Tag Archives: vocals

My Beach Road Studios Workshop Experience :)

Since the beginning of time, (okay LOL!), since I can’t remember when, I’ve been aching to go to a Beach Road Studios workshop. After stalking/befriending JUNO award winning producer Siegfried Meier for many years on Facebook, the timing suddenly became RIGHT earlier this year. He announced he would be running the final ever Beach Road workshop this autumn and I knew, this was it! It was like the stars had alligned for me as it was happening on my week off! Within minutes (yes, I made the decision that fast) I had flights and accomodation booked, Canada, here I come!!!!

But how does a random audio girl from a sleepy, Irish countryside Nowhereness, find out about a mega, award winning, from Germany but living in Canada most of his life, music producer and his private, super-amazing-awesome studio?

Through Kittie.

When Kittie blasted onto Irish TV screens via the kick-ass medium that was (still is? is it? I don’t know!) MTV2 with the even more bad-ass video for their second single, “Charlotte” in 2000, I was hooked. Four kick-ass girls my age absolutely knocking it out of the park with a savage tune, how could I resist? Back then it was actually pretty hard to find out much about anything, even though we had electricity (LOL, Internet was dial-up and I wasn’t really allowed use it), I did my best to find magazine clippings about the girls. Metal Edge was the only place I could find anything about them and even then, I only ever got my hands on like, 2 copies, cos Nowhereness is in the middle of Nowhere, you know?! I got my hands on their debut Spit (produced by Garth “GGGarth” Richardson, 2000) when I went stateside that summer and it didn’t seem too long after that, their 2nd album Oracle (also produced by GGGarth, 2001) was released. That I did buy here in Ireland. The band developed and progressed over the years and while I kept an eye on them, Facebook brought them back into my world in 2010 and that’s when I discovered Siegfried Meier.

Kittie, circa 2000. Source: https://www.stereogum.com/1989753/heres-to-20-years-of-kittie/franchises/sounding-board/
Kittie “Charlotte” music video still, 2000.

So Siegfried worked on their Oracle album back in the day (credited in the album notes as Siegfried “Private Dancer” Meier!) as an assistant in Emac Studios (London, Ontario) and then became their producer for their 5th In the Black (2009) and their 6th, I’ve Failed You (2011), producing the band in his Beach Road Studios . Cue a new style, sound and sonic force of awesomeness for the band. Kittie has been a highly creative and unique metal band from the get-go but the Sig albums are f**king HUUUUGE.

Kittie In the Black, 2009
Kittie I’ve Failed You, 2011

Their 2018 Origins/Evolutions 20th anniversary release, which documented the band’s career, cemented my personal opinion that Siegfried was one seriously cool guy (I could discern from the Internet that he’s a musician, producer, songwriter, audio engineer, mastering engineer, cat lover, and all-round super dude). But the footage on that documentary simply blew my mind and I ached for the chance to visit. Lucky for me, I didn’t have to wait too long!!

Source: http://www.siegfriedmeier.com/about-2/

Fast forward a few months and I find myself driving an automatic VW Golf (black, shiny and sexy as hell!) on a 5-lane highway in Toronto, on the opposite side of the road. Huge trucks zooming by me and the setting sun in my eyes, my heart races with trepidation, I’M HERE CANADA! Immediately charmed by the picture perfect towns I drive through, hours out of busy Toronto, I just knew, this was a slice of Heaven right here and this was exactly where I needed to be (you know, you do kind of doubt yourself- am I mad to go to Canada for a couple of days?! How will I handle driving in another country? Will my Irish awkwardness ruin the vibe?! Am I still rock n roll enough to handle this?!).

The excitement!

I need not have worried. I may have been shaking in my runners driving down the magical road to the studio, parking the car after confirming I had indeed found the location and not some random persons house (imagine if I did that though LOL!), spotting drums through a window but the very second I opened the door and let myself inside (let’s face it, I still don’t even let myself into my fiances house 14 years on! I have to ring the doorbell and text prior to my arrival- that’s my own awkwardness, not their house rules!), I felt this absolute WAVE of love. Everyone smiled at me (walking into a room of 10 guys is a little bit scary!) and I was enveloped in Siegfried’s welcoming arms instantly. I actually didn’t feel shy!!! From the get-go I felt like I knew Sig forever and that it wasn’t my first time meeting him. It struck me it was a special connection and all my suspicions about him were confirmed- this guy IS the coolest person EVER! Larger than life itself, his warmth, genuineness, humourous wit, easy-going, relaxed, bubbly, passionate and humble personality shone like a white light. Just being around him made me feel an excitement and joy I haven’t felt in years. I probably looked goofy and starry-eyed as I openly gazed at him but that wasn’t for his incredible awe-inspiring career, it was for him as a human being. He’s the kind of person that you only find once or twice in your life and you recognise instantly he’s making the world a better place by just being in it.

