Tag Archives: project

For Your Ears, Heart and Soul: Leaca Bán – Na Tonnta

Posting and sharing with you, my most recent music production project, the beautiful Leaca Bán by 5-piece, traditional Irish crossover group, Na Tonnta.

Na Tonnta
Na Tonnta

Introducing Na Tonnta (L-R as above): Daniel ‘Hearthrob’ Whelan, Ellie ‘Ellington’ J McGinley, Sinéad ‘Brings her own teabags’ O’Malley, Ciara ‘I♥ Beoga’ Moley and Fiachra ‘Figgy’ Meek. The group met while studying Music in DkIT together and bonded through their love of traditional Irish music, popular music, tea, biscuits and cakes!

My journey with Na Tonnta began in September 2014. I was searching for a musically-new band to introduce to the recording studio and collaborate with for my final music production project at DkIT, resulting in three songs- one being the core and most-polished production.

Approaching Na Tonnta was an easy task. It was actually perfect timing! I already knew Sinéad, their flute and whistle player from the Norway erasmus trip in 2013 and I worked with Ellie, their vocalist and fiddle player on my previous production project, “Crystal Hearts” feat. Fiona McErlane by Audio_Girl | Free Listening on SoundCloud.

I knew I wanted to carry forward my love for traditional Irish music while bringing it into a contemporary production and I also knew Na Tonnta were a hard-working, creative and driven group from my Facebook stalking since they formed in October 2013!

Na Tonnta warming up for the Spirit of Folk Festival, 2014
Na Tonnta warming up for the Spirit of Folk Festival, 2014

Leaca Bán began in the rehearsal room. Sinéad introduced the idea to the group with the beautiful, haunting traditional tune, 250 To Vigo, accompanied by accordion player, Ciara. I sat, mesmerised by the performance- the beautiful tone of the B flat whistle, the rhythm of the tune, the sombre accordion, gently accompanying the haunting tune. The hairs on my arms stood and I knew instantly that this was a tune I wanted to be a part of. I could already hear our studio recording in my mind’s ear!

What happened next lifted my spirits even further. There was a lyrical idea. In fact, there was more than just an idea- there was a theme, a mood, an atmosphere and a poem! A vintage book was produced- a little blue book with yellow pages, about to be tossed out from a local school library where Sinéad worked. For some reason unknown to me, Sinéad opened the book and there was a beautiful poem at the beginning. The Lights of Leaca Bán by Alice Cashel is an old book intended for secondary school children but the poem simply titled Leaca Bán, found at the begnning of the book, is a literary work of beauty.  It was suggested that Ellie fit the tune to the words- amazingly, it worked like a dream. Ellie suddenly started singing the poem and it was just right.

Ellie and Fiachra in the rehearsal room
Ellie and Fiachra in the rehearsal room

By Christmas a humble demo which consisted of a vocal, fiddle, tin whistle and accordion was recorded and then my audio fun began. What I already had was a beautiful tune which was deeply Irish and could hold up on its own with such a small ensemble- how about adding drums? Synthesisers? Guitars? More vocals? How big could we go?! How big did I dare?!

Well, here’s the final production.  Listen for yourself.

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Alternative Version of “Close Your Eyes” is Online Now!

Some vocal edits, some tweaks, some mix balances, I don’t think I should call it a remix but a small re-work of my original song “Close Your Eyes” which features Fiona McErlane and Keith Caffrey on vocals.

Fiona McErlane
Fiona McErlane
Keith Caffrey
Keith Caffrey

I personally prefer this version. I intended on making the female vocals and drums clearer. I especially hope the listener is drawn to the delicate subtleties of Fiona’s voice.

Both versions will stay online! Enjoy!

Another Music Production Project Tracking Completed!

It’s that busy time of the semester again! The time where time itself is running out and the assignments are piled high! Recording projects are wrapping up and are in the final mix stages, essays are full speed ahead and how I wish there were more hours in each day!

Tonight I finished tracking my Music Production Project for semester 4. I haven’t blogged about the production process like I did last semester, so apologies for that! This semester FLEW, I think the Erasmus trip to Norway accelerated that, where does time go when you’re having fun, eh?!

I have been working on one of my own songs for this semesters’ production project. It is a song I started working on over Christmas, inspired by Electronic/Dance music I had been listening to a lot (and still am- I’m also currently enjoying various Dubstep tracks while walking, the Sound City album while driving and Evanescence while running!). I have been writing New Age/Chilled Electronic for a few years now as I really have been enjoying creating music “in The Box”. Logic Pro 9 is my little getaway place!

While I was in Norway I continued working on the piece of music, structuring and shaping the sounds and taking deep inspiration from the emotions and experiences of the Erasmus Programme and the natural beauty of the cold, snowy, sunny, fjord and mountain landscape. The programme was very intense emotionally as I struggled with homesickness for my friends, college, home and family, I felt slightly lost at times as workshops made me close my eyes, look inside myself and think about sound, light and creativity in new ways.

