Tag Archives: recording

My Names A, Your Names Zed… New Music from El Grey

For the creators and for the fans, active listeners or passive listeners, music has the power to move us all incredibly deeply. Sometimes we’re right here- in the moment and sometimes we’re floating in a sea of sounds- we blissfully lose ourselves for a tiny while.

And sometimes we’re both- Here and There.

The latest release My Names A, Your Names Zed from El Grey is exactly that.

el grey my names a your names zed
My Names A, Your Names Zed

If you’re already a fan of El Grey you’ll come to expect haunting, stunning and breathtaking vocal performances as standard. You’ll also expect crunchy beats mixed with a wash of synths and gentle acoustic guitars. You’ll also be aware that her music is deeply personal to her and each song is a little piece of her soul, committed to record.

Take all that you already know about El Grey and put a little twist on it. You won’t find this track anything like her previous release El Grey, but you will find her distinctive, trademark vocals affirming her ardent passion right here. Glistening synthy motifs bounce over and back a sound world of luscious piano playing and looped, reverberant vocals. Instantly you’re taken by the hand of El Grey herself into the infinite cosmos. If you haven’t gotten goosebumps multiple times within the first 60 seconds then you’re not ready for the journey she wishes to bring you on.

Hypnotic yet deeply grounding, her chanting vocal pulls you right into the centre. Looped over and over with additional harmonies, her voice guides the way- “Grab a coat, find a home”. While the chant gives way to a choir of swirly, angelic vocal expressions, we’re lifted further into the heavens, soaring high, looking for Home.

The mood changes somewhat after this point. You’ll hear a male voice enter- another new sound for El Grey. You’ll know that there’s something very special going on here- something very deep and very personal. In absolute contrast to what we’ve been listening to, she sings in her native tongue- and it works brilliantly. Switching languages in one song is a new and brave move for El Grey for she has something personal to say-revealing another dimension of herself and affirming her spirituality though her music.

El Grey

For me the most poignant lyric comes in around the 7-minute mark- “It’s just one heartbeat away from you” with echoes of “one” bouncing around, underpinning it. The music producer in me loves that line. The sentiment in me loves it too. It’s a line I’d hang on to for dear life.

This recording is 100% live and one take only. There was no pre-production. There was no doctoring this up in post-production either. The barest moments of extraneous sounds pop in and out here and there but these are not faults. Such sounds tickle my imagination and for me, they add to the soundscape. The piece in its entirety has a completely natural feel and I’m certain the musicians lost themselves in this performances-lost themselves to find a little something on the way back.

You could use a multitude of words to describe this track (atmospheric, holy, meditative, serene, gripping, stunning, special…) and you could find a multitude of situations to enjoy it in – at home with a candle, on a long, night-drive home, walking around a busy city- for it’s completely immersive and completely El Grey.

Enjoy the music here: My Names a, Your Names Zed – EP by El Grey on iTunes

El Grey: My Names A, Your Names Zed – Music on Google Play

el-F# | El Grey

elf logo7

El Grey perform tonight at the Hot Spot Music Club, Greystones in support for Oxfam Ireland alongside bands Calm State, Woodlark and Retrofix. More info: El Grey, Calm State, Woodlark, RetroFix play for Oxfam

 

 

For Your Ears, Heart and Soul: Leaca Bán – Na Tonnta

Posting and sharing with you, my most recent music production project, the beautiful Leaca Bán by 5-piece, traditional Irish crossover group, Na Tonnta.

Na Tonnta
Na Tonnta

Introducing Na Tonnta (L-R as above): Daniel ‘Hearthrob’ Whelan, Ellie ‘Ellington’ J McGinley, Sinéad ‘Brings her own teabags’ O’Malley, Ciara ‘I♥ Beoga’ Moley and Fiachra ‘Figgy’ Meek. The group met while studying Music in DkIT together and bonded through their love of traditional Irish music, popular music, tea, biscuits and cakes!

My journey with Na Tonnta began in September 2014. I was searching for a musically-new band to introduce to the recording studio and collaborate with for my final music production project at DkIT, resulting in three songs- one being the core and most-polished production.

Approaching Na Tonnta was an easy task. It was actually perfect timing! I already knew Sinéad, their flute and whistle player from the Norway erasmus trip in 2013 and I worked with Ellie, their vocalist and fiddle player on my previous production project, “Crystal Hearts” feat. Fiona McErlane by Audio_Girl | Free Listening on SoundCloud.