Walking into his control room, my breath left me. What a beautiful room! Surrounded with a mix of vintage and modern equipment, yet with a vibe of home, I can see why musicians come to make music here. His welcoming personality is mirrored by his creative space. If I was a musician in a band, I would be extremely excited about making records there!

Source: http://www.siegfriedmeier.com/studio/

After a short introduction where everyone (Sig, the students and the rock band, Breaching Vista) got up and said a little something about who they were and confirmed they were indeed cat-lovers also, Sig dived into audio theory and concepts to ensure everyone was on a similar level. Notes were passed around and we were invited to jot down as much as we like. Standing on a footstool behind his amazing rare Amek/TAC Magnum console, Siegfried explained higher level educational audio concepts in a logical and exciting format. Hanging onto every word he said, my mind raced to keep up.

After coffee breaks and lunch, the fun really kicked off.  The importance of preproduction was explained and a guide track was loaded into Pro Tools. Track tempo was discussed and experimented with and yes, I even learned a new thing. Sig gave us a golden nugget concerning click track headphone bleed (I admit I actually made that f**k up on my own most recent recording and even kicked myself afterwards for not paying enough attention). Drummer Micheal Sferrazza (also a talented pilot, no less) was invited to take up his sticks and we all ushered into Sig’s, huge live room. I momentarily got starstruck as I recognised the wall of guitars and the placement of the drums, for I had seen this room on Kittie documentaries and photographs before (imagine being starstruck by a room! NERD!). My jaw dropped at the sheer size of the converted barn (Sig built and designed the entire studio in 2006, with the help of his colleague Lee While, acoustics professor from Ontario Institute of Audio Recording Technology), again, huge but welcoming! The room was chock-full of equipment, instruments, consoles, computers, microphones, amps, cables and more. I do believe in that moment that I died and went to Heaven.

There we experimented with a dedicated Pro Tools 6 rig and Sig explained the importance of gain structure, what exact signal flow he was implementing and set up the Glyn Johns drum recording method. A method I’ve read about and listened to all about since the beginning of my audio schooling, but one I’ve never actually witnessed for myself. Well wasn’t my mind blown?! A great kit in a great room played by a great drummer with only 3 (also great) mikes equalled MAGIC. Hell, that was a drum sound I would killed to have gotten in my production projects in college.

Drum miking techniques with Siegfried Meier

After that the room was set up for the actual recording of the single for Breaching Vista. 20+ mikes were set up- close mikes, room mikes and even bulls***t mikes. Each mike was explained in fine detail and I got to meet many of which I had only read about in my studies and some of course, I had never even heard of before. Jet-lagged like never before, I think I was probably swaying standing up, I wondered was anyone noticing I was ready to start sleep walking! But that wasn’t going to last for long because before I knew it, we were back in the control room, listening to the sounds of the drums and setting up appropriate levels. Snapped awake by the exciting sounds, my heart raced as Sig explained what he was going to do next: track the drums in the digital domain AND on analogue 2 inch tape! WOW! Tape!! I remember I was asked in an interview in Derry in 2014 which I preferred, analogue or digital? and I fobbed off a bulls**t answer. How could I answer such a question when I had basically zero experience of analogue? I think I said I liked the idea of analogue but really all I knew was digital and therefore I liked the good things it had to offer. Maybe that wasn’t a bulls**t answer afterall, but I always thought about it afterwards, feeling like a twat that I couldn’t actually REALLY give an opinion about that subject. Sig gave us a highly detailed history and informative block of information which detailed tape anomalies, machine care, and so much more. Brand new stuff for me. Please let my brain absorb all of this!!!

