Let’s stand together.
Let music join us all.
Join us tomorrow night for our FREE CONCERT at 8pm to raise funds for the ‘Save The Dominican Church Fund’.
I promise you it will be a memorable show.
Let’s stand together.
Let music join us all.
Join us tomorrow night for our FREE CONCERT at 8pm to raise funds for the ‘Save The Dominican Church Fund’.
I promise you it will be a memorable show.
Tomorrow night is a big night for us Third Year Music and Audio Production students at DkIT. We are presenting our major production projects in the Spirit Store and we’re very excited about it!
We were the first ever intake of Music and Audio Production (2011) and our production projects combine everything we have studied over the last three years.
We have worked with teams of musicians from the BA Music Applied plus other courses in DkIT as well as musicians outside of the college on our individual projects.
There will be something for everyone at this event- our songs range from Folk to Rock, Pop to Dance and Celtic New Age to Metalcore!
We are looking forward to celebrating our hard work and hearing each others final mixes.
Entry is free and doors are at 7.30pm, do come along!
For course details please visit: BA (Hons) Production of Music and Audio | Dundalk Institute of Technology.
Today I’m sharing my latest music production project “Close Your Eyes” which features my guest vocalists Fiona McErlane and Keith Caffrey.
I talked about the creative and recording process in my previous blog post.
I finished the mix last night and I’m delighted with the response already to the song. This was yet another very personal and emotional project. I hope you enjoy it!
“Close Your Eyes” was composed by Stephanie Caffrey and the lyrics and vocal were written by Keith Caffrey.
Female vocals: Fiona McErlane
Male vocals: Keith Caffrey
Acoustic drums: Craig Sullivan
Traditional harp: Fiona McErlane
Acoustic piano: Stephanie Caffrey
Electric guitars: Stephanie Caffrey
Synths: Stephanie Caffrey.
Recorded, produced and mixed by Stephanie Caffrey.
Special thanks to studio assistant Gavin Clarke.
Recorded in Dundalk Institute of Technology Feb-May 2013.
Copyright Stephanie Caffrey.
It’s that busy time of the semester again! The time where time itself is running out and the assignments are piled high! Recording projects are wrapping up and are in the final mix stages, essays are full speed ahead and how I wish there were more hours in each day!
Tonight I finished tracking my Music Production Project for semester 4. I haven’t blogged about the production process like I did last semester, so apologies for that! This semester FLEW, I think the Erasmus trip to Norway accelerated that, where does time go when you’re having fun, eh?!
I have been working on one of my own songs for this semesters’ production project. It is a song I started working on over Christmas, inspired by Electronic/Dance music I had been listening to a lot (and still am- I’m also currently enjoying various Dubstep tracks while walking, the Sound City album while driving and Evanescence while running!). I have been writing New Age/Chilled Electronic for a few years now as I really have been enjoying creating music “in The Box”. Logic Pro 9 is my little getaway place!
While I was in Norway I continued working on the piece of music, structuring and shaping the sounds and taking deep inspiration from the emotions and experiences of the Erasmus Programme and the natural beauty of the cold, snowy, sunny, fjord and mountain landscape. The programme was very intense emotionally as I struggled with homesickness for my friends, college, home and family, I felt slightly lost at times as workshops made me close my eyes, look inside myself and think about sound, light and creativity in new ways.
When I came home I had a draft mix of synths, beats and ambient nature recordings, which I was very happy with. There were only 2 lines of lyrics, which I tracked at home “Close your eyes/What can you see?”. I listened to my mix on the lovely Genelecs in the college studio just for fun and it was suggested that I make the the music into a song, go write lyrics and melodies and think about bringing the song to a whole new level, record acoustic drums and other instruments! Make it my production project! I was skeptical at first as I was rather attached to this piece of music (music for thinking to- as I saw it as), which I composed entirely by myself.
Enter Keith Caffrey. If you have been following my blog, you’ll already know that Keith is like the other musical half of me! He is my songwriting partner and close friend, the music I’ve written with Keith through the years has always had deep, personal meaning and a creative enjoyment I never experienced before. I sent Keith the draft mix and emotional ideas I would love to communicate through lyrics (closing of the eyes, looking inside myself and being more aware of myself yet still feeling slightly lost).
Very quickly the music turned into the song. Keith came down to my bedroom studio and we tracked the entire vocal idea. The lyrics were so deep, personal and emotional, Keith understood perfectly what I had been feeling (as spiritually close friends, there are few who understand me so well!). It was also as if Keith KNEW we had only been studying the art of vocal expression in college, he felt the song should have lots of aspirate on-sets and releases, creaks and shakes.