I knew I wanted to carry forward my love for traditional Irish music while bringing it into a contemporary production and I also knew Na Tonnta were a hard-working, creative and driven group from my Facebook stalking since they formed in October 2013!

Na Tonnta warming up for the Spirit of Folk Festival, 2014
Na Tonnta warming up for the Spirit of Folk Festival, 2014

Leaca Bán began in the rehearsal room. Sinéad introduced the idea to the group with the beautiful, haunting traditional tune, 250 To Vigo, accompanied by accordion player, Ciara. I sat, mesmerised by the performance- the beautiful tone of the B flat whistle, the rhythm of the tune, the sombre accordion, gently accompanying the haunting tune. The hairs on my arms stood and I knew instantly that this was a tune I wanted to be a part of. I could already hear our studio recording in my mind’s ear!

What happened next lifted my spirits even further. There was a lyrical idea. In fact, there was more than just an idea- there was a theme, a mood, an atmosphere and a poem! A vintage book was produced- a little blue book with yellow pages, about to be tossed out from a local school library where Sinéad worked. For some reason unknown to me, Sinéad opened the book and there was a beautiful poem at the beginning. The Lights of Leaca Bán by Alice Cashel is an old book intended for secondary school children but the poem simply titled Leaca Bán, found at the begnning of the book, is a literary work of beauty.  It was suggested that Ellie fit the tune to the words- amazingly, it worked like a dream. Ellie suddenly started singing the poem and it was just right.

Ellie and Fiachra in the rehearsal room
Ellie and Fiachra in the rehearsal room

By Christmas a humble demo which consisted of a vocal, fiddle, tin whistle and accordion was recorded and then my audio fun began. What I already had was a beautiful tune which was deeply Irish and could hold up on its own with such a small ensemble- how about adding drums? Synthesisers? Guitars? More vocals? How big could we go?! How big did I dare?!

Well, here’s the final production.  Listen for yourself.

New Song: “Subtle Energy”

I invite you to plug in, put your headphones on, press play and relax for three minutes.

I created this today.

Enjoy.

Steffy  🙂

Exquisite Performance Of Original Music by El Grey at the Spirit Store, 09-08-14

Last night I finally got to see El Grey live! I have been waiting for an ideal opportunity to hear the voice of El Grey herself live for a long time and last nights performance at the Lockup Big Day Out gig in the Spirit Store, Dundalk, did not disappoint.

It was one of those gigs where you felt like the singer was singing only to you. One of those gigs where the hairs on your arms stand on end. One of those gigs that literally takes your breath away. And such gigs are rare.

I was in awe of El Greys voice- her vocal is powerful, expressive, delicate, haunting and strong- all at the same time. Her range is astounding and her style is unique. A voice you will never forget once you’ve heard it.

I watched her performance in absolute delight, superbly skilled in acoustic guitar- flawlessly, effortlessly fingerpicking- a natural player. During her performance she seems to enter another state of consciousness- a higher state of mind- her voice expressing her deepest emotions through soaring notes, beautiful on-sets and releases- a very dreamy sound world. A talented musician, she also plays the ukulele with a grace I’ve never seen before- no tacky jokey jingle-jangle here- her unique guitar fingerpicking style translates beautifully onto her charming little instrument.

Accompanied by Chris Topher on percussion and live electronic MIDI sequencing, her music takes on another dimension. Chris programs percussive loops using a MIDI interface and laptop. He also plays a large djembe while playing basslines with his toes! He trades El Greys acoustic guitar and ukulele throughout the set.

A duet clearly in control of their sound and production, El Grey uses the Boss vocal processor for hands-on control of her reverb and delay effects. Her long reverb tails and massive echoes are her trademark and her vocal processor is used to great effect. She clearly understands what she’s doing and doesn’t cloud her sound in a foggy, confusing mist of unnecessary decay. The overall sound is minimal and focussed- and believe me, anything but boring. The 45-minute set included all original songs except one Nirvana cover which was played in absolute El Grey style- she really made it her own.

