Some vocal edits, some tweaks, some mix balances, I don’t think I should call it a remix but a small re-work of my original song “Close Your Eyes” which features Fiona McErlane and Keith Caffrey on vocals.
I personally prefer this version. I intended on making the female vocals and drums clearer. I especially hope the listener is drawn to the delicate subtleties of Fiona’s voice.
Thought I’d post a little update of my own creative musings!
Yes, I have been busy musically. I’ve been working away on my next New Age/Chill Out/Sexy Celtic/Whatever You Wanna Call It track! It’s an idea which sparked off a few weeks ago but I did not have the energy to continue, now it’s full steam ahead!
I’ve been having fun blending my favourite sounds from Logic’s ES2 and EX24 synths as well as making my own sounds in the Sculpture synth and recording lush harmonics from my 12 string acoustic, reversing them and having fun with my Roland Gaia SH01 synth.
Vocal ideas suddenly came and with them, a lyrical theme. These were sent off to my songwriting partner Keith Caffrey and although he has only indulged me with a tiny taste of what he has written, I have been blown away. He has possibly outdone himself this time! I can’t get over what a gift he has with words, he really writes so beautifully and from the soul! Every lyric Keith writes, whether it’s for our acoustic-rock Shock Sorrow duet, his heavy metal band Black Svan, his own solo material or for my solo New Age/Electronic music, is always deep, meaningful, interesting, emotional, personal and universal. I can’t wait to hear his lyrics with melody! (Oh I forgot to mention his amazing melodies, guitar playing and all round gift for music, any instrument Keith puts his hands on, he can play it!)
I recorded some violin ideas last week on a whim, when I say “violin” I really mean “fiddle”! My love for Irish traditional is clearly evident in this one! I always preferred playing traditional music, be it fast or slow (really love the minor and modal pieces I learned from a great old fiddle player many years ago) to the classical, technical pieces (which are of course wonderful but that style never felt right for me- though I do not knock for one second the theory and technicality I learned through those pieces!) I studied in my school days.
I decided tonight that yes, indeed, there will be a fiddle solo in this one. 😉
That’s really all I will say right now, until I hear the rest of the lyrics with the melodies, I can’t finish the structure but I really am looking forward to recording this. I’m thinking of asking a guest female vocalist to sing it. I’m also strongly thinking that this might well be a demo for a possible future college recording project, real drums would be fantastic… now to find a drummer… if you know any, send them my way please!!! (firstname.lastname@example.org, for reals!!!!)
Still on a high from the Trouble Pilgrims gig over the weekend, still badly wanting my own Burns Hank Marvin signature series electric guitar!!!!
Also I see Logic Pro X has been unveiled today! Looks pretty slick, I gotta say! I do like the new interface. I was afraid it was going to go all GarageBand and childish in style- I LOVE GarageBand-hey, it was how I started, pretty much (if you don’t count mucking around in good old, Cool Edit years and years ago) but desperately hoped Apple would keep Logic professional! It sounds good with new features Drummer, Flex Pitch, Track Stacks and an Arpeggiator! I am excited! But I have absolutely no reason to upgrade, I love Logic Pro 9, it’s stable on my iMac and Macbook Pro, it works a treat. I wouldn’t mind having a go though! The Apple Press Info hasn’t said whether it has changed it’s plug-ins at all, like Pro Tools 11 has (oh dear! Big no, no for me there! Happy to stay with Pro Tools 10 for college work, even if off-line bouncing is a desirable plus!). So for now, I’m sticking with Logic Pro 9, it’s the only Logic version which ever appealed to me (7 and 8 were disasters for me!) and the only version which ever inspired me!
It’s that busy time of the semester again! The time where time itself is running out and the assignments are piled high! Recording projects are wrapping up and are in the final mix stages, essays are full speed ahead and how I wish there were more hours in each day!
Tonight I finished tracking my Music Production Project for semester 4. I haven’t blogged about the production process like I did last semester, so apologies for that! This semester FLEW, I think the Erasmus trip to Norway accelerated that, where does time go when you’re having fun, eh?!