With minor structure adjustments and a guide vocal done (and a huge migration into Pro Tools 10!), the song was ready for addition instrumentation. I’m not going into the nitty-gritty details of my sessions but I recorded drums in session 1, harp, piano and electric guitar in session 2 and female vocals in session 3.
During my time in Norway I made lots of new friends and valuable contacts, Fiona McErlane being one of them. We met in the airport and sat next to each other on the plane from Dublin to London and hit it off straight away with giggles over drinks! I heard her singing in the music performance workshops in Norway and was blown away by her pure, crystal clear, angelic voice. I knew back then I wanted to work with her in the future but didn’t know for what project!
I asked her to sing on the project and play a little bit of traditional harp. She was excited about the song and the inspiration of the music and lyrics (she was actually present when I made the recording of the fjord shore in Norway).
So tonight was our final recording session, we tracked lots of vocals and had a very productive session. I was so happy with her performance, she gave it 110% emotionally and technically, she jumped right in with suggestions and gave it her all. I was also happy that I got to finally track using the Distressor compressor (gentle 2:1 ratio) and got to try out the Rode K2 valve mic, it sounded sweet!
Our session was the first official night time recording session in DkIT 6pm-9pm. Yes! Finally! A night time recording session!!! I’m a big fan of working in the evenings/nights (last semesters’ Monday 9am-12pm were not to my liking!). Energies are high, vocals are warm, people tend to be more relaxed in the evenings I find! So please, for next semester, more night time sessions please!
I better go to bed, it is 12:30am now and tomorrow is a new day of vocal editing! I will of course share the song “Close Your Eyes” when it’s mixed. Special thanks to Keith Caffrey, Fiona McErlane, Craig Sullivan, Gavin Clarke for their creative input and help and to my friends for their support!
I’ll leave you with this fun snap from tonights session!
Party over here! I have completed my 3 recording sessions for my music production project “December”, written and composed by Keith Caffrey and myself, featuring Shane Taaffe on cajon and Ciarán O’Brien on double bass.
Monday morning was my last 3 hour studio session, I had 3 blocks of 3 hour sessions over a 6 week period to record the song. Time was extremely valuable and every minute counted in these sessions (especially when the song itself is 5:02 long, one take alone eats up 5 minutes…).
In this final studio session we recorded the lead vocal (Keith Caffrey), my backing vocal (thanks to my assistant Shauna Kearney for engineering for me here!) and a rainmaker. The session was the most relaxed (for me at least!) and though we kept a sharp watch on the clock, we were not under as much time pressure as the previous sessions.
Although it wasn’t ideal to record vocals at 9am, it had to be done and Keith was warming up his voice from 6.30am. The set up was simple- a Neumann U87 with pop shield and reflection filter going through the Audient ASP 8024 to Pro Tools. It would have been ideal to record with compression because there is a broad dynamic range in the vocal performance but as we’re still in early days, the compressor wasn’t patched in. We recorded some takes adjusting the gain for the loud and soft parts and also recorded the contrasting sections separately. It did occur to me after the session that I could have set up an AKG C414 right up beside the U87 on a separate track and adjust the gains of each microphone, so one would have a lower gain than the other. Hindsight! Every day is a school day…
Nonetheless I got what I needed committed to Pro Tools. Using the same set up with a tad extra gain I laid down my backing vocal, taking care to double up. Backing vocals are not a requirement of this project but one of the defining sounds of Shock Sorrow (myself and Keith) is our vocal blending. My sweet, soft voice is a nice contrast to Keith’s powerful and deep rock voice.
The rainmaker was the next recording- we set up 2 AKG C414s (mono tracks, cardioid pattern, no filter), and recorded the gentle sway of the falling beads during the intro and outro, this is a nice falling rain-like sound as opposed to a rhythm. I have two rainmakers, one bamboo and one plastic, the bamboo one was the rainmaker of choice as it sounded much more organic and watery! The plastic one sounded like a hail storm!
With 15 minutes to spare before wrap up time (once the clock strikes 12 we had to be out- mic’s put back into their cases, cables tidy, stands collapsed, wrap up time had to occur at 11.45), we recorded 2 lead vocal ad lib tracks for fun. I was impressed with Keith’s improvisation, counter harmonies, whispers and echoes. He gave me so much good stuff I can’t bear to edit them! 😀
Later that afternoon after my last lecture, myself and Shauna headed to our beautiful, ambient Winter Garden in the college building. The Winter Garden is probably my favourite place to hang out between classes for it’s greenery and general peace and quiet!