A very small (surprisingly small- there have been sessions where I pushed 12 takes out of my drummer, the poor unfortunate soul) number of takes later, along with the band for guides, the drums were recorded. It was already getting close to midnight and Sig bounced the analogue drums back into Pro Tools, using the Studer tape machine as an audio processor to get a very different sonic character. There we ajorned for the night, for tomorrow there would be more- drum editing, bass recording, guitar recording, vocal recording, editing, mixing and mastering. I left Sigs close to 1am and drove back to his local town, my mind racing and my heart bursting. I fell into my bed thinking I’d probably never sleep but boom, I was out like a light.

Feeling surprisingly refreshed, the next morning there was a beautiful spread in my B&B. The sun was shining and with a spring in my step, I drove to Beach Road, feeling confident about driving on the correct side of the road and feeling like a local because I knew the roads already. I practically skipped in the studio door, proclaiming I was not jet-lagged and took my seat behind Sig’s racks. He kicked off swiftly, explaining he was up since crazy AM, editing last nights drums and showed us swiftly exactly what he did and how he did it. We A/B-ed the Pro Tools, digital drums with the tape, analogue drums, understanding the sonic differences between the two and the benefits/downfalls of both.

With the drums edited, it was time to get really serious. Bass guitar (Mike Chhangur) was up and there, Sig explained that he was not going to use just one mike on his bass amp (hang on, you can use more than one?) but four AND run more sources (okay this bit went a little bit over my head, studio routing is not an easy thing to get initially) but there, the audio concepts discussed yesterday came back into play and yes, it made sense. The importance of using the same tuner for the entire band (the very same tuner, not the same brand, but the same actual device) was explained and boom, we were away! Again, a few takes later, we had a phenomenal bass track recorded and edited.

Bass, bass, bass

Next up were guitars, rhythm (John Maksym) and lead (Al Malnar), I’m not going to go into any sort of detail but it was more mind blowing stuffs! Definitely the kind of stuffs this guitar girl loved. Again, epic players using using gear in an epic room, produced by epic ears. More editing tricks, beautiful recording methods and tactics, next up it was vocals. Vox were a sheer delight to watch. Using a mike I actually own myself but never ever use, I was enthralled. Sig’s vocal chain was delicious. I’ve never been so gear hungry in my life! After editing and comping and a host of processing, I was delighted to be affirmed that what I do myself is actually correct and I learned a few little extra things too.

Shortly after that, dinner was up and can I say right here, that Sig’s wife Rachel is the most talented cook I’ve ever met, as well as a fantastic studio momma and all round lovely, lovely person?! Her food was out of this world and she looked after all of us like her own. Her presence added more love, light and sparkle to an already sparkly, beautiful, heavenly place. I didn’t realise so much joy was possible in one space and I was sent to pick up my fiance who was invited for the party. Brotherly “I know you!”s were exchanged as I watched the love of my life meet the inspiration of my life, and Sig swept him up into his world, a world he knows just enough about to be floored by what he saw. That’s when I saw Sig has a huge salt lamp upstairs near his mastering suite, of course! Good energy huh!!! After all of that, the class resumed and the final touches of the workshop were completed, mixing and mastering to quarter inch analogue tape- SHREDDER!

Slay indeed bae

We partied until an absolutely crazy hour, how Sig wasn’t totally crashing out (for he was up at the crack of dawn to edit drums, remember?) I’ll never know. Maybe it was the amazing maple syrup we ate raw from a dessert spoon?! Or the giant bag of those peanut butter M&Ms John brought and we all devoured?! The sheer joy of 14 like-minded people in the same room, simply enjoying each others company, exchanging thoughts, ideas, stories and culture, I suspect is what kept us all on Cloud 9.

My experience at Beach Road studios was simply second to none. I left Ireland thinking I might learn a little thing or two but instead I learned a brick tonne, felt joy and love like never before, got swept off my feet and felt a whole-ness I never felt before. I’ve definitely left a piece of my heart in Canada for I can never bear to say goodbye. Poor Sig had to get Rachel to pull me off his leg as I wept “Don’t make me go home!” I’m kidding of course but inside I was dying.

