Tag Archives: song

My Names A, Your Names Zed… New Music from El Grey

For the creators and for the fans, active listeners or passive listeners, music has the power to move us all incredibly deeply. Sometimes we’re right here- in the moment and sometimes we’re floating in a sea of sounds- we blissfully lose ourselves for a tiny while.

And sometimes we’re both- Here and There.

The latest release My Names A, Your Names Zed from El Grey is exactly that.

el grey my names a your names zed
My Names A, Your Names Zed

If you’re already a fan of El Grey you’ll come to expect haunting, stunning and breathtaking vocal performances as standard. You’ll also expect crunchy beats mixed with a wash of synths and gentle acoustic guitars. You’ll also be aware that her music is deeply personal to her and each song is a little piece of her soul, committed to record.

Take all that you already know about El Grey and put a little twist on it. You won’t find this track anything like her previous release El Grey, but you will find her distinctive, trademark vocals affirming her ardent passion right here. Glistening synthy motifs bounce over and back a sound world of luscious piano playing and looped, reverberant vocals. Instantly you’re taken by the hand of El Grey herself into the infinite cosmos. If you haven’t gotten goosebumps multiple times within the first 60 seconds then you’re not ready for the journey she wishes to bring you on.

Hypnotic yet deeply grounding, her chanting vocal pulls you right into the centre. Looped over and over with additional harmonies, her voice guides the way- “Grab a coat, find a home”. While the chant gives way to a choir of swirly, angelic vocal expressions, we’re lifted further into the heavens, soaring high, looking for Home.

The mood changes somewhat after this point. You’ll hear a male voice enter- another new sound for El Grey. You’ll know that there’s something very special going on here- something very deep and very personal. In absolute contrast to what we’ve been listening to, she sings in her native tongue- and it works brilliantly. Switching languages in one song is a new and brave move for El Grey for she has something personal to say-revealing another dimension of herself and affirming her spirituality though her music.

El Grey

For me the most poignant lyric comes in around the 7-minute mark- “It’s just one heartbeat away from you” with echoes of “one” bouncing around, underpinning it. The music producer in me loves that line. The sentiment in me loves it too. It’s a line I’d hang on to for dear life.

This recording is 100% live and one take only. There was no pre-production. There was no doctoring this up in post-production either. The barest moments of extraneous sounds pop in and out here and there but these are not faults. Such sounds tickle my imagination and for me, they add to the soundscape. The piece in its entirety has a completely natural feel and I’m certain the musicians lost themselves in this performances-lost themselves to find a little something on the way back.

You could use a multitude of words to describe this track (atmospheric, holy, meditative, serene, gripping, stunning, special…) and you could find a multitude of situations to enjoy it in – at home with a candle, on a long, night-drive home, walking around a busy city- for it’s completely immersive and completely El Grey.

Enjoy the music here: My Names a, Your Names Zed – EP by El Grey on iTunes

El Grey: My Names A, Your Names Zed – Music on Google Play

el-F# | El Grey

elf logo7

El Grey perform tonight at the Hot Spot Music Club, Greystones in support for Oxfam Ireland alongside bands Calm State, Woodlark and Retrofix. More info: El Grey, Calm State, Woodlark, RetroFix play for Oxfam

 

 

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For Your Ears, Heart and Soul: Leaca Bán – Na Tonnta

Posting and sharing with you, my most recent music production project, the beautiful Leaca Bán by 5-piece, traditional Irish crossover group, Na Tonnta.

Na Tonnta
Na Tonnta

Introducing Na Tonnta (L-R as above): Daniel ‘Hearthrob’ Whelan, Ellie ‘Ellington’ J McGinley, Sinéad ‘Brings her own teabags’ O’Malley, Ciara ‘I♥ Beoga’ Moley and Fiachra ‘Figgy’ Meek. The group met while studying Music in DkIT together and bonded through their love of traditional Irish music, popular music, tea, biscuits and cakes!

My journey with Na Tonnta began in September 2014. I was searching for a musically-new band to introduce to the recording studio and collaborate with for my final music production project at DkIT, resulting in three songs- one being the core and most-polished production.

