Tag Archives: Stephanie Caffrey

Bring on the Night- The Corrs Dazzling Homecoming Gig, Dublin 28-01-16

As I write this, five days and 21 hours have passed since the Corrs made their truly glorious return to the Point Depot (called the 3Arena nowadays), Dublin. The brilliant buzz still hasn’t faded and from I see from fans Instagram accounts, it’s not going anywhere fast!

We always said it was going to happen yet last summer out of the blue 😉 the Corrs announced they were returning to music after a 10-year break. The gig: BBC Radio 2 Live in London’s Hyde Park. Their new single Bring on the Night followed shortly and after an abundance of teaser video clips and photos taken by all Corr siblings and their producer, John Shanks from the studio (Ananda Entertainment, Hollywood and Metropolis, London), their new album White Light was released in Ireland and the UK along with a string of tour dates. Two Irish dates, the Point, Dublin and the Odyssey, Belfast were included to conclude the mini-tour.

Who's are who's? #sisters #thecorrsofficial #warnermusicuk #whitelight

A post shared by Sharon Corr (@sharoncorrofficial) on

Fast forward to the 28th of January, 2016. We wake with a bolt and get to Dublin armed with raincoats, hats, scarves and nibbles. My dear friend Anne had travelled from Berlin, Germany just for this day- we met on a Corrs fan website some 16 years ago and have kept in touch ever since, meeting every few years in both countries. This was to be the most perfect day we could ever spend together- finally experiencing the Corrs music live with each other!

We arrive at the Point in the wind and rain to find a handful of hard-Corr fans already waiting, huddled in the arches. Hailing from Portugal, Brazil and Scotland, they greet us warmly, smiling broadly with excitement. It was only 2:30pm but they were there since 8am! We all watch our phones eagerly, checking Instagram and Twitter for any posts from the Corrs- only to be teased with a snap of Caroline sitting triumphantly behind her drum kit, arms raised in the air and wearing a winning smile, all under a magnificent white light in the venue. We get giddy and beg for time for pass by quicker!

#Dublin #whitelighttour

A post shared by Caroline Corr (@carolinecorrofficial) on

Thankfully time did indeed pass us by swiftly and we found ourselves smack-bang in the middle of the front row! We can’t believe our luck- everyone who made it early and braved the cold weather was the front row.

The Shires burst onto the stage after a short introduction from their band- who I have to say were rock-solid. Drummer Ollie Harding particularly impressed me with his heavy yet steady playing. The Shires delivered an upbeat, cheerful and entertaining set, warming up the crowd perfectly for the Corrs.

An hour later, after a frantic yet systematic set up for the Corrs, the lights dimmed, a haunting bass drone fades in and the crowd erupted in roaring applause and cheers of excitement. The thunderous drumming that is undoubtedly Caroline Corr solo fills the arena and all we see on the side screens are her silhouette on a white background- the much-anticipated introduction we’ve all been waiting for and heard so much about, absolutely knocked our socks off!

Suddenly the curtain goes up and we see Caroline belting her kit with all her might, completely focussed and seemingly unaware of the spotlight. We’re already jumping in delight at this treat and the next thing, the entire band are revealed standing in the middle of the stage- Andrea is beaming with her beautiful smile, she looks like she’s breathing heavily in excitement, Jim is to her left looking cool and collected with his rockstar shades and brilliant green electric guitar while Sharon stands tall to Andrea’s right, clutching her violin, smiling somewhat nervously. Anto Drennan on guitar and Keith Duffy on bass stand either side of Caroline- not Corrs by name but certainly are family for both have been in the band from the beginning and are recognised and loved by the fans.