I had my own recording set up with me- Macbook Pro (with Pro Tools 10), Cakewalk UA25 EX audio interface, Samson S-Amp and Rode NTK microphone. I wanted to record a couple of extra tracks to see if they might work in the project- violin and small djembe drum. I wanted the massive natural reverb so I placed my microphone in the middle of the garden and stood about 8 feet away.
I actually didn’t play my own violin (the Chinese violin my parents bought for my 13th birthday- too long ago!!!) although it did sound really nice. One of my lecturers actually loaned me his 100 year old German violin for the recording! I’m honoured to have played this violin and even more honoured that I’m the first person ever to have actually recorded it! Not even my lecturer has recorded it! It was beautiful. Beautifully smooth and amazing tone. It was slightly smaller than my own violin (it wasn’t 3/4 size but just slightly smaller than full size) and as light as feather.
I played the djembe for the first time in my life (it’s been sitting in my house for years as a decoration!), I just wanted the simple accents, “snap” sounds with that lovely reverb. It actually sounded really lovely and different! My right hand is in absolute bits, 3 lovely bruises on the insides of my fingers! But definitely worth it!
We actually spent 3 hours in the Winter Garden, it was busier than I thought it would be and most takes were spoiled by the noise of people opening doors, walking by, chatting, cleaners hoovering, you name it, I heard it through the sensitive Rode mic! I did expect such noise in the public space and it was really after 5pm that we started recording “clean” tracks.
I was absolutely shattered after all this but after 2 hours of chilling out at home I was back in Pro Tools, editing and starting the first rough mix until the small hours. Of course the point of the project is to not fix anything in the mix but I did need to comp the vocals and go through the violin takes while it was fresh in my mind. All I have left to do is some fades, an micro edit here and there and adjust the mix balance.
Then the write up… 😉
So expect to hear the final mix of “December” on my SoundCloud in… December!
This is the second last blog about this semesters music production project!
Tomorrow is our last 3 hour session! We’re on schedule with the plan and tomorrow will be main vocal, backing vocal and rainmaker recordings!
I will also be recording some additional instrumentation (bongo and violin) in the ambient Winter Garden after the studio session. I definitely will not have time to record all this tomorrow morning, but I would really like to commit these extra ideas I have to Pro Tools in case I decide I want them during my final mix! I’ll be bringing my Macbook Pro, Roland Cakewalk UA-25 EX audio interface, Rode NTK mic and AKG headphones to the Winter Garden (some name dropping there… hint hint! lol) for these recordings!
Seems like I can never go to college anymore without a ridiculous amount of stuff with me!
Christmas is coming………
Very excited for tomorrow! Part 2 of my music production project is taking place! I’m recording double bass and acoustic guitars and one electric guitar for “December” the song myself and Keith Caffrey (we’re better known as Shock Sorrow!) wrote together this summer. The parts are all written and ready to go! Keith is going to play a fantastic guitar solo, it’s all very exciting! 🙂 I will be advancing my recording skills by applying a little (and I mean a little) bit of compression when tracking! I’m looking forward to this!
I’m all packed (I’ve a ridiculous amount of stuff to bring with me, hehe, I’ll be the crazy music lady walking through the college corridors tomorrow! Roadie position is available! haha!) and I’m off to bed, tomorrow’s an early start!
Reflection diary plus photos will be online tomorrow evening, like the last time!
Sleep tight y’all! \m/
I’m very, very, VERY excited!
After a lovely reading week which turned out to be a brilliant balance of study, work, play AND industry experience (see recent post where I described my day recording location audio on a film set!), I’m all set and raring to start back to college (part 2 of semester 1) in the morning!
I’ve spent the last 6 weeks preparing for my music production project and tomorrow morning we go into the recording studio to start tracking! It’s an early start and I hope to record cajon, a guide vocal and acoustic guitars. I’ve chosen to realise a new Shock Sorrow song called “December”, myself and Keith Caffrey composed during the summer.
I’m very excited to have my classmate and good friend Shane Taaffe play cajon and new friend, bass master Ciarán O’Brien play double bass on this recording! I’ve never recorded both instruments before and I’m very excited! Keith Caffrey will of course be singing lead vocal, playing guitar parts (yes, a solo!) and a secret percussion instrument! 😉 I will of course be playing a small bit of guitar and maybe piano if I’m lucky, my regular studio partner Shauna Kearney will be assisting me (I can’t imagine being in studio without her actually!).
