Just popping up to share a very short clip of music I recorded this week: La Jolla.
I was inspired when I saw a video uploaded on Instagram by my friend @zingomoon who lives in America and recently visited the West Coast. La Jolla is one minute of music I created while watching her video.
You can find it on my Instagram page or you can just listen to the music on my SoundCloud.
Thought I’d post a little update of my own creative musings!
Yes, I have been busy musically. I’ve been working away on my next New Age/Chill Out/Sexy Celtic/Whatever You Wanna Call It track! It’s an idea which sparked off a few weeks ago but I did not have the energy to continue, now it’s full steam ahead!
I’ve been having fun blending my favourite sounds from Logic’s ES2 and EX24 synths as well as making my own sounds in the Sculpture synth and recording lush harmonics from my 12 string acoustic, reversing them and having fun with my Roland Gaia SH01 synth.
Vocal ideas suddenly came and with them, a lyrical theme. These were sent off to my songwriting partner Keith Caffrey and although he has only indulged me with a tiny taste of what he has written, I have been blown away. He has possibly outdone himself this time! I can’t get over what a gift he has with words, he really writes so beautifully and from the soul! Every lyric Keith writes, whether it’s for our acoustic-rock Shock Sorrow duet, his heavy metal band Black Svan, his own solo material or for my solo New Age/Electronic music, is always deep, meaningful, interesting, emotional, personal and universal. I can’t wait to hear his lyrics with melody! (Oh I forgot to mention his amazing melodies, guitar playing and all round gift for music, any instrument Keith puts his hands on, he can play it!)
I recorded some violin ideas last week on a whim, when I say “violin” I really mean “fiddle”! My love for Irish traditional is clearly evident in this one! I always preferred playing traditional music, be it fast or slow (really love the minor and modal pieces I learned from a great old fiddle player many years ago) to the classical, technical pieces (which are of course wonderful but that style never felt right for me- though I do not knock for one second the theory and technicality I learned through those pieces!) I studied in my school days.
I decided tonight that yes, indeed, there will be a fiddle solo in this one. 😉
That’s really all I will say right now, until I hear the rest of the lyrics with the melodies, I can’t finish the structure but I really am looking forward to recording this. I’m thinking of asking a guest female vocalist to sing it. I’m also strongly thinking that this might well be a demo for a possible future college recording project, real drums would be fantastic… now to find a drummer… if you know any, send them my way please!!! (firstname.lastname@example.org, for reals!!!!)
Still on a high from the Trouble Pilgrims gig over the weekend, still badly wanting my own Burns Hank Marvin signature series electric guitar!!!!
Also I see Logic Pro X has been unveiled today! Looks pretty slick, I gotta say! I do like the new interface. I was afraid it was going to go all GarageBand and childish in style- I LOVE GarageBand-hey, it was how I started, pretty much (if you don’t count mucking around in good old, Cool Edit years and years ago) but desperately hoped Apple would keep Logic professional! It sounds good with new features Drummer, Flex Pitch, Track Stacks and an Arpeggiator! I am excited! But I have absolutely no reason to upgrade, I love Logic Pro 9, it’s stable on my iMac and Macbook Pro, it works a treat. I wouldn’t mind having a go though! The Apple Press Info hasn’t said whether it has changed it’s plug-ins at all, like Pro Tools 11 has (oh dear! Big no, no for me there! Happy to stay with Pro Tools 10 for college work, even if off-line bouncing is a desirable plus!). So for now, I’m sticking with Logic Pro 9, it’s the only Logic version which ever appealed to me (7 and 8 were disasters for me!) and the only version which ever inspired me!
Oxford, baby! What can I say?! My first time in the U.K was a real mind opener! I’m just totally blown away by Oxford, particularly by the world famous SAE Institute!
I was invited to Oxford earlier on this year by my dear audio-adoring friend, Lee Fitzpatrick who I know from my previous life in Ballyfermot Music Production. He is a student at the SAE Institute and wanted to show me what his amazing college has to offer.
Straight off the train after arriving from Birmingham International, we walked through the beautiful main streets of Oxford city, Lee drawing my attention to the pub where Tolkien wrote the Lord of The Rings. I was struck by the gorgeous sandy colored buildings, the architecture was indeed very beautiful.
Onwards to the SAE Institute! We wasted no