Tag Archives: Tin whistle

Bring on the Night- The Corrs Dazzling Homecoming Gig, Dublin 28-01-16

As I write this, five days and 21 hours have passed since the Corrs made their truly glorious return to the Point Depot (called the 3Arena nowadays), Dublin. The brilliant buzz still hasn’t faded and from I see from fans Instagram accounts, it’s not going anywhere fast!

We always said it was going to happen yet last summer out of the blue ūüėČ the Corrs announced they were returning to music after a 10-year break. The gig: BBC Radio 2 Live in London’s Hyde Park. Their new single Bring on the Night followed shortly and after an abundance of teaser video clips and photos taken by all Corr siblings and their producer, John Shanks from the studio (Ananda Entertainment, Hollywood and Metropolis, London), their new album White Light was released in Ireland and the UK along with a string of tour dates. Two Irish dates, the Point, Dublin and the Odyssey, Belfast were included to conclude the mini-tour.

Who's are who's? #sisters #thecorrsofficial #warnermusicuk #whitelight

A post shared by Sharon Corr (@sharoncorrofficial) on

Fast forward to the 28th of January, 2016. We wake with a bolt and get to Dublin armed with raincoats, hats, scarves and nibbles. My dear friend Anne had travelled from Berlin, Germany just for this day- we met on a Corrs fan website some 16 years ago and have kept in touch ever since, meeting every few years in both countries. This was to be the most perfect day we could ever spend together- finally experiencing the Corrs music live with each other!

We arrive at the Point in the wind and rain to find a handful of hard-Corr fans already waiting, huddled in the arches. Hailing from Portugal, Brazil and Scotland, they greet us warmly, smiling broadly with excitement. It was only 2:30pm but they were there since 8am! We all watch our phones eagerly, checking Instagram and Twitter for any posts from the Corrs- only to be teased with a snap of Caroline sitting triumphantly behind her drum kit, arms raised in the air and wearing a winning smile, all under a magnificent white light in the venue. We get giddy and beg for time for pass by quicker!

#Dublin #whitelighttour

A post shared by Caroline Corr (@carolinecorrofficial) on

Thankfully time did indeed pass us by swiftly and we found ourselves smack-bang in the middle of the front row! We can’t believe our luck- everyone who made it early and braved the cold weather was the front row.

The Shires burst onto the stage after a short introduction from their band- who I have to say were rock-solid. Drummer Ollie Harding particularly impressed me with his heavy yet steady playing. The Shires delivered an upbeat, cheerful and entertaining set, warming up the crowd perfectly for the Corrs.

An hour later, after a frantic yet systematic set up for the Corrs, the lights dimmed, a¬†haunting bass drone fades in¬†and the crowd erupted in roaring¬†applause and cheers of excitement. The thunderous drumming that is undoubtedly Caroline Corr solo fills the arena and all we see on the side screens are her silhouette on a white background- the much-anticipated introduction we’ve all been waiting for and heard so much about, absolutely knocked our socks off!

Suddenly the curtain goes up and¬†we see Caroline belting her kit with all her might, completely focussed and seemingly unaware of the spotlight. We’re already jumping in delight at this treat and the next thing, the entire band are revealed standing in the middle of the stage- Andrea is beaming with her beautiful smile, she looks like she’s breathing heavily in excitement, Jim is to her left looking cool and collected with his rockstar shades and brilliant green electric guitar while Sharon stands tall to Andrea’s right, clutching her violin, smiling somewhat nervously. Anto Drennan on guitar and Keith Duffy on bass stand either side of Caroline- not Corrs by name but certainly are family for both have been in the band from the beginning and are recognised and loved by the fans.

Opening with I Do What I Like,¬†the leading track of White Light,¬†Andrea¬†danced her way to her microphone, still smiling, looking adorable in her tiny ballerina flats. She looked everyone in the front row right in the eyes and I felt as if she were an old friend. I had the pleasure of being at Lansdowne Road 1999 and the Point 2004 but I was nowhere near the front! This was the first time in my life I was seeing Andrea up close and personal! She has an incredible stage presence and I’m not talking about the type of awe that surrounds Sting or the sheer force of power that’s James Hetfield of Metallica (all concerts I’ve sung my heart out to), it’s a totally different presence. Here is an incredibly talented singer and tin whistle player who’s very much a icon in pop music yet she has a sweet sensitive nature on stage. Maybe it’s the way she dances like a tiny fairy, maybe it’s her aura or energy or the way her dark brown eyes look straight into your soul while she’s singing- perhaps it’s all of the above combined with the fact she’s got her feet planted on the ground. Andrea Corr impressed me immensely as a musician¬†and as a human being.