View this post on Instagram

I just had the best 3 days of my life and I've met the most wonderful people. I'm simply blown away by the warmth, passion, wit, humour, generosity, skill and the generally all round awesome person @siegfriedmeier is! The man is my spirit animal 😂 it's such an honour to attend his workshop in his AMAZING studios. I don't want to leave Canada, I'm going to have to be DRAGGED on that plane tomorrow. #beachroadstudios #beachroadworkshops #music #musicproduction #musicproducer #canada #studio #recordingstudio #recording #daw #reverb #digital #analogue #tape #recordmusic #playmusic #protools #production #audio #studiolife #siegfreidmeierdrums #gear #songwriter #audiophile #musicislife #mixer #instadaily #audioengineer

A post shared by @ sc_music_producer on

What an honour it was that I was allowed into Sig’s very special creative space, into the amazing building he built on a foundation of pure love and light. No wonder Beach Road has housed amazing musicians from so many genres, it’s the kind of place you gravitate towards and it wraps you up in a big cuddly blanket of passion for music. How lucky I am to have walked around those famous rooms and to have studied under the most passionate, intelligent, talented, skilled, witty, loveable and humble human I’ve ever met in my life. I’m so very grateful. Siegfried Meier is the producer I aspire to become one day. I can see why he makes brilliant records. Brilliant artists, brilliant gear, brilliant rooms, brilliant ears, brilliant skills, brilliant home. I haven’t even remotely touched on his history as a music producer- I urge you to visit his website Siegfried Meier and to pop his name into a Google search, you’ll be blown away by what you read and understand why I literally jumped onto a plane to visit a country I’ve never been to before, a journey of 5366kms each way. I’d do it again in a heartbeat and I hope I see my friends Sig and Rach and the rest of the class group again in the near future.

I believe if everyone met Siegfried Meier, even for just 5 minutes,  the world would be a much better place.

 

 

 

 

 

 

 

Advertisements

For Your Ears, Heart and Soul: Leaca Bán – Na Tonnta

Posting and sharing with you, my most recent music production project, the beautiful Leaca Bán by 5-piece, traditional Irish crossover group, Na Tonnta.

Na Tonnta
Na Tonnta

Introducing Na Tonnta (L-R as above): Daniel ‘Hearthrob’ Whelan, Ellie ‘Ellington’ J McGinley, Sinéad ‘Brings her own teabags’ O’Malley, Ciara ‘I♥ Beoga’ Moley and Fiachra ‘Figgy’ Meek. The group met while studying Music in DkIT together and bonded through their love of traditional Irish music, popular music, tea, biscuits and cakes!

My journey with Na Tonnta began in September 2014. I was searching for a musically-new band to introduce to the recording studio and collaborate with for my final music production project at DkIT, resulting in three songs- one being the core and most-polished production.

Approaching Na Tonnta was an easy task. It was actually perfect timing! I already knew Sinéad, their flute and whistle player from the Norway erasmus trip in 2013 and I worked with Ellie, their vocalist and fiddle player on my previous production project, “Crystal Hearts” feat. Fiona McErlane by Audio_Girl | Free Listening on SoundCloud.

I knew I wanted to carry forward my love for traditional Irish music while bringing it into a contemporary production and I also knew Na Tonnta were a hard-working, creative and driven group from my Facebook stalking since they formed in October 2013!

Na Tonnta warming up for the Spirit of Folk Festival, 2014
Na Tonnta warming up for the Spirit of Folk Festival, 2014

Leaca Bán began in the rehearsal room. Sinéad introduced the idea to the group with the beautiful, haunting traditional tune, 250 To Vigo, accompanied by accordion player, Ciara. I sat, mesmerised by the performance- the beautiful tone of the B flat whistle, the rhythm of the tune, the sombre accordion, gently accompanying the haunting tune. The hairs on my arms stood and I knew instantly that this was a tune I wanted to be a part of. I could already hear our studio recording in my mind’s ear!

What happened next lifted my spirits even further. There was a lyrical idea. In fact, there was more than just an idea- there was a theme, a mood, an atmosphere and a poem! A vintage book was produced- a little blue book with yellow pages, about to be tossed out from a local school library where Sinéad worked. For some reason unknown to me, Sinéad opened the book and there was a beautiful poem at the beginning. The Lights of Leaca Bán by Alice Cashel is an old book intended for secondary school children but the poem simply titled Leaca Bán, found at the begnning of the book, is a literary work of beauty.  It was suggested that Ellie fit the tune to the words- amazingly, it worked like a dream. Ellie suddenly started singing the poem and it was just right.

Ellie and Fiachra in the rehearsal room
Ellie and Fiachra in the rehearsal room

By Christmas a humble demo which consisted of a vocal, fiddle, tin whistle and accordion was recorded and then my audio fun began. What I already had was a beautiful tune which was deeply Irish and could hold up on its own with such a small ensemble- how about adding drums? Synthesisers? Guitars? More vocals? How big could we go?! How big did I dare?!