Inspirational beauty in Norway which inspired me
Inspirational beauty in Norway which inspired me
Random sign on my long walk through a Norwegian wood ;)
Random sign on my long walk through a Norwegian wood 😉

When I came home I had a draft mix of synths, beats and ambient nature recordings, which I was very happy with. There were only 2 lines of lyrics, which I tracked at home “Close your eyes/What can you see?”. I listened to my mix on the lovely Genelecs in the college studio just for fun and it was suggested that I make the the music into a song, go write lyrics and melodies and think about bringing the song to a whole new level, record acoustic drums and other instruments! Make it my production project! I was skeptical at first as I was rather attached to this piece of music (music for thinking to- as I saw it as), which I composed entirely by myself.

Enter Keith Caffrey. If you have been following my blog, you’ll already know that Keith is like the other musical half of me! He is my songwriting partner and close friend, the music I’ve written with Keith through the years has always had deep, personal meaning and a creative enjoyment I never experienced before. I sent Keith the draft mix and emotional ideas I would love to communicate through lyrics (closing of the eyes, looking inside myself and being more aware of myself yet still feeling slightly lost).

Very quickly the music turned into the song. Keith came down to my bedroom studio and we tracked the entire vocal idea. The lyrics were so deep, personal and emotional, Keith understood perfectly what I had been feeling (as spiritually close friends, there are few who understand me so well!). It was also as if Keith KNEW we had only been studying the art of vocal expression in college, he felt the song should have lots of aspirate on-sets and releases, creaks and shakes.

Keith writing lyrics in my bedroom studio during a late night recording session
Keith writing lyrics in my bedroom studio during a late night recording session

With minor structure adjustments and a guide vocal done (and a huge migration into Pro Tools 10!), the song was ready for addition instrumentation. I’m not going into the nitty-gritty details of my sessions but I recorded drums in session 1, harp, piano and electric guitar in session 2 and female vocals in session 3.

Craig Sullivan on drums
Craig Sullivan on drums

During my time in Norway I made lots of new friends and valuable contacts, Fiona McErlane being one of them. We met in the airport and sat next to each other on the plane from Dublin to London and hit it off straight away with giggles over drinks! I heard her singing in the music performance workshops in Norway and was blown away by her pure, crystal clear, angelic voice. I knew back then I wanted to work with her in the future but didn’t know for what project!

Having the craic with Fiona in Norway!
Having the craic with Fiona in Norway!

I asked her to sing on the project and play a little bit of traditional harp. She was excited about the song and the inspiration of the music and lyrics (she was actually present when I made the recording of the fjord shore in Norway).

So tonight was our final recording session, we tracked lots of vocals and had a very productive session. I was so happy with her performance, she gave it 110% emotionally and technically, she jumped right in with suggestions and gave it her all. I was also happy that I got to finally track using the Distressor compressor (gentle 2:1 ratio) and got to try out the Rode K2 valve mic, it sounded sweet!

Our session was the first official night time recording session in DkIT 6pm-9pm. Yes! Finally! A night time recording session!!! I’m a big fan of working in the evenings/nights (last semesters’ Monday 9am-12pm were not to my liking!). Energies are high, vocals are warm, people tend to be more relaxed in the evenings I find! So please, for next semester, more night time sessions please!

I better go to bed, it is 12:30am now and tomorrow is a new day of vocal editing! I will of course share the song “Close Your Eyes” when it’s mixed. Special thanks to Keith Caffrey, Fiona McErlane, Craig Sullivan, Gavin Clarke for their creative input and help and to my friends for their support!

I’ll leave you with this fun snap from tonights session!

Fiona gave it socks! ;)
Fiona gave it socks! 😉

It’s Christmas!!!

I wanna scream and shout and let it all out!!!

Thank goodness the assignments are DONE (apart from the write-ups, DOH! but they are to be done over Christmas anyway, phew!) !!! I have to say the last 2 weeks in particular were an absolute killer! I love the busyness of college life but when life duties get in the way that’s when I get super stressed! But no matter, I seem to have made it out alive, once again!

I have learned an absolute wealth of information this semester, especially about Pro Tools and microphones. I was always very fraidy of microphones until really the last few weeks! I was unconfident as to selection and positioning but now I have a much clearer head and feel like I’ve learned something! I’m also not as afraid of the big, bad mixer console! I really got to grips with it in the last couple of weeks and finally it makes sense. Of course I understood it before but now I really do feel better about it! I was told I need to be more confident and get a little bit of attitude but I think it’s coming 🙂  I’m only just starting to feel like I can trust myself. I’m ever doubting myself. I need to throw that away and not be afraid to make a mistake.