Opening with I Do What I Like, the leading track of White Light, Andrea danced her way to her microphone, still smiling, looking adorable in her tiny ballerina flats. She looked everyone in the front row right in the eyes and I felt as if she were an old friend. I had the pleasure of being at Lansdowne Road 1999 and the Point 2004 but I was nowhere near the front! This was the first time in my life I was seeing Andrea up close and personal! She has an incredible stage presence and I’m not talking about the type of awe that surrounds Sting or the sheer force of power that’s James Hetfield of Metallica (all concerts I’ve sung my heart out to), it’s a totally different presence. Here is an incredibly talented singer and tin whistle player who’s very much a icon in pop music yet she has a sweet sensitive nature on stage. Maybe it’s the way she dances like a tiny fairy, maybe it’s her aura or energy or the way her dark brown eyes look straight into your soul while she’s singing- perhaps it’s all of the above combined with the fact she’s got her feet planted on the ground. Andrea Corr impressed me immensely as a musician and as a human being.

Of course it’s not entirely all about Andrea! Jim has been a hero for me throughout the years- I was inspired by his musical diversity and creativity- playing various different instruments on all the studio albums and live. You name it, Jim Corr plays it. He’s also big into music production- the mics, the desks and all the gear. I’ve had the pleasure of talking to Jim personally about the Corrs production style on their second studio album Talk on Corners (1997) just over a year ago and I could have listened to him for hours. Seeing him for absolute real in the Point was a dream come true for my fan-self. Effortlessly cool while providing backing vocals and rockin’ out on guitar, he provided big-brotherly support to his sisters who all looked at him adoringly at some point or another throughout the show. Still the rock and clearly the (unofficial) band leader, Jim swopped between electric and acoustic guitars and jumped onto keyboards throughout the set.

Surprising us with their second song, Give me a Reason was somewhat unexpected- mind you, a very pleasant surprise! Anthemic melodies and driving drums, the crowd sang their hearts out. Andrea looked lost of words after each song as the crowd literally screamed in sheer adoration up at the band. Keith Duffy never once stopped smiling behind Jim.

The band delivered hit after hit- Forgiven Not Forgotten, Bring on the Night, What Can I Do and Radio before settling down into a relaxed set which saw Caroline rise from her kit and take a seat at the front, right between Andrea and Jim. Known for being the shy Corr, she looked rather nervous taking her place on her cajon drum box. It can’t have been easy to step up into the front-line of camera-phones and strange faces when you’re used to the security a huge drum-kit! No need for her to be nervous, she took up band leadership, driving the group with expertise percussive skills on cajon, bodhran and shaker.

Starting with a beautiful medley of Lough Erin Shore/Joy of Life/Trout in the Bath, the Corrs prove they still very much value their traditional Irish roots and are still top-class! The sound was exquisite. Simple, serene and traditional. Next up 1996 hit Runaway proved to be still the fans favourite when the audience actually sang louder than the Corrs themselves! The look of pure astonishment on Andrea’s face was priceless! Played beautifully, still in unplugged-style Runaway was the song of the night. A couple of songs from the new album, Stay and Ellis Island fit perfectly into the set. Andrea strummed her ukulele to Stay– clearly this is a personal favourite of the band’s (there are two versions on White Light, the band opting for the more wholesome, slow-tempo version for the show. Ellis Island was visually enhanced with spectacular yet poignant graphics on the big screens. A song about emigration and full of sorrow, the band absolutely nailed it live. The audience were visibly moved as the voices around me hushed and drank in the emotion.

A moment of comic relief during the next song, Buachaill On Eirne as Andrea momentarily drew a blank on the opening lyrics. She stopped in her tracks, clearly mortified and burst into a fit of giggles, looking at her siblings for support. Everyone onstage giggled and helped her remember the Irish lyrics. Andrea couldn’t apologise enough to the audience (who thought she was being hopelessly adorable!) for her first ever blank moment on stage and voiced she hoped her old Irish teacher wasn’t attending the gig tonight!

Another total surprise for us was the following song Love to Love You, another 1996 gem. I think it was around this point in the show that I thought that this wasn’t like a reunion gig at all, more so the next stage of the Corrs music career. To be truthful the Corrs never broke up in the first place!

With Caroline back behind the kit, Andrea introduced the band one by one and the gig went back into full tilt with up-tempo Talk on Corners favourites Only When I Sleep, Queen of Hollywood and their rendition of Fleetwood Mac’s Dreams. Seamlessly fitting in to the set Kiss of Life was vocally stunning. For me, one of the top songs off the new album and without a doubt one of my absolute favourite Corrs songs, Kiss of Life soared and took us all to a special place.