It’s very clear there’s a super talent here. No wonder she has being going from strength to strength in the last year- winning an EP recorded with United Records and mastered in the world-famous Abbey Road Studios in London in 2013. Her 3-track self-titled debut EP was released 2014. The EP has been given airplay on a number of radio shows in Ireland and beyond, including Dan Hegarty’s The Alternative (2FM), Near FM Sessions (Near FM), and CSM – leading alternative show by Aleksandra Kaczkowska on Polish National Radio ‘3’ (Trojka Polskie Radio). Also El Grey’s recently become the Finalist of the Big Break All Ireland Music Competition organised by Hot Press Magazine (Top Five 2014).

It was very exciting for me personally to get to meet the duet after the gig, I couldn’t help but feel a tiny bit starstruck- when you follow an artists music online for some time that you really admire, you just can’t help but feel in awe, especially after such an amazing gig! I have to say, both Chris and El Grey are absolutely stunning people- they have such a genuinely beautiful energy and spirit, I couldn’t help but feel as if I had met them before! El Grey is very giggly and light-hearted, taking my camera and posing for hilarious selfies, I genuinely laughed this morning looking back on my photos!

Before I share some of my photos of the gig, get yourself a copy of the beautifully recorded EP on their Bandcamp here: El Grey.

Watch her official music videos and special behind the scenes footage of her EP here: el grey – YouTube.

Like the official band page on Facebook for regular updates and further information: el grey.

I hope you enjoy her music as much as I do.

El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14

Love and light.

Words That Burn Release New Single “Before The Fall”

Attention metal heads! Dundalk-based metallers Words That Burn released their new single “Before The Fall” via BandCamp over the weekend. And it kicks serious ass.

For me personally, the song brings the likes of Primordial to mind. The excellent production showcases the band as a mature and highly-polished unit with plenty of edge and energy expertly performed. Catchy guitar hooks, tight as hell bass and drums, excellent lyrics and a savage vocal performance make this latest release the bands finest output to date. I love the fabulous contrasting middle eight for the well-considered, layered vocal harmonies- the lower register of Ronan’s vocal gets me every time.

Download the song at the link here: BEFORE THE FALL | Words That Burn. Name your price! It’s free if you want it to be!

The accompanying video was released this evening on YouTube- excellent work! Check it out below:

 

Their previous album Praey is also available on BandCamp to download- name your price: PRAEY | Words That Burn. Also awesome merch is available here: Home / Words That Burn Shop.

The band’s next major gig is at PhilFest 2014 in Fibbers, Parnell St, Dublin (Sunday the 29th of June)- a 2-day heavy metal event with a fantastic lineup for a mere €5 per day- you’d be bonkers to miss it!

Get liking Words That Burn on Facebook.

Get following @words_that_burn on Twitter.

Rock out!!! \m/

WTB

New Song: “Crystal Hearts”

I would like to share my major production project “Crystal Hearts”- a contemporary Celtic New Age song about the divine connection and eternal love of soulmates that I have been working on this semester. This is an alternative mix to what I’m being graded on and I hope you all enjoy listening to it as much as I did producing it! Love and light.

Composed by Stephanie Caffrey

Lyrics by Keith Caffrey and Stephanie Caffrey.
Produced, recorded and mixed by Stephanie Caffrey.

Vocals: Fiona McErlane
Drums: Jay Ruddy
Bass: Shane Piper
Harp: Shane Taaffe
Fiddles: Ellie McGinley and Stephanie Caffrey
Low Whistle: Corentin Morgble
Bodhran: Corentin Morgble
Synths and drum loops: Stephanie Caffrey
Piano: Stephanie Caffrey

Assisted by Shauna Kearney and Scott McLoughlin.

1st Annual Final Year Showcase of BA Music and Audio Production

Tomorrow night is a big night for us Third Year Music and Audio Production students at DkIT. We are presenting our major production projects in the Spirit Store and we’re very excited about it!

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We were the first ever intake of Music and Audio Production (2011) and our production  projects combine everything we have studied over the last three years.

We have worked with teams of musicians from the BA Music Applied plus other courses in DkIT as well as musicians outside of the college on our individual projects.

There will be something for everyone at this event- our songs range from Folk to Rock, Pop to Dance and Celtic New Age to Metalcore!

We are looking forward to celebrating our hard work and hearing each others final mixes.

Entry is free and doors are at 7.30pm, do come along!

More info: 1st Annual Final Year Showcase of BA Music and Audio Production | Dundalk Institute of Technology.