Of course it’s not entirely all about Andrea! Jim has been a hero for me throughout the years- I was inspired by his musical diversity and creativity- playing various different instruments on all the studio albums and live. You name it, Jim Corr plays it. He’s also big into music production- the mics, the desks and all the gear. I’ve had the pleasure of talking to Jim personally about the Corrs production style on their second studio album Talk on Corners¬†(1997) just over a year ago and I could have listened to him for hours. Seeing him for absolute real in the Point was a dream come true for my fan-self. Effortlessly cool while providing backing vocals and rockin’ out on guitar, he provided big-brotherly support to his sisters who all looked at him adoringly at some point or another throughout the show. Still the rock and clearly the (unofficial) band leader, Jim swopped between electric and acoustic guitars and jumped onto keyboards throughout the set.

Surprising us with their second song, Give me a Reason was somewhat unexpected- mind you, a very pleasant surprise! Anthemic melodies and driving drums, the crowd sang their hearts out. Andrea looked lost of words after each song as the crowd literally screamed in sheer adoration up at the band. Keith Duffy never once stopped smiling behind Jim.

The band delivered hit after hit- Forgiven Not Forgotten, Bring on the Night, What Can I Do and Radio¬†before settling down into a relaxed set which saw Caroline rise from her kit and take a seat at the front, right between Andrea and Jim. Known for being the shy Corr, she looked rather nervous taking her place on her cajon drum box. It can’t have been easy to step up into the front-line of camera-phones and strange faces when you’re used to the security a huge drum-kit! No need for her to be nervous, she took up band leadership, driving the group with expertise percussive skills on cajon, bodhran and shaker.

Starting with a beautiful medley of Lough Erin Shore/Joy of Life/Trout in the Bath, the Corrs prove they still very much value their traditional Irish roots and are still top-class! The sound was exquisite. Simple, serene and traditional. Next up 1996 hit Runaway¬†proved to be still the fans favourite when the audience actually sang louder than the Corrs themselves! The look of pure astonishment on Andrea’s face was priceless! Played beautifully, still in unplugged-style Runaway was the song of the night. A couple of songs from the new album, Stay and Ellis Island¬†fit perfectly into the set. Andrea strummed her ukulele to Stay– clearly this is a personal favourite of the band’s (there are two versions on White Light, the band opting for the more wholesome, slow-tempo version for the show. Ellis Island¬†was visually enhanced with spectacular yet poignant graphics on the big screens. A song about emigration and full of sorrow, the band absolutely nailed it live. The audience were visibly moved as the voices around me hushed and drank in the emotion.

A moment of comic relief during the next song, Buachaill On Eirne¬†as Andrea momentarily drew a blank on the opening lyrics. She stopped in her tracks, clearly mortified and burst into a fit of giggles, looking at her siblings for support. Everyone onstage giggled and helped her remember the Irish lyrics. Andrea couldn’t apologise enough to the audience (who thought she was being hopelessly adorable!) for her first ever blank moment on stage and voiced she hoped her old Irish teacher wasn’t attending the gig tonight!

Another total surprise for us was the following song Love to Love You, another 1996 gem. I think it was around this point in the show that I thought that this wasn’t like a reunion gig at all, more so the next stage of the Corrs music career. To be truthful¬†the Corrs never broke up in the first place!

With Caroline back behind the kit, Andrea introduced the band one by one and the gig went back into full tilt with up-tempo Talk on Corners favourites Only When I Sleep, Queen of Hollywood¬†and their rendition of Fleetwood Mac’s Dreams.¬†Seamlessly fitting in to the set Kiss of Life¬†was vocally stunning. For me, one of the top songs off the new album and without a doubt one of my absolute favourite Corrs songs, Kiss of Life¬†soared and took us all to a special place.

Bringing up the tempo again for I Never Loved You Anyway and So Young, the band brought the roof down and left the crowd begging for more.

After a brief teaser of a disappearance, the Corrs returned once more with electrifying performances of White Light, Breathless and Toss the Feathers. It was all over too soon yet the band played for a full 2 hours!

The house lights came on, the finality of the gig being over dawned on us and we exited the arena in an absolute daze! The Corrs were back, sounding amazing and clearly in top form! We left the Point Depot talking excitedly, a bag full of merchandise under our arms, giggling at the lads walking in front of us back to the city centre singing Runaway at the tops of the voices! It was truly the best homecoming the Corrs could have wished for- a huge crowd but with an intimate feel, the Corrs are still our favourite after all these years.

In case you haven’t heard the good news, the Corrs are playing again this summer- the Cork Marquee, June 9th. Tickets go on sale this Thursday (a full week after the Dublin¬†gig! Good timing or what?!). You can be sure to find myself and Anne at the front again!

See you there!