My mind is racing from the sheer excitement of this project and I’m getting ideas all over the place! “Oooh wouldn’t it sound great if I did this!” and “I’d love to slip in a little harmony there!”, it’s so easy to get carried away! The main point of this recording is to capture the sounds as accurately as possible, get the sounds right at the source! “I’ll fix it in the mix” attitude is bye-bye, out the window! There are of course plenty of other criteria to check, good production, instrumentation, record with hardware compression (mmmm Avalon baby) etc!
My primary aim is to record a polished studio version of this song that includes a full band of musicians but with a stripped back approach.
I aim to not only meet the instrumental requirements of this project brief but also extend beyond that by capturing one or two additional instruments and vocals, creating a sonically interesting and more varied recording.
I also aim to create a pleasant and relaxed working environment and enjoy a successful recording process.
I will post a blog tomorrow night about how the session went!
In other news I got to play an Irish harp tonight! I had such fun! Shane Taaffe is one seriously gifted musician, I already knew he is very talented with a guitar, cajon, voice, anything musical he puts his hands to, but I never got to hear him play Irish harp before now. Wow! I could have listened to him all night! Such beautiful music he played. I’m a big Irish trad fan from my fiddle days and lately my influences have been creeping back into my solo material. He played beautiful Turlough O’Carolan tunes, airs, reels and even treated me to “Nothing Else Matters” (Metallica), I pretty much just melted into the floor by then!
So! Expect a future recording featuring Shane Taaffe on the harp! I would dearly love to compose a traditional piece myself and record it. This will happen!
Off to pack my school bag and equipment bag for tomorrow, where’s that list I penned up? 🙂
Oxford, baby! What can I say?! My first time in the U.K was a real mind opener! I’m just totally blown away by Oxford, particularly by the world famous SAE Institute!
I was invited to Oxford earlier on this year by my dear audio-adoring friend, Lee Fitzpatrick who I know from my previous life in Ballyfermot Music Production. He is a student at the SAE Institute and wanted to show me what his amazing college has to offer.
Straight off the train after arriving from Birmingham International, we walked through the beautiful main streets of Oxford city, Lee drawing my attention to the pub where Tolkien wrote the Lord of The Rings. I was struck by the gorgeous sandy colored buildings, the architecture was indeed very beautiful.
Onwards to the SAE Institute! We wasted no time in getting there! I was trembling at the excitement of finally visiting this amazing place I had heard so much about!
And I was not disappointed. Audio Heaven. A fast paced tour of the building with its endless secret stairwells, glassy corridors and many, many doors leading to various media-related treasures left me breathless. Every room was filled with the very best of audio gear I have only imagined in my dreams. The building was quiet and had a very relaxed, creative atmosphere, it was a Bank Holiday so there were no classes that day. Students were indeed hard at work on their day off, I had the pleasure of listening to projects and watching students at home in their creative academic environment. They were so friendly and warm hearted, delighted to hear I was from Ireland studying Music Production also. The overall vibe was one of disciplined hard work with a relaxed atmosphere.
After being introduced to the fabulous Neve studio (the one I have been waiting for!) and the 7 other studios, we went to the cosy SSL studio and mixed one of my personal projects. Every Mac computer in the building (and there are MANY!) is fitted with the latest versions of every digital audio workstation known to man, and my Logic Pro 9 project worked like a dream. Logic Pro and Pro Tools are both taught in the institute, something which really impressed me as a Logic fan. I was among kindred spirits who had the same passion for the intuitiveness of my favourite DAW. I felt right at home!
Later in the evening we set forth, back to the Neve studio where Lee had booked a long session to continue one of his projects. There we spent an intense few hours recording vocals and overdubs, again working with Logic Pro 9. I have a tendency to be shy of studios and especially top of the range gear, I was honored to be assisting Lee and watching how he worked.
Taking a break, Lee introduced me to the magnificent Steinway grand piano in the main live room.
After wrapping up the session some hours later, we made our way to the film department and set up for a shoot, another one of Lee’s many projects! The popular Nerd Vs World series on YouTube. I was delighted to watch the visual set-up and delighted to help with the audio end of it. Something I never did before. The session ended pretty late in the night (or should I say early in the morning?!) and that was my first day in Oxford.
My second day was fun also, a proper school day, Lee attended his morning classes as I worked on my own project in the Practical Room, a room full of Macs and mixing desks, racks of equipment and controller interfaces. Everything I was permitted to use, thanks to my BCFE qualification, even though I felt like I shouldn’t even breathe near the stuff! I was assured I was most welcome to use anything I wished.