DkIT CRM1 :)
DkIT CRM1 🙂

The last week or so you wouldn’t have seen me without my head stuck in Pro Tools on my laptop (unless I was in the studio playing violin on recording projects for fellow students!). I was busy mixing, doing small touch ups for my own music production project “December” by Shock Sorrow (the mix is now complete and will be shared soon). I was also creating a sample library of 4 instruments recorded separately in various acoustic environments with 3-4 microphones (close, near and far). I have put together a library of fiddle (recorded in a long corridor) traditional flute (in a big room), bass trombone (in the Winter Garden) and snare (in a small room). I shall blog in detail about that during the weekend!

I’m delighted to mention that after the Christmas exams in January, I’m heading off to Norway with the Erasmus programme! I can’t wait!

Can’t believe I’m halfway through this degree! I absolutely love student life at Dundalk Institute of Technology, I’ll be a sad bunny when I have to graduate in 2014!

Christmas shopping has to be completed on Friday, lol, I haven’t had the headspace for it this year! Only of course when it came to Christmas divil-ment in college earlier on this week! 😉 teehee…nom!!!

Now all I want to do is dance and have a drink, or two… Here’s some tunes I’ve discovered this week and they make me want to dance so much! (not that I can actually dance, but it would be awesome to hear these loud, in a club and be merry!)

Nice and dirty track with those great trancey vibes I love R3HAB for. I think Skrillex is the master of that robot synth and slick editing sound but this latest offering from R3HAB is well sweet! Approval! Play it loud!

I feckin DIG this! It’s so catchy! I heard it on the radio in work when I was in the stockroom, I literally stopped what I was doing and hid so I could enjoy it and hear who they hell it was. I was shocked when I realised it was Britney bitch! Rockin! Catchy vocals, awesome synths, simple beat, great hooks! Love this kind of pop production (but you knew that anyway!). Sexy stuff!

Happy Christmas all!!!!!!!!

Lola kitteh IS looking forward to Santy.... :)
Lola kitteh IS looking forward to Santy…. 🙂

Playlist Project #1; Five Songs From the Jazz Era.

My playlist project for this week is to find 5 songs from the Jazz era that I find interesting and inspiring.

Jazz isn’t a genre of music I would normally listen to but I discovered these songs today and I hope you enjoy them.

1. “Mississippi Mud” – Paul Whiteman, Bing Crosby & Irene Taylor (1927)

I found this music really interesting because I like the vocal arrangement and in particular the scat vocal by Irene Taylor. I also like the light-hearted feel to the music.

2. “Mean to Me” – Annette Hanshaw (1929)

Quite a different vocal performance to Irene Taylor’s scat style, Annette Hanshaw sings very sweetly and has a lovely vibrato technique. This piece of music is very easy to listen to.

3. “You’re Not The Only Oyster in the Stew” – Fats Waller (1934)

I quite like the piano performance in this song. Also the recording advancement is clearly audible, the bass is warmer and the overall recording is much clearer. I like the laid back, relaxed feel to this song.

4. “She Looks Like Helen Brown” – Ross Gorman and His Virginians (1927)

This is an interesting and colourful tune, to me it’s rather quirky and catchy!

5. “My Castle in Spain” – Jane Green (1926)

A thoughtful song. I enjoy the beautiful melodies on the violins, especially the violin solo at 02.12. A very charming song and certainly a gem.

Have You Heard the Voice That Belongs to Monica Heldal Yet?!

Monica Heldal 2012

I’m so excited to share this with you! This is a project that I have been working on for a couple of months and I’m delighted to introduce you to one very talented young lady- Monica Heldal.

Monica is a singer-songwriter from Bergen, Norway and at 21 years old, she has already taken the international music scene by storm and is one very busy lady! Her love for American country-blues and the music of Irish legend Rory Gallagher has brought her on a very busy musical journey so far. After playing the Rory Gallagher Festival in Ireland last year, Monica has been invited back to play again this summer during her busy Norway-Netherlands-France tour.

I have produced this song “Silly Willy”, a personal favourite from Monica’s original set. A delightful, bluesy, shuffling song which brings a smile to everyone’s face who’s heard it already! Monica exhibits raw, natural talent in her advanced acoustic guitar fingerstyle performance and in her alluring vocal on this recording and I think you’ll agree with me when I say that this lady is blessed with a gift!

Drums were performed by Daire Stanley, bass was performed by Sean Moher, electric guitar was performed by Darren Mc Eneaney and my recording assistant was Shauna Kearney. I recorded, produced and mixed the song and threw in some additional keyboard and electric guitars.

I really enjoyed this creative process and I’m pleased with the mix-down. This was my first full-band mix on Pro Tools (Logic Pro user!) and I hope you enjoy the song as much as we do 🙂

You can find lots more Monica material on her Facebook artist page: Monica Heldal.

Monica Heldal
See Monica perform at the Rory Gallagher festival this month