Approaching Na Tonnta was an easy task. It was actually perfect timing! I already knew Sinéad, their flute and whistle player from the Norway erasmus trip in 2013 and I worked with Ellie, their vocalist and fiddle player on my previous production project, “Crystal Hearts” feat. Fiona McErlane by Audio_Girl | Free Listening on SoundCloud.

I knew I wanted to carry forward my love for traditional Irish music while bringing it into a contemporary production and I also knew Na Tonnta were a hard-working, creative and driven group from my Facebook stalking since they formed in October 2013!

Na Tonnta warming up for the Spirit of Folk Festival, 2014
Na Tonnta warming up for the Spirit of Folk Festival, 2014

Leaca Bán began in the rehearsal room. Sinéad introduced the idea to the group with the beautiful, haunting traditional tune, 250 To Vigo, accompanied by accordion player, Ciara. I sat, mesmerised by the performance- the beautiful tone of the B flat whistle, the rhythm of the tune, the sombre accordion, gently accompanying the haunting tune. The hairs on my arms stood and I knew instantly that this was a tune I wanted to be a part of. I could already hear our studio recording in my mind’s ear!

What happened next lifted my spirits even further. There was a lyrical idea. In fact, there was more than just an idea- there was a theme, a mood, an atmosphere and a poem! A vintage book was produced- a little blue book with yellow pages, about to be tossed out from a local school library where Sinéad worked. For some reason unknown to me, Sinéad opened the book and there was a beautiful poem at the beginning. The Lights of Leaca Bán by Alice Cashel is an old book intended for secondary school children but the poem simply titled Leaca Bán, found at the begnning of the book, is a literary work of beauty.  It was suggested that Ellie fit the tune to the words- amazingly, it worked like a dream. Ellie suddenly started singing the poem and it was just right.

Ellie and Fiachra in the rehearsal room
Ellie and Fiachra in the rehearsal room

By Christmas a humble demo which consisted of a vocal, fiddle, tin whistle and accordion was recorded and then my audio fun began. What I already had was a beautiful tune which was deeply Irish and could hold up on its own with such a small ensemble- how about adding drums? Synthesisers? Guitars? More vocals? How big could we go?! How big did I dare?!

Well, here’s the final production.  Listen for yourself.

New Song: “Go Left”

Go Left

(Lyrics, music, performance, production and mix by Stephanie Caffrey, December 2013.)

Should I go left?
Should I go left?

Losing my path,
Losing my way.
Afraid to ask
Should I go left?
Longing to go,
Aching to stay.
Afraid to ask
Should I go left?

Should I go left?
Should I go left?

If I go what will I find?
Will I heal this heart of mine?
I’m looking for where I belong,
Searching deep for so long…

Alternative Version of “Close Your Eyes” is Online Now!

Some vocal edits, some tweaks, some mix balances, I don’t think I should call it a remix but a small re-work of my original song “Close Your Eyes” which features Fiona McErlane and Keith Caffrey on vocals.

Fiona McErlane
Fiona McErlane
Keith Caffrey
Keith Caffrey

I personally prefer this version. I intended on making the female vocals and drums clearer. I especially hope the listener is drawn to the delicate subtleties of Fiona’s voice.

Both versions will stay online! Enjoy!

Music Production Project Session 3/3 is Tomorrow!

This is the second last blog about this semesters music production project!

Tomorrow is our last 3 hour session! We’re on schedule with the plan and tomorrow will be main vocal, backing vocal and rainmaker recordings!

I will also be recording some additional instrumentation (bongo and violin) in the ambient Winter Garden after the studio session. I definitely will not have time to record all this tomorrow morning, but I would really like to commit these extra ideas I have to Pro Tools in case I decide I want them during my final mix! I’ll be bringing my Macbook Pro, Roland Cakewalk UA-25 EX audio interface, Rode NTK mic and AKG headphones to the Winter Garden (some name dropping there… hint hint! lol) for these recordings!

Seems like I can never go to college anymore without a ridiculous amount of stuff with me!

Christmas is coming………

😉

 

 

 

Music Production Project Kicks Off Tomorrow!

I’m very, very, VERY excited!