Bringing up the tempo again for I Never Loved You Anyway and So Young, the band brought the roof down and left the crowd begging for more.

After a brief teaser of a disappearance, the Corrs returned once more with electrifying performances of White Light, Breathless and Toss the Feathers. It was all over too soon yet the band played for a full 2 hours!

The house lights came on, the finality of the gig being over dawned on us and we exited the arena in an absolute daze! The Corrs were back, sounding amazing and clearly in top form! We left the Point Depot talking excitedly, a bag full of merchandise under our arms, giggling at the lads walking in front of us back to the city centre singing Runaway at the tops of the voices! It was truly the best homecoming the Corrs could have wished for- a huge crowd but with an intimate feel, the Corrs are still our favourite after all these years.

In case you haven’t heard the good news, the Corrs are playing again this summer- the Cork Marquee, June 9th. Tickets go on sale this Thursday (a full week after the Dublin gig! Good timing or what?!). You can be sure to find myself and Anne at the front again!

See you there!

Preview, buy and download songs from the album White Light, including I Do What I Like, Bring On the NightWhite Light and many more. Buy the album for €10.99. Songs start at €1.29. White Light by The Corrs on iTunes

 

 

 

 

 

For Your Ears, Heart and Soul: Leaca Bán – Na Tonnta

Posting and sharing with you, my most recent music production project, the beautiful Leaca Bán by 5-piece, traditional Irish crossover group, Na Tonnta.

Na Tonnta
Na Tonnta

Introducing Na Tonnta (L-R as above): Daniel ‘Hearthrob’ Whelan, Ellie ‘Ellington’ J McGinley, Sinéad ‘Brings her own teabags’ O’Malley, Ciara ‘I♥ Beoga’ Moley and Fiachra ‘Figgy’ Meek. The group met while studying Music in DkIT together and bonded through their love of traditional Irish music, popular music, tea, biscuits and cakes!

My journey with Na Tonnta began in September 2014. I was searching for a musically-new band to introduce to the recording studio and collaborate with for my final music production project at DkIT, resulting in three songs- one being the core and most-polished production.

Approaching Na Tonnta was an easy task. It was actually perfect timing! I already knew Sinéad, their flute and whistle player from the Norway erasmus trip in 2013 and I worked with Ellie, their vocalist and fiddle player on my previous production project, “Crystal Hearts” feat. Fiona McErlane by Audio_Girl | Free Listening on SoundCloud.

I knew I wanted to carry forward my love for traditional Irish music while bringing it into a contemporary production and I also knew Na Tonnta were a hard-working, creative and driven group from my Facebook stalking since they formed in October 2013!

Na Tonnta warming up for the Spirit of Folk Festival, 2014
Na Tonnta warming up for the Spirit of Folk Festival, 2014

Leaca Bán began in the rehearsal room. Sinéad introduced the idea to the group with the beautiful, haunting traditional tune, 250 To Vigo, accompanied by accordion player, Ciara. I sat, mesmerised by the performance- the beautiful tone of the B flat whistle, the rhythm of the tune, the sombre accordion, gently accompanying the haunting tune. The hairs on my arms stood and I knew instantly that this was a tune I wanted to be a part of. I could already hear our studio recording in my mind’s ear!

What happened next lifted my spirits even further. There was a lyrical idea. In fact, there was more than just an idea- there was a theme, a mood, an atmosphere and a poem! A vintage book was produced- a little blue book with yellow pages, about to be tossed out from a local school library where Sinéad worked. For some reason unknown to me, Sinéad opened the book and there was a beautiful poem at the beginning. The Lights of Leaca Bán by Alice Cashel is an old book intended for secondary school children but the poem simply titled Leaca Bán, found at the begnning of the book, is a literary work of beauty.  It was suggested that Ellie fit the tune to the words- amazingly, it worked like a dream. Ellie suddenly started singing the poem and it was just right.

