Tag Archives: tracking

Studio Session 2: A Reflection :)

I must be getting old or I must just be a hard worker! After the 3 hour session in the studio this morning, I was left absolutely exhausted for the rest of the day! Teehee! Only now, at 11pm after a long, hot shower and a couple of headache tablets do I feel like my normal self again! 😀

Studio session number 2 for “December” went fantastically well! In short I got everything I hoped to record committed to virtual tape/disk/the digital land that is Pro Tools! 😀

I recorded 3rd Year Applied Music student Ciarán O’Brien first thing this morning. Ciarán is an expert in all things bass! Armed with a double bass and a bow, Ciarán gave me unexpected goosebumps, I couldn’t help but squeal with the sheer audio-pleasure! Hehehe! I literally could have listened to that all day long. But time was precious so we had to get to business straight away and track pizzicato bass for “December”. We had to keep a very strict schedule as I only had 3 hours from the minute I entered the studio to the minute the gear is checked off when I wrap up! So working quickly, I set up a Neumann U87 about 14 inches away from the bridge of the bass. Time was ticking faster than I thought and we got 4 takes (20 minutes-the song is 5 minutes long). I will have to comp a little here and there but I’m absolutely delighted with what Ciarán played. He’s a little star, a pleasure to work with, very professional!

Ciarán O’Brien and the Neumann U87

Next was the recording of my own 12 string acoustic guitar. My assistants Shauna Kearney and Shane Taaffe were absolutely brilliant help here. They set up my microphones as I required; an AKG C414 in a corner, cardioid pattern, 1 overhead, omni-directional for some room ambience and a Shure SM57 at the 12th fret. A sparkly 12 string with some bass presence. The corner idea may seem odd but trust me, the warmth it offered works in the production.

Myself in my multi mono mic set up

In case you were wondering, Shane played the guitar in the style of the song while I monitored the sound in the control room and asked Shauna to move the mic here and there, an inch or two closer etc! Only after I was happy, did I sit down (on my cajon actually, brought it with me just to sit on it-best seat in the house for guitar playing!) while took over the recording process for me.

Ever watchful of the ticking time, I spent exactly 30 minutes tracking my part. The only problem I had was of my own right hand on one part which decided to have a mind of its own, when I got over that, we had a few takes which I will comp together later.

Following that was Keith’s 6 string guitar parts using the same multi mono mic set up. Keith owns a gorgeous Tanglewood jumbo guitar which a lovely bass presence. His parts are complimentary to mine, filling in single strums for the chorus’s (two separate takes, one left and one right for the mix-down), an arpeggiated fill for the final chorus and of course the big solo. Keith was so in the zone he played the main rhythm and solo in the same take, much to my delight and the ticking clocks! The arpeggiated fill took the longest to record like myself, one finger refused to be told where to go! It happens to us all huh? 🙂 But Keith is also a pro and nailed it.

Keith recording in studio

Looking at the watch, 20 minutes left? Let’s record one more thing before we leave! Pop the Shure SM57 in front of the Marshall Valve-State combo (to one side of the cone), whip out that Fender American Stratocaster, plug in the Boss DD6 Digital Delay pedal and pop that bottleneck slide on your finger please Keith! Make me some noise, anything at all! Soulful cries of a Strat, yes, this is an element I wanted indeed for that final chorus.

Keith feels it out on my Strat 🙂
Excuse my mess but with minutes to spare, Keith tracked electric guitar like a pro 🙂

Ten minutes left…. tidy up, fast! All hands on deck as we backed up the project, tidied away the mic stands, leads, guitars etc!  Bang ont he stroke of midday we were ready to hand over the studio to the next session team!

Not a single minute was idle and I have to thank my production team for working so hard, they deserve a well earned drink! Thank you Keith Caffrey and Ciarán O’ Brien for your artistic skills, very creative and especially appreciated before 12 Midday! Morning studio sessions are never easy! 🙂 Thank you Shauna Kearney and Shane Taaffe for the technical side, you were both stars and complete professionals with the equipment!

So next to do on the list is some minor edits and minor comping. Then we get ready for our last session in 2 weeks time where we nail the lead vocal, harmony vocal and creative element track! 😀

And after that? A small mix and Christmas drinks! 😉

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Music Production Project Session 2/3 is Tomorrow!