For course details please visit: BA (Hons) Production of Music and Audio | Dundalk Institute of Technology.

Culture, Society and Popular Music; The Country Music Scene in Ireland

This is the first post in a weekly series of blogs relating to topics in the Culture, Society and Popular Music module I am studying this semester as part of my Music and Audio Production degree.

Country music is at the centre of attention of the media this week with Garth Brooks selling out 4 dates in Croke Park. Garth Brooks was a very popular artist in Ireland in the early 90’s and the announcement of his Croke Park gigs has caused huge excitement among his old and new fans. It’s been impossible to ignore the frenzy on social media and the fact that this is the first time ever that one artist has sold out so many shows in Croke Park in record time! This blog continues the discussion in class about the country music scene in Ireland.

I would like to begin by expressing my personal opinion of country music and its’ culture. I wouldn’t consider myself a fan of the genre as I find prolonged listening very boring and cheesey (the I, IV and V major chord progression, the vocal styles and the bland, basic drum beats)! To be quite honest, it generally doesn’t grab me inside. I can’t connect with the music and it doesn’t make me feel good. This is not ignorance or disrespect towards the genre at all. It’s a simple matter of personal taste.

On the other hand as a guitar player myself, I do genuinely really like the guitars in country music. I love fingerpicked acoustic guitars, twangy electric guitars (especially Fender Stratocasters!), pentatonic scales, bends and slides. I have absolute respect for country music guitar playing and acknowledge how skilled guitarists are. I love when these guitar elements combine with rock music, for example Metallicas’ “Mama Said” (country rock) is one of my all time favourite Metallica songs.

As I’m not a fan of the music itself, I have never really connected with country music culture. Growing up in a rural area in the early 90’s, I was aware of the line-dancing craze and of the dancing sessions in the local parochial hall- it seemed cheesey to me, even as a child! No one in my family was interested in country music or attending the dancing.

This picture reminds me of the image I had from my childhood of the locals line-dancing to "Achy Breaky Heart" and "Cotton-Eyed Joe"
This picture reminds me of the image I have from my childhood of the locals line-dancing to “Achy Breaky Heart” and “Cotton-Eyed Joe”!

Fast forward to the present. About four times a year every year, I work with my father at country music gigs he organises in a country club venue in county Meath.

I should explain that my father is a DJ on a local radio station and presents a very popular show dedicated to céili country, old time songs and ballads. His playlists includes songs by artists such as the Wolftones and the Dubliners as well as local artists and musicians.

The gigs are very popular and usually sell out, drawing a large crowd usually of elderly and middle-aged people. The gig consists of a live band who plays all night with local singers (all these singers have recorded material played on the radio show regularly) and usually one or two bigger stars who are full-time musicians.

An old Facebook event screen shot of my fathers country music night.
An old Facebook event screen shot of my fathers country music night.

I usually do front of house- taking tickets, greeting the people as they come in, selling raffle tickets during the show and help out with loading of music gear. I usually end up chatting with the people and I’m always struck by their friendliness. I’ve noticed that the middle-aged folk tend to take the country music culture side more seriously than the older ones- dressing in cowboy boots, hats, leather jackets and denim shirts. It’s always an enjoyable night and although I can’t say I like every song I hear, I do enjoy the energy and sound of the live band!

As mentioned in my opening paragraph, the Garth Brooks concerts in Croke Park have caused a frenzy on social media. My own Facebook feed was a mixture of excitement and annoyance.

Screen shot from my Facebook feed.
Excitement: screen shot from my Facebook feed.
Annoyance: another screen shot from my Facebook feed.
The opposite view: another screen shot from my Facebook feed.

I’ve noticed through posts on Facebook that the ticket sales itself was a big social event. Friends posted pictures of themselves q-ing and tagged their friends in them. These kind of posts got plenty of likes and comments, giving me the impression that this was actually a lot of fun for fans of Garth Brooks.

Q-ing to buy tickets was a positive social event.
Q-ing to buy tickets was a positive social event.

I have never in my life seen photos of people q-ing for tickets months and months before any event. Occasionally I might see a photograph of a ticket with an additional comment along the lines of “Got my ticket! Can’t wait till the show!” but never photos of smiley, happy people meeting and waiting in the cold to buy their tickets.

I was impressed with the community spirit at these social events when in class we saw fans looking out for each other. The fans seemed genuinely caring towards each other.