Preview, buy and download songs from the album White Light, including I Do What I Like, Bring On the Night,¬†White Light¬†and many more. Buy the album for ‚ā¨10.99. Songs start at ‚ā¨1.29.¬†White Light by The Corrs on iTunes

 

 

 

 

 

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For Your Ears, Heart and Soul: Leaca B√°n – Na Tonnta

Posting and sharing with you, my most recent music production project, the beautiful Leaca Bán by 5-piece, traditional Irish crossover group, Na Tonnta.

Na Tonnta
Na Tonnta

Introducing Na Tonnta (L-R as above): Daniel ‘Hearthrob’ Whelan, Ellie ‘Ellington’ J McGinley, Sin√©ad ‘Brings her own teabags’ O’Malley, Ciara ‘I‚ô• Beoga’ Moley and Fiachra ‘Figgy’ Meek. The group met while studying Music in DkIT together and bonded through their love of traditional Irish music, popular music, tea, biscuits and cakes!

My journey with Na Tonnta began in September 2014. I was searching for a musically-new band to introduce to the recording studio and collaborate with for my final music production project at DkIT, resulting in three songs- one being the core and most-polished production.

Approaching Na Tonnta was an easy task. It was actually perfect timing! I already knew Sin√©ad, their flute and whistle player from the Norway erasmus trip in 2013 and I worked with Ellie, their vocalist and fiddle player on my previous production project,¬†“Crystal Hearts” feat. Fiona McErlane by Audio_Girl | Free Listening on SoundCloud.

I knew I wanted to carry forward my love for traditional Irish music while bringing it into a contemporary production and I also knew Na Tonnta were a hard-working, creative and driven group from my Facebook stalking since they formed in October 2013!

Na Tonnta warming up for the Spirit of Folk Festival, 2014
Na Tonnta warming up for the Spirit of Folk Festival, 2014

Leaca B√°n¬†began in the rehearsal room. Sin√©ad introduced the idea to the group with the beautiful, haunting traditional tune,¬†250 To Vigo, accompanied by accordion player, Ciara. I sat, mesmerised by the performance- the beautiful tone of the B flat whistle, the rhythm of the tune, the sombre accordion, gently accompanying the haunting tune. The hairs on my arms stood and I knew instantly that this was a tune I wanted to be a part of. I could already hear our studio¬†recording in my mind’s ear!

What happened next lifted my spirits even further. There was a lyrical idea. In fact, there was more than just an idea- there was a theme, a mood, an atmosphere and a poem! A vintage book was produced- a little blue book with yellow pages, about to be tossed out from a local school library where Sinéad worked. For some reason unknown to me, Sinéad opened the book and there was a beautiful poem at the beginning. The Lights of Leaca Bán by Alice Cashel is an old book intended for secondary school children but the poem simply titled Leaca Bán, found at the begnning of the book, is a literary work of beauty.  It was suggested that Ellie fit the tune to the words- amazingly, it worked like a dream. Ellie suddenly started singing the poem and it was just right.

Ellie and Fiachra in the rehearsal room
Ellie and Fiachra in the rehearsal room

By Christmas a humble demo which consisted of a vocal, fiddle, tin whistle and accordion was recorded and then my audio fun began. What I already had was a beautiful tune which was deeply Irish and could hold up on its own with such a small ensemble- how about adding drums? Synthesisers? Guitars? More vocals? How big could we go?! How big did I dare?!

Well, here’s the final production. ¬†Listen for yourself.

New Song – “The Key” by Stephanie Caffrey :)

I have been feeling creative lately! I’m announcing the follow up track to “Ashes Forever” which I posted online a couple of weeks ago… “The Key”. ūüôā

Composition for this piece started about two weeks ago in my bedroom studio. I wished to complete it before my trip to Oxford so I could mix it over there, but feeling this song was coming from somewhere very deep inside me,¬†I didn’t want to rush the creative process.

I had composed all the music by the time I got to Oxford and there I mixed what I had and structured half the song.

I returned home to Ireland in a whirlwind of emotions and penned the lyrics and vocal melodies shortly afterwards. This song is a deep one to me and I hope the listener enjoys my creation.

It’s the first time I’m publicly showcasing my violin skills on a recording and also my lovely B flat tin whistle, I was really surprised how nice it recorded, adding just a touch of reverb! It’s probably also the first song I’m actually not playing guitar! Written, composed, recorded, produced, mixed and mastered entirely by myself with the exception of giving my friend Lee Fitzpatrick some deserved credit for advising me on my equalisation curves at the early stage of mixing!

Me and my violin! (This picture is back to front, I’m not left handed!)

So put on your headphones, sit back, relax and breathe and enjoy “The Key” ūüôā

Steffy xx