Ellie and Fiachra in the rehearsal room
Ellie and Fiachra in the rehearsal room

By Christmas a humble demo which consisted of a vocal, fiddle, tin whistle and accordion was recorded and then my audio fun began. What I already had was a beautiful tune which was deeply Irish and could hold up on its own with such a small ensemble- how about adding drums? Synthesisers? Guitars? More vocals? How big could we go?! How big did I dare?!

Well, here’s the final production.  Listen for yourself.

Let’s Stand Together :)

Let’s stand together.

Let music join us all.

Join us tomorrow night for our FREE CONCERT at 8pm to raise funds for the ‘Save The Dominican Church Fund’.

I promise you it will be a memorable show.

Special concert tomorrow night!
Special concert tomorrow night!
Drogheda Independent Feb 2015
Drogheda Independent Feb 2015
Drogheda Independent January 2015
Drogheda Independent January 2015

Special Announcement :)

Delighted to announce that the Augustinian Gospel Choir will perform a special concert in the Dominican Church, March 8th 2015!

This is a fundraising event in aid of the Dominican Church, admission is free and a brilliant night of gospel choir music and solo singers and musicians is promised.

More information about saving the Drogheda’s beautiful Dominican church can be found at: Fight now begins to save Dominicans after 790 years – Independent.ie.

Drogheda Independent January 2015
Drogheda Independent, January 2015

Watch the complete story, including interviews, footage of the Rally and the controversial debate that followed it.

Breaking Free From Radio Silence!

First off, apologies for the radio silence!!! I haven’t fallen off the face of the planet, I haven’t stuck my thumb and hitchhiked across the galaxy (as much as I would LOVE to do that!), I’ve been around, just quietly observing what’s been going on around me and stuff like that!

My last year in college has been a whirlwind. Where does the time go?! I’ve been working hard at many projects. A quick summary of what I’m currently up to- a research project on uilleann pipes and how to record them in the studio (interesting things I’ve come across regarding this amazing instrument!), my intervention project is going to be interesting and fun. A recording project where I’m producing Dundalk traditional/crossover group Na Tonnta. Exciting stuff to talk about there! Recording projects within the class- the current one I’m writing vocals for… A composition project for a final project for Creative Media 4th year students… A recording project for Music I engineered- recorded a bunch of trad instruments for a decent amount of tracks, very fun!

Outside of this, Trend-E and I are collaborating on some wicked electronic tracks of his again! I enjoyed collaborating with him last time… 

… this time we’re working on something much darker but very, very sexy!!!

I’m delighted to be this busy again! I was feeling very down on things after the rush of Christmas assignments were done, I had nothing creative *to do*. It’s well and good having free time to play with DAWs and guitars etc but when you’re not in the mood……….

I even purchased a Yamaha DX-7 before Christmas NOM!!!! Tubular bells!!!! I’ve been enjoying Brian Eno’s Apollo: Atmospheres and Soundtracks album for months now, seriously mind-blowing music. I had to get a DX-7. Just had to. The fun starts when I learn how to programme it! I’ve been messing around, getting to grips a little bit. The way I see it, I’ve my whole life to master this. And I will.

My Yamaha DX-7 and Christmas Teddy ;)
My Yamaha DX-7 and Christmas Teddy 😉
My music room :)
My music room 🙂

So happy new year 2015! This is a year of serious life changes for me. I’ve been doing so much thinking, feeling, writing about my life and my life path the last year or so. I know big changes are coming. I can feel them. My spiritual side is guiding me very strongly and I’m learning to trust my gut feeling, myself and believe in myself.

Cue song lyrics…. yes indeed….

Probably meant to blurb out more stuff here but it’s kinda, sorta late and I’m getting tired!

More soon!!!!!!

Be good y’all!!!!! 😉

New Song: “Subtle Energy”

I invite you to plug in, put your headphones on, press play and relax for three minutes.

I created this today.

Enjoy.

Steffy  🙂

Photos From the Irish Maritime Festival 2014 :)

The Irish Maritime Festival was a huge success last weekend in Drogheda Port. Drogheda town centre was buzzing with the festival atmosphere Saturday and Sunday. What fab weather we got for it!