Very excited for tomorrow! Part 2 of my music production project is taking place! I’m recording double bass and acoustic guitars and one electric guitar for “December” the song myself and Keith Caffrey (we’re better known as Shock Sorrow!) wrote together this summer. The parts are all written and ready to go! Keith is going to play a fantastic guitar solo, it’s all very exciting! 🙂 I will be advancing my recording skills by applying a little (and I mean a little) bit of compression when tracking! I’m looking forward to this!

I’m all packed (I’ve a ridiculous amount of stuff to bring with me, hehe, I’ll be the crazy music lady walking through the college corridors tomorrow! Roadie position is available! haha!) and I’m off to bed, tomorrow’s an early start!

Reflection diary plus photos will be online tomorrow evening, like the last time!

My gear, ready to go tomorrow! Lola the cat (she wants to be my roadie) must not be brought to studio! 😉

Sleep tight y’all! \m/

Studio Session 1: A Reflection :)

It’s only 7.30pm and I’m exhausted! I can barely keep my eyes open but it’s all good, today was a lot of fun! Session 1 of the 3 part music production project was a great success!

As I mentioned in last night’s blog, I aimed to record guide vocal, guitar and cajon in today’s 3 hour recording session. It was a busy morning and not without obstacles but we successfully recorded guide vocal, guide guitar and complete cajon.

The main problem was with the lack of sound in one of the studio monitors. No matter what we tried, no sound would come through and the studio technician said the problem was certainly not a faulty connection or lead but within the desk itself and would take time to fix! So instead of abandoning the session we carried on with one monitor and trusted our DT100’s.

Another slight obstacle but definitely one worth the trouble- the patch connections for the live room were all taken out of the patch bay! Only through setting gain levels did we figure out where exactly to plug in! Trial and error! Well worth it.

So with these minor inconveniences sorted we ploughed on! My plan was to record the cajon in the live room using two AKG-C414’s and AKG-D112 and set up the guide vocal in the control room with a Shure Beta 58 and guide guitar with a Shure Beta 57.

AKG-C414 http://www.akg.com

 

AKG-D112 http://www.akg.com
Shane Taaffe and microphone setup. Note the drum kit in the background had to be disassembled and remaining toms covered with available jackets to stop unwanted resonance.

From the above picture one can see an AKG 414 in front of the cajon to capture the snare sound, the D112 at the sound hole in the back for the bass and there is also an AKG 414 to Shane’s left capturing the room sound.

Thanks to pre-production sessions we had already settled on a tempo of 103BPM so I had a shaker track made up to serve as a click track. This actually turned out to be a hindrance and distraction so the song was played live without the click track and the second take was “the one”.

By this stage it was already 11.15am (45 minutes left already!) and we decided we would at least try to record the 12 string acoustic guitar. Initially I set up the microphones in the middle of the room (AKG 414 above the sound hole, Shure Beta 57 at the 12th fret and AKG 414 directly behind the guitar- the guitar tends to lack bass and placing the microphone here added bass).

After quick evaluation of this sound, we agreed the sound wasn’t quite warm enough. How do you get more bass from a non-bassy instrument? I suggested moving the guitar closer to a wall and mic-ing from there- my trust assistant Shauna Kearney did one better and suggested we set up in a corner! She quickly took down the makeshift bass trap of rockwool and triangular foam in a cardboard box, placed two foam panels either side of the corner and a small panel on top of these, making a cosy house for one of the 414’s. Now with the guitar facing out towards the room, the higher frequencies were allowed travel out and the bass frequencies were instantly projected into the corner, like magic, an instant warmth was apparent as well as that shimmering top end I like my Ibanez 12 string for.

Keith Caffrey and the makeshift bass capture technique!

Alas time was not on our side and with pressure mounting to get the right take in time before the next students came in for their slotted time, I was unsuccessful in getting a full track. I was not disappointed as we found a good microphone set up for the guitar that we could easily assemble again!

Session 2 is in 2 weeks time, another 3 hour session. Of course I will have to draw up my plans again for this session as I need to make time to record the acoustic guitars as well as double bass.

Session 3 is in 4 weeks time, another 3 hour session and in this session I will record the lead vocal and additional percussion and perhaps a Yamaha upright piano.

So very tired now! But my own music production project is not the only one in my schedule, I will be assisting Shauna Kearney in her production (and playing any instruments she needs to compliment her singer/songwriter Lauren Murphy- I recorded Lauren last Christmas for a similar project!) AND I am playing violin for my classmate, hip-hop producer Scott McLoughlin!

It’s great to be busy in music! My special thanks to the wonderful musicians who made today happen- Keith Caffrey, Shane Taaffe and Shauna Kearney. And thanks to the studio tech! 🙂