the original instrumental mix of “Don’t Assign Yourself” last week online and when I listened to it, I was immediately inspired. I don’t consider myself a vocalist (only on rare occasions!) but this music really turned me on! I quickly downloaded (ahem, bold me- much to Trend-E’s amusement!) the mp3, threw it into Logic and recorded some vocal ideas. I bounced a rough mix and emailed it to Trend-E, thinking he probably would be flattered if anything and carry on as normal.

Quite the opposite! He immediately Facebook-ed me back and was so excited about my ideas, we met up that afternoon (for the first time!) where we exchanged the vocal audio files. I told him to do whatever he wanted with them, in-fact he asked for more! He asked for a verse and the next available moment I had to spare, I wrote some lyrics and recorded the verse! An hour after that we met up again and exchanged the files.

3 hours later the mix was complete, much to my shock and amazement! Not only did he place the vocal parts where I recommended, he chopped, edited, filtered, sampled and tweaked several of my vocal parts and added them in all over the song, it sounds CLASS! Trend-E the Ableton genius!

I am highly impressed and addicted to the song! I love the creative things he did to my vocal, it’s nice to be on the opposite side of the glass, so to speak! Normally I’m the one editing and processing vocals, and doing all the fun creative music stuff, mixing, producing, it was nice to record myself and just give the files to someone else to have creative fun with!

Completely unexpected! I didn’t expect to fall in love with a song and actually collaborate with a DJ! Oh yes, by the way, DJ’s rock! 🙂

Have a listen, if you’re in the mood to head out clubbing or dancing or driving your car or whatever, this should lift your mood and I hope you want to sing along! Just in case you do, here’s my lyrics;

Don’t Assign Yourself

(lyrics by Stephanie Caffrey)

Don’t assign yourself,

Don’t assign yourself tonight.

Read the signs,

And choose your path.

Read between the lines,

And tear the map.

Find, find, find the light.

Find, find, find the light.

Don’t assign yourself.

(a sign, a sign, a sign…..)

Don’t assign yourself.

Download My Original Track “Breathe” (Instrumental Mix 2012) For Free on SoundCloud!

Hey folks, as I’m in a super-generous mood today, I’ve decided to release my instrumental mix of my original song “Breathe” for free download on SoundCloud for a limited time! (See link above! grab, grab, grab!!!)

I composed and performed this music last year using my favourite DAW Logic Pro 9 and with the help of Keith Caffrey (the other half of my acoustic-rock duet Shock Sorrow- no relation!), lyrics and vocal melodies were added soon after. The full version was received really well amongst my friends and colleagues and even got played over-seas on a TKS Radio podcast in Canada, Manic Mondays hosted by Fallon Bowman (my vocal idol!) and Andrew “Draco” UnaSchulman. Draco reacted to the song extremely well and his comments were actually hallarious! He made me cry with laughter and Fallon herself made some really lovely, positive comments.

The original podcast can be found on YouTube: [youtube http://www.youtube.com/watch?v=VKkqq0VtnUM]

I have uploaded an edited version that skips directly to the comments: [youtube http://www.youtube.com/watch?v=uGjRldtOFno]

So enjoy the free download, this mix focuses on the instrumentation and I’ve included some backing vocals for good measure!

I do wish to release the rest of my chilled-electronic solo material in the very near future! Watch this space!

Follow me on SoundCloud, get in touch!

Steffy x