Here’s some photos we took, mostly of the Augustinian Gospel Choir! You can imagine my fright when I turned around to see a dancing Spongebob Squarepants on stage, right behind me! What fun we had! And of course a dancing Patrick, our newest choir member 😉

Thanks to the Purple Sessions crew for the great sound and thanks to the festival organisers for a wonderful experience!

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Gerry Simpson and the Augustinian Gospel Choir
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The Augustinian Gospel Choir
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Patrick joins us onstage for “Happy”!
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Happy! Myself and Gerry 🙂
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My choir buddy Tamlyn
Enjoying the fab weather before the gig!
Enjoying the fab weather before the gig!

New Song: “Crystal Hearts”

I would like to share my major production project “Crystal Hearts”- a contemporary Celtic New Age song about the divine connection and eternal love of soulmates that I have been working on this semester. This is an alternative mix to what I’m being graded on and I hope you all enjoy listening to it as much as I did producing it! Love and light.

Composed by Stephanie Caffrey

Lyrics by Keith Caffrey and Stephanie Caffrey.
Produced, recorded and mixed by Stephanie Caffrey.

Vocals: Fiona McErlane
Drums: Jay Ruddy
Bass: Shane Piper
Harp: Shane Taaffe
Fiddles: Ellie McGinley and Stephanie Caffrey
Low Whistle: Corentin Morgble
Bodhran: Corentin Morgble
Synths and drum loops: Stephanie Caffrey
Piano: Stephanie Caffrey

Assisted by Shauna Kearney and Scott McLoughlin.

1st Annual Final Year Showcase of BA Music and Audio Production

Tomorrow night is a big night for us Third Year Music and Audio Production students at DkIT. We are presenting our major production projects in the Spirit Store and we’re very excited about it!

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We were the first ever intake of Music and Audio Production (2011) and our production  projects combine everything we have studied over the last three years.

We have worked with teams of musicians from the BA Music Applied plus other courses in DkIT as well as musicians outside of the college on our individual projects.

There will be something for everyone at this event- our songs range from Folk to Rock, Pop to Dance and Celtic New Age to Metalcore!

We are looking forward to celebrating our hard work and hearing each others final mixes.

Entry is free and doors are at 7.30pm, do come along!

More info: 1st Annual Final Year Showcase of BA Music and Audio Production | Dundalk Institute of Technology.

For course details please visit: BA (Hons) Production of Music and Audio | Dundalk Institute of Technology.

Culture, Society and Popular Music; The Country Music Scene in Ireland

This is the first post in a weekly series of blogs relating to topics in the Culture, Society and Popular Music module I am studying this semester as part of my Music and Audio Production degree.

Country music is at the centre of attention of the media this week with Garth Brooks selling out 4 dates in Croke Park. Garth Brooks was a very popular artist in Ireland in the early 90’s and the announcement of his Croke Park gigs has caused huge excitement among his old and new fans. It’s been impossible to ignore the frenzy on social media and the fact that this is the first time ever that one artist has sold out so many shows in Croke Park in record time! This blog continues the discussion in class about the country music scene in Ireland.

I would like to begin by expressing my personal opinion of country music and its’ culture. I wouldn’t consider myself a fan of the genre as I find prolonged listening very boring and cheesey (the I, IV and V major chord progression, the vocal styles and the bland, basic drum beats)! To be quite honest, it generally doesn’t grab me inside. I can’t connect with the music and it doesn’t make me feel good. This is not ignorance or disrespect towards the genre at all. It’s a simple matter of personal taste.

On the other hand as a guitar player myself, I do genuinely really like the guitars in country music. I love fingerpicked acoustic guitars, twangy electric guitars (especially Fender Stratocasters!), pentatonic scales, bends and slides. I have absolute respect for country music guitar playing and acknowledge how skilled guitarists are. I love when these guitar elements combine with rock music, for example Metallicas’ “Mama Said” (country rock) is one of my all time favourite Metallica songs.

As I’m not a fan of the music itself, I have never really connected with country music culture. Growing up in a rural area in the early 90’s, I was aware of the line-dancing craze and of the dancing sessions in the local parochial hall- it seemed cheesey to me, even as a child! No one in my family was interested in country music or attending the dancing.