After a lovely reading week which turned out to be a brilliant balance of study, work, play AND industry experience (see recent post where I described my day recording location audio on a film set!), I’m all set and raring to start back to college (part 2 of semester 1) in the morning!

I’ve spent the last 6 weeks preparing for my music production project and tomorrow morning we go into the recording studio to start tracking! It’s an early start and I hope to record cajon, a guide vocal and acoustic guitars. I’ve chosen to realise a new Shock Sorrow song called “December”, myself and Keith Caffrey composed during the summer.

I’m very excited to have my classmate and good friend Shane Taaffe play cajon and new friend, bass master Ciarán O’Brien play double bass on this recording! I’ve never recorded both instruments before and I’m very excited! Keith Caffrey will of course be singing lead vocal, playing guitar parts (yes, a solo!) and a secret percussion instrument! 😉 I will of course be playing a small bit of guitar and maybe piano if I’m lucky, my regular studio partner Shauna Kearney will be assisting me (I can’t imagine being in studio without her actually!).

Pre-production session with Keith Caffrey, myself and Shane Taaffe 🙂

My mind is racing from the sheer excitement of this project and I’m getting ideas all over the place! “Oooh wouldn’t it sound great if I did this!” and “I’d love to slip in a little harmony there!”, it’s so easy to get carried away! The main point of this recording is to capture the sounds as accurately as possible, get the sounds right at the source! “I’ll fix it in the mix” attitude is bye-bye, out the window! There are of course plenty of other criteria to check, good production, instrumentation, record with hardware compression (mmmm Avalon baby) etc!

My primary aim is to record a polished studio version of this song that includes a full band of musicians but with a stripped back approach.

I aim to not only meet the instrumental requirements of this project brief but also extend beyond that by capturing one or two additional instruments and vocals, creating a sonically interesting and more varied recording.

I also aim to create a pleasant and relaxed working environment and enjoy a successful recording process.

I will post a blog tomorrow night about how the session went!

In other news I got to play an Irish harp tonight! I had such fun! Shane Taaffe is one seriously gifted musician, I already knew he is very talented with a guitar, cajon, voice, anything musical he puts his hands to, but I never got to hear him play Irish harp before now. Wow! I could have listened to him all night! Such beautiful music he played. I’m a big Irish trad fan from my fiddle days and lately my influences have been creeping back into my solo material. He played beautiful Turlough O’Carolan tunes, airs, reels and even treated me to “Nothing Else Matters” (Metallica), I pretty much just melted into the floor by then!

Having a little play with Shane’s harp 🙂
Shane Taaffe treats me to an Irish reel, his fingers were moving so fast as you can clearly see!

So! Expect a future recording featuring Shane Taaffe on the harp! I would dearly love to compose a traditional piece myself and record it. This will happen!

Off to pack my school bag and equipment bag for tomorrow, where’s that list I penned up? 🙂

New Song – “The Key” by Stephanie Caffrey :)

I have been feeling creative lately! I’m announcing the follow up track to “Ashes Forever” which I posted online a couple of weeks ago… “The Key”. 🙂

Composition for this piece started about two weeks ago in my bedroom studio. I wished to complete it before my trip to Oxford so I could mix it over there, but feeling this song was coming from somewhere very deep inside me, I didn’t want to rush the creative process.

I had composed all the music by the time I got to Oxford and there I mixed what I had and structured half the song.

I returned home to Ireland in a whirlwind of emotions and penned the lyrics and vocal melodies shortly afterwards. This song is a deep one to me and I hope the listener enjoys my creation.

It’s the first time I’m publicly showcasing my violin skills on a recording and also my lovely B flat tin whistle, I was really surprised how nice it recorded, adding just a touch of reverb! It’s probably also the first song I’m actually not playing guitar! Written, composed, recorded, produced, mixed and mastered entirely by myself with the exception of giving my friend Lee Fitzpatrick some deserved credit for advising me on my equalisation curves at the early stage of mixing!

Me and my violin! (This picture is back to front, I’m not left handed!)

So put on your headphones, sit back, relax and breathe and enjoy “The Key” 🙂

Steffy xx