I have been working on one of my own songs for this semesters’ production project. It is a song I started working on over Christmas, inspired by Electronic/Dance music I had been listening to a lot (and still am- I’m also currently enjoying various Dubstep tracks while walking, the Sound City album while driving and Evanescence while running!). I have been writing New Age/Chilled Electronic for a few years now as I really have been enjoying creating music “in The Box”. Logic Pro 9 is my little getaway place!
While I was in Norway I continued working on the piece of music, structuring and shaping the sounds and taking deep inspiration from the emotions and experiences of the Erasmus Programme and the natural beauty of the cold, snowy, sunny, fjord and mountain landscape. The programme was very intense emotionally as I struggled with homesickness for my friends, college, home and family, I felt slightly lost at times as workshops made me close my eyes, look inside myself and think about sound, light and creativity in new ways.
When I came home I had a draft mix of synths, beats and ambient nature recordings, which I was very happy with. There were only 2 lines of lyrics, which I tracked at home “Close your eyes/What can you see?”. I listened to my mix on the lovely Genelecs in the college studio just for fun and it was suggested that I make the the music into a song, go write lyrics and melodies and think about bringing the song to a whole new level, record acoustic drums and other instruments! Make it my production project! I was skeptical at first as I was rather attached to this piece of music (music for thinking to- as I saw it as), which I composed entirely by myself.
Enter Keith Caffrey. If you have been following my blog, you’ll already know that Keith is like the other musical half of me! He is my songwriting partner and close friend, the music I’ve written with Keith through the years has always had deep, personal meaning and a creative enjoyment I never experienced before. I sent Keith the draft mix and emotional ideas I would love to communicate through lyrics (closing of the eyes, looking inside myself and being more aware of myself yet still feeling slightly lost).
Very quickly the music turned into the song. Keith came down to my bedroom studio and we tracked the entire vocal idea. The lyrics were so deep, personal and emotional, Keith understood perfectly what I had been feeling (as spiritually close friends, there are few who understand me so well!). It was also as if Keith KNEW we had only been studying the art of vocal expression in college, he felt the song should have lots of aspirate on-sets and releases, creaks and shakes.
With minor structure adjustments and a guide vocal done (and a huge migration into Pro Tools 10!), the song was ready for addition instrumentation. I’m not going into the nitty-gritty details of my sessions but I recorded drums in session 1, harp, piano and electric guitar in session 2 and female vocals in session 3.
During my time in Norway I made lots of new friends and valuable contacts, Fiona McErlane being one of them. We met in the airport and sat next to each other on the plane from Dublin to London and hit it off straight away with giggles over drinks! I heard her singing in the music performance workshops in Norway and was blown away by her pure, crystal clear, angelic voice. I knew back then I wanted to work with her in the future but didn’t know for what project!
I asked her to sing on the project and play a little bit of traditional harp. She was excited about the song and the inspiration of the music and lyrics (she was actually present when I made the recording of the fjord shore in Norway).
So tonight was our final recording session, we tracked lots of vocals and had a very productive session. I was so happy with her performance, she gave it 110% emotionally and technically, she jumped right in with suggestions and gave it her all. I was also happy that I got to finally track using the Distressor compressor (gentle 2:1 ratio) and got to try out the Rode K2 valve mic, it sounded sweet!
Our session was the first official night time recording session in DkIT 6pm-9pm. Yes! Finally! A night time recording session!!! I’m a big fan of working in the evenings/nights (last semesters’ Monday 9am-12pm were not to my liking!). Energies are high, vocals are warm, people tend to be more relaxed in the evenings I find! So please, for next semester, more night time sessions please!
I better go to bed, it is 12:30am now and tomorrow is a new day of vocal editing! I will of course share the song “Close Your Eyes” when it’s mixed. Special thanks to Keith Caffrey, Fiona McErlane, Craig Sullivan, Gavin Clarke for their creative input and help and to my friends for their support!
I’ll leave you with this fun snap from tonights session!