Well, here’s the final production.  Listen for yourself.

Let’s Stand Together :)

Let’s stand together.

Let music join us all.

Join us tomorrow night for our FREE CONCERT at 8pm to raise funds for the ‘Save The Dominican Church Fund’.

I promise you it will be a memorable show.

Special concert tomorrow night!
Special concert tomorrow night!
Drogheda Independent Feb 2015
Drogheda Independent Feb 2015
Drogheda Independent January 2015
Drogheda Independent January 2015

Special Announcement :)

Delighted to announce that the Augustinian Gospel Choir will perform a special concert in the Dominican Church, March 8th 2015!

This is a fundraising event in aid of the Dominican Church, admission is free and a brilliant night of gospel choir music and solo singers and musicians is promised.

More information about saving the Drogheda’s beautiful Dominican church can be found at: Fight now begins to save Dominicans after 790 years – Independent.ie.

Drogheda Independent January 2015
Drogheda Independent, January 2015

Watch the complete story, including interviews, footage of the Rally and the controversial debate that followed it.

Exquisite Performance Of Original Music by El Grey at the Spirit Store, 09-08-14

Last night I finally got to see El Grey live! I have been waiting for an ideal opportunity to hear the voice of El Grey herself live for a long time and last nights performance at the Lockup Big Day Out gig in the Spirit Store, Dundalk, did not disappoint.

It was one of those gigs where you felt like the singer was singing only to you. One of those gigs where the hairs on your arms stand on end. One of those gigs that literally takes your breath away. And such gigs are rare.

I was in awe of El Greys voice- her vocal is powerful, expressive, delicate, haunting and strong- all at the same time. Her range is astounding and her style is unique. A voice you will never forget once you’ve heard it.

I watched her performance in absolute delight, superbly skilled in acoustic guitar- flawlessly, effortlessly fingerpicking- a natural player. During her performance she seems to enter another state of consciousness- a higher state of mind- her voice expressing her deepest emotions through soaring notes, beautiful on-sets and releases- a very dreamy sound world. A talented musician, she also plays the ukulele with a grace I’ve never seen before- no tacky jokey jingle-jangle here- her unique guitar fingerpicking style translates beautifully onto her charming little instrument.

Accompanied by Chris Topher on percussion and live electronic MIDI sequencing, her music takes on another dimension. Chris programs percussive loops using a MIDI interface and laptop. He also plays a large djembe while playing basslines with his toes! He trades El Greys acoustic guitar and ukulele throughout the set.

A duet clearly in control of their sound and production, El Grey uses the Boss vocal processor for hands-on control of her reverb and delay effects. Her long reverb tails and massive echoes are her trademark and her vocal processor is used to great effect. She clearly understands what she’s doing and doesn’t cloud her sound in a foggy, confusing mist of unnecessary decay. The overall sound is minimal and focussed- and believe me, anything but boring. The 45-minute set included all original songs except one Nirvana cover which was played in absolute El Grey style- she really made it her own.

It’s very clear there’s a super talent here. No wonder she has being going from strength to strength in the last year- winning an EP recorded with United Records and mastered in the world-famous Abbey Road Studios in London in 2013. Her 3-track self-titled debut EP was released 2014. The EP has been given airplay on a number of radio shows in Ireland and beyond, including Dan Hegarty’s The Alternative (2FM), Near FM Sessions (Near FM), and CSM – leading alternative show by Aleksandra Kaczkowska on Polish National Radio ‘3’ (Trojka Polskie Radio). Also El Grey’s recently become the Finalist of the Big Break All Ireland Music Competition organised by Hot Press Magazine (Top Five 2014).

It was very exciting for me personally to get to meet the duet after the gig, I couldn’t help but feel a tiny bit starstruck- when you follow an artists music online for some time that you really admire, you just can’t help but feel in awe, especially after such an amazing gig! I have to say, both Chris and El Grey are absolutely stunning people- they have such a genuinely beautiful energy and spirit, I couldn’t help but feel as if I had met them before! El Grey is very giggly and light-hearted, taking my camera and posing for hilarious selfies, I genuinely laughed this morning looking back on my photos!

Before I share some of my photos of the gig, get yourself a copy of the beautifully recorded EP on their Bandcamp here: El Grey.

Watch her official music videos and special behind the scenes footage of her EP here: el grey – YouTube.