I haven’t seen any evidence of bad natured reports or derogatory comments through the media about Garth Brooks, his fans or country music in general. I have seen funny tweets and posts about the fact so many shows were added but these were good natured.

A good natured Facebook post by a fabricated satirical newspaper and comedy website.
A good natured Facebook post by a fabricated satirical newspaper and comedy website.
Musician Niall Breslin tweet
Musician Niall Breslin tweet.

Today FM’s Gift Grub incorporated Garth Brooks in a new satirical song on their show. The song itself is country music and the lyrics are humorous with mock Irish politicians singing about the Recession to and with a mock Garth Brooks.

My attention was drawn to an old Rich Hall interview about country music on Paul Merton’s Room 101 (I do take into account that this is a British not an Irish show). I thought Rich Hall made valid points about contemporary country music becoming more manufactured, overly produced and losing its’ traditions and values. The interview was funny and light hearted but I thought it was interesting nonetheless. I never considered that country music might be losing its’ roots and values.

My perception of country music hasn’t really changed with the recent coverage. For me it always was and still seems to be- you either love country music or you hate it! I for one am glad that the country music fan (who may sometimes only consider themselves general music fans) still has the passion and enthusiasm to q for tickets, support their country music hero, stick to their guns and be proud to call themselves a fan, especially after having to wait almost 20 years since his last Irish show. I think it’s great a new generation of fans have become passionate about country music. Even if I personally don’t like most of the songs I hear and the music itself is not quite as authentic as Johnny Cash, it still delivers relatable lyrical messages while showcases musicianship and songwriting. That to me is a healthy thing.

Heavy Metal Fans Get Spoiled by Blaze Bayley With His New Release “Soundtracks of my Life”

I’m so excited! Yesterday I received my Platinum edition of Soundtracks of my Life, the latest release from legendary metal vocalist Blaze Bayley and I have just opened the package… like the 299 other (lucky) diehard Blaze fans, my reaction is “YES!!!!!!!!!!!!” \m/

The package includes the book Blaze himself wrote with the help of his wife Eline about his journey from the beginning of his Wolfsbane days, his Iron Maiden adventures, right up to his most recent solo release in 2013, the double disc album itself, a fridge magnet, a badge and a certificate.

The book is autographed by Blaze and includes my own name in gold ink as well as the album booklet and certificate. My own name is also printed on the first page of the Special Thanks section in the album booklet!

"Soundtracks of my Life" Platinum Edition \m/
“Soundtracks of my Life” Platinum Edition \m/

As a longtime fan of Blaze Bayley, this is just amazingly awesome!!!

My younger sister introduced me to Blaze’s solo music which is kind of ironic- I introduced her to Iron Maiden by happy accident when I loaned her my walkman (yes, walkman) with Brave New World on tape inside one day for the school bus journey home (she came home that day a die-hard Iron Maiden fan!).

So a couple of years later she was playing Blaze’s Tenth Dimension album in her bedroom when I was having a chat with her. “Stealing Time” came on and I was hooked. I borrowed the C.D and that was it! I adored it. From start to finish, a superb album.

In 2004 a special gig was announced, we heard it through word of mouth from a metal fanatic friend in England I think. Blaze was coming to play in the Village, Dublin. I personally couldn’t believe Blaze Bayley was going to play such a small venue. Myself, Arlene (my sister) and her friend headed up for a ridiculously early time, hoping we’d get to meet Blaze himself before the gig. We waited and waited and waited… All day we sat outside the Village (we were the only ones!) and eventually we were invited inside! There he was, larger than life, Blaze Bayley himself with a huge smile. I remember my sister giving him a lollypop because she thought it would be cute and he laughed. He was so nice! He signed everything we gave him, (one of the items he signed for me was my Virtual XI Iron Maiden album booklet-my favourite Maiden album!) joked around with us and posed for photos with us. We were on an absolute high and couldn’t wait for the show…

Meeting Blaze in the Village, Dublin 2004
Meeting Blaze in the Village, Dublin 2004
Posing with Blaze in the village, Dublin, 2004 \m/
Posing with Blaze in the village, Dublin, 2004 \m/

The show itself was amazing. Blaze gave such a performance, his multi-national band was amazing, the songs were brilliant, the sound was perfect, we had so much fun!!! I came home with a setlist, a drumstick and a guitar plec. I also came home with a sore neck and without my voice!! I remembering meeting Italian guitarist Luca Princiotta after the show and talking with him, I also remember him giving me a kiss on my face, he was so very lovely! 🙂 That entire day was so special to us all and my sister and I remember it with the fondest of memories.