This picture reminds me of the image I had from my childhood of the locals line-dancing to "Achy Breaky Heart" and "Cotton-Eyed Joe"
This picture reminds me of the image I have from my childhood of the locals line-dancing to “Achy Breaky Heart” and “Cotton-Eyed Joe”!

Fast forward to the present. About four times a year every year, I work with my father at country music gigs he organises in a country club venue in county Meath.

I should explain that my father is a DJ on a local radio station and presents a very popular show dedicated to céili country, old time songs and ballads. His playlists includes songs by artists such as the Wolftones and the Dubliners as well as local artists and musicians.

The gigs are very popular and usually sell out, drawing a large crowd usually of elderly and middle-aged people. The gig consists of a live band who plays all night with local singers (all these singers have recorded material played on the radio show regularly) and usually one or two bigger stars who are full-time musicians.

An old Facebook event screen shot of my fathers country music night.
An old Facebook event screen shot of my fathers country music night.

I usually do front of house- taking tickets, greeting the people as they come in, selling raffle tickets during the show and help out with loading of music gear. I usually end up chatting with the people and I’m always struck by their friendliness. I’ve noticed that the middle-aged folk tend to take the country music culture side more seriously than the older ones- dressing in cowboy boots, hats, leather jackets and denim shirts. It’s always an enjoyable night and although I can’t say I like every song I hear, I do enjoy the energy and sound of the live band!

As mentioned in my opening paragraph, the Garth Brooks concerts in Croke Park have caused a frenzy on social media. My own Facebook feed was a mixture of excitement and annoyance.

Screen shot from my Facebook feed.
Excitement: screen shot from my Facebook feed.
Annoyance: another screen shot from my Facebook feed.
The opposite view: another screen shot from my Facebook feed.

I’ve noticed through posts on Facebook that the ticket sales itself was a big social event. Friends posted pictures of themselves q-ing and tagged their friends in them. These kind of posts got plenty of likes and comments, giving me the impression that this was actually a lot of fun for fans of Garth Brooks.

Q-ing to buy tickets was a positive social event.
Q-ing to buy tickets was a positive social event.

I have never in my life seen photos of people q-ing for tickets months and months before any event. Occasionally I might see a photograph of a ticket with an additional comment along the lines of “Got my ticket! Can’t wait till the show!” but never photos of smiley, happy people meeting and waiting in the cold to buy their tickets.

I was impressed with the community spirit at these social events when in class we saw fans looking out for each other. The fans seemed genuinely caring towards each other.

I haven’t seen any evidence of bad natured reports or derogatory comments through the media about Garth Brooks, his fans or country music in general. I have seen funny tweets and posts about the fact so many shows were added but these were good natured.

A good natured Facebook post by a fabricated satirical newspaper and comedy website.
A good natured Facebook post by a fabricated satirical newspaper and comedy website.
Musician Niall Breslin tweet
Musician Niall Breslin tweet.

Today FM’s Gift Grub incorporated Garth Brooks in a new satirical song on their show. The song itself is country music and the lyrics are humorous with mock Irish politicians singing about the Recession to and with a mock Garth Brooks.

My attention was drawn to an old Rich Hall interview about country music on Paul Merton’s Room 101 (I do take into account that this is a British not an Irish show). I thought Rich Hall made valid points about contemporary country music becoming more manufactured, overly produced and losing its’ traditions and values. The interview was funny and light hearted but I thought it was interesting nonetheless. I never considered that country music might be losing its’ roots and values.

My perception of country music hasn’t really changed with the recent coverage. For me it always was and still seems to be- you either love country music or you hate it! I for one am glad that the country music fan (who may sometimes only consider themselves general music fans) still has the passion and enthusiasm to q for tickets, support their country music hero, stick to their guns and be proud to call themselves a fan, especially after having to wait almost 20 years since his last Irish show. I think it’s great a new generation of fans have become passionate about country music. Even if I personally don’t like most of the songs I hear and the music itself is not quite as authentic as Johnny Cash, it still delivers relatable lyrical messages while showcases musicianship and songwriting. That to me is a healthy thing.