Like the official band page on Facebook for regular updates and further information: el grey.

I hope you enjoy her music as much as I do.

El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14
El Grey- Spirit Store- 9/8/14

Love and light.

Words That Burn Release New Single “Before The Fall”

Attention metal heads! Dundalk-based metallers Words That Burn released their new single “Before The Fall” via BandCamp over the weekend. And it kicks serious ass.

For me personally, the song brings the likes of Primordial to mind. The excellent production showcases the band as a mature and highly-polished unit with plenty of edge and energy expertly performed. Catchy guitar hooks, tight as hell bass and drums, excellent lyrics and a savage vocal performance make this latest release the bands finest output to date. I love the fabulous contrasting middle eight for the well-considered, layered vocal harmonies- the lower register of Ronan’s vocal gets me every time.

Download the song at the link here: BEFORE THE FALL | Words That Burn. Name your price! It’s free if you want it to be!

The accompanying video was released this evening on YouTube- excellent work! Check it out below:

 

Their previous album Praey is also available on BandCamp to download- name your price: PRAEY | Words That Burn. Also awesome merch is available here: Home / Words That Burn Shop.

The band’s next major gig is at PhilFest 2014 in Fibbers, Parnell St, Dublin (Sunday the 29th of June)- a 2-day heavy metal event with a fantastic lineup for a mere €5 per day- you’d be bonkers to miss it!

Get liking Words That Burn on Facebook.

Get following @words_that_burn on Twitter.

Rock out!!! \m/

WTB

Photos From the Irish Maritime Festival 2014 :)

The Irish Maritime Festival was a huge success last weekend in Drogheda Port. Drogheda town centre was buzzing with the festival atmosphere Saturday and Sunday. What fab weather we got for it!

Here’s some photos we took, mostly of the Augustinian Gospel Choir! You can imagine my fright when I turned around to see a dancing Spongebob Squarepants on stage, right behind me! What fun we had! And of course a dancing Patrick, our newest choir member 😉

Thanks to the Purple Sessions crew for the great sound and thanks to the festival organisers for a wonderful experience!

IMG_3212
Gerry Simpson and the Augustinian Gospel Choir
IMG_3223
The Augustinian Gospel Choir
IMG_3230
Patrick joins us onstage for “Happy”!
IMG_3237
Happy! Myself and Gerry 🙂
IMG_3197
My choir buddy Tamlyn
Enjoying the fab weather before the gig!
Enjoying the fab weather before the gig!

Irish Maritime Festival 2014 :)

Join us this Sunday (June 15th) in Drogheda at The Irish Maritime Festival 2014 – Gerry Simpson and the Augustinian Gospel Choir- we will be singing our hearts out and giving it all we’ve got at 1pm at the Ballast Sound Stage!

Come along, clap along, sing along- you will be uplifted and you will be feeling HAPPY! 😀

Gerry Simpson and the Augustinian Gospel Choir
Gerry Simpson and the Augustinian Gospel Choir
Sunday 15th of June 2014
Sunday 15th of June 2014

 

1st Annual Final Year Showcase of BA Music and Audio Production

Tomorrow night is a big night for us Third Year Music and Audio Production students at DkIT. We are presenting our major production projects in the Spirit Store and we’re very excited about it!

Image

We were the first ever intake of Music and Audio Production (2011) and our production  projects combine everything we have studied over the last three years.

We have worked with teams of musicians from the BA Music Applied plus other courses in DkIT as well as musicians outside of the college on our individual projects.

There will be something for everyone at this event- our songs range from Folk to Rock, Pop to Dance and Celtic New Age to Metalcore!

We are looking forward to celebrating our hard work and hearing each others final mixes.

Entry is free and doors are at 7.30pm, do come along!

More info: 1st Annual Final Year Showcase of BA Music and Audio Production | Dundalk Institute of Technology.

For course details please visit: BA (Hons) Production of Music and Audio | Dundalk Institute of Technology.

New Song: “Go Left”

Go Left

(Lyrics, music, performance, production and mix by Stephanie Caffrey, December 2013.)

Should I go left?
Should I go left?

Losing my path,
Losing my way.
Afraid to ask
Should I go left?
Longing to go,
Aching to stay.
Afraid to ask
Should I go left?

Should I go left?
Should I go left?

If I go what will I find?
Will I heal this heart of mine?
I’m looking for where I belong,
Searching deep for so long…