Blaze performing that night
Blaze performing that night in the Village, 2004.
Blaze Bayley band 2004
Blaze band performing in the Village, Dublin in 2004
Blaze hugs one of his guitarists that night mid solo! :)
Blaze hugs guitarist Oliver Palotai that night – mid solo! 🙂
Blaze and guitarist Luca Princiotta, 2004
Blaze and guitarist Luca Princiotta, 2004
Bassist Nick Douglas and Oliver Palotai in the Village, Dublin
Bassist Nick Douglas and Oliver Palotai in the Village, Dublin
Nick Douglas and Blaze Bayley metal moment, the Village 2004
Nick Douglas and Blaze Bayley metal moment, the Village 2004
Blaze has a quiet moment in the Village, 2004
Blaze has a quiet moment in the Village, 2004
Drummer Daniel Löble after his jaw dropping drum solo
Drummer Daniel Löble after his jaw dropping drum solo
Luca Princiotta and a smitten Steffy post gig ;)
Luca Princiotta and a smitten Steffy post gig 😉

Fast forward to 2010… Blaze was coming back to Dublin! This time we heard through Facebook. Fibbers on Parnell St. There was a meet and greet before the show and I was so excited and nervous to meet Blaze again. He wouldn’t talk at all to anyone (I assumed it was to save his voice for the show) but I sat beside him, said “welcome back to Dublin!” and he grabbed me and gave me the biggest, squeeziest hug I ever got in my life!!! That night he signed my Tenth Dimension album booklet.

The following show was unbelievably energetic and I fondly remember it starting off with the unmistakeable sound of Blaze Bayley himself shouting from the back “Get out of my focking way!!! Let’s get this focking show started! Come on!!!” as he pushed his way through the crowd. His big Birmingham accent filled the room and we all laughed and made way for the mighty Blaze! What a show it was! Again we were up the front and this time almost too close! I remember being able to hug Blaze while he sang, drenched in sweat! Haha, so brilliant! His band line up had changed but these players were brilliant as well. We all had a brilliant night. What a gig.

The biggest and best hug of my life! Myself and Blaze in Fibbers, Dublin 2010
The biggest and best hug of my life! Myself and Blaze in Fibbers, Dublin 2010.
Up close, personal and drenched in sweat! As all metal musicians should be!
Up close, personal and drenched in sweat! As all metal musicians should be! Blaze in Fibbers, 2010.

Blaze has become very Internet savvy in the last few years, he’s always posting on Facebook, usually he posts brilliant photos of himself in various places in Europe, making the same heavy metal face! He’s constantly gigging and recording. It’s amazing to see his international fan base on Facebook, everyone seems to have the same love for this brilliant, larger than life performer.

Blaze likes to keep his fans updated through brilliant selfies on tour.
Blaze likes to keep his fans updated through brilliant selfies while on tour.

I’m sure we all love him for the same reasons- his fantastic lyrics and songs, his amazing energy he delivers in his performances and the time and love he gives back to his fans.

Soundtracks of my Life is not only the perfect thank you to all his fans, it’s the perfect way to celebrate Blaze’s 30 years in the music industry.   “Thank you all so much for your support over the years and making it possible to live my dream.” -Blaze Bayley.

An awesome heavy metal album. Soundtracks of my Life is out October 31st. Make it your business to own a copy of it.

New Music: “Avradî” is an Instrumental For The Soul

I have been feeling compelled to create some new music lately, especially the last couple of days. In recent times I have been feeling a strain and somewhat hampered when it comes to creation but tonight I put all thoughts of negativity out of my head and let my creative mind wander.

I knocked off the click track and just played. I played what I have been feeling in my head and my heart. There are emotions and thoughts bound to this piece of music which I cannot disclose here.

This all sounds rather holistic and I suppose it is, my approach to creativity and music has always been focused on my Higher Self and expressing my inner-most thoughts.

So I’m putting this piece of music online because I feel it’s an accurate representation of who I am and what’s going on in my head at this point in my life.