Later in the evening, after meeting the kind staff of SAE, I was invited to attend the guest lecture which was due to take place that day. The building was abuzz all day, the lecturers walking through the corridors, nabbing students, reminding them that a very special guest would be attending and not to miss out.
The very special guest was the very, very mind-blowing, beatjazz master, Onyx Ashanti. Onyx is the creator of a futuristic, improvisation based technology which involves live looping with software synths created (not triggered mind you, everything is live) by devices attached to his hands and mouth. Hard to explain, which is why I’m leaving a link here: Onyx Ashanti: This is beatjazz | Video on TED.com. I enjoyed his two hour lecture, despite being highly aware I was the only girl in the room (and the only non SAE student hahaha!). Onyx passed around the various parts which make his technology work, explaining in fine detail his technology, pure data and what inspires him to do this music. I was truly honored to be in his presence and I am very grateful to have been permitted to attend this lecture.
Exhausted from so much information, we chilled out with friends and remembered that we are Irish and Oxford has fantastic night clubs, it would have been a shame to pass up a dubstep night out! In Irish style, we partied in Oxford city centre until the small hours, enjoying wonderful music through the safety of ear plugs- never leave home without them!
And so was my experience of Oxford! A truly wonderful place with wonderful people. Oxford was every bit as exciting and educational as I thought it would be. I am left with a great desire to attend this wonderful college to pursue my own studies but alas, I am already 1/4 of my way through my current degree programme! I will surely come back to Oxford in the very near future and further explore the city, see my friends and exchange more music ideas and thoughts!
Thanks so much for the invite Lee and thanks to the kind people of Oxford 🙂 Until we meet again 🙂
Have to share this! I’m so excited about this song!!!
Completely spontaneous, completely natural, definitely inspired!!! I present my latest creative, collaborative production; “Don’t Assign Yourself” composed, mixed and produced by the brilliantly talented Trend-E!
Trend-E is a young, up-and-coming electronic music producer based in Drogheda. We actually got to know each other through Facebook after our bands played a few gigs in the town (Sarsfield’s Bagfull of Songs open mic night, the Purple Room’s Jam for Japan, multi-band charity night to name a few!). Trend-E is also a very talented rock drummer! He got in touch with me and we got to know each other, sharing music videos of our favourite bands (of which we have alot in common actually!) and sharing our original compositions through SoundCloud.
We actually never formally met until last week!
Trend-E uploaded the original instrumental mix of “Don’t Assign Yourself” last week online and when I listened to it, I was immediately inspired. I don’t consider myself a vocalist (only on rare occasions!) but this music really turned me on! I quickly downloaded (ahem, bold me- much to Trend-E’s amusement!) the mp3, threw it into Logic and recorded some vocal ideas. I bounced a rough mix and emailed it to Trend-E, thinking he probably would be flattered if anything and carry on as normal.
Quite the opposite! He immediately Facebook-ed me back and was so excited about my ideas, we met up that afternoon (for the first time!) where we exchanged the vocal audio files. I told him to do whatever he wanted with them, in-fact he asked for more! He asked for a verse and the next available moment I had to spare, I wrote some lyrics and recorded the verse! An hour after that we met up again and exchanged the files.
3 hours later the mix was complete, much to my shock and amazement! Not only did he place the vocal parts where I recommended, he chopped, edited, filtered, sampled and tweaked several of my vocal parts and added them in all over the song, it sounds CLASS! Trend-E the Ableton genius!
I am highly impressed and addicted to the song! I love the creative things he did to my vocal, it’s nice to be on the opposite side of the glass, so to speak! Normally I’m the one editing and processing vocals, and doing all the fun creative music stuff, mixing, producing, it was nice to record myself and just give the files to someone else to have creative fun with!
Completely unexpected! I didn’t expect to fall in love with a song and actually collaborate with a DJ! Oh yes, by the way, DJ’s rock! 🙂
Have a listen, if you’re in the mood to head out clubbing or dancing or driving your car or whatever, this should lift your mood and I hope you want to sing along! Just in case you do, here’s my lyrics;
Don’t Assign Yourself
(lyrics by Stephanie Caffrey)
Don’t assign yourself,
Don’t assign yourself tonight.
Read the signs,
And choose your path.
Read between the lines,
And tear the map.
Find, find, find the light.
Find, find, find the light.
Don’t assign yourself.
(a sign, a sign, a sign…..)
Don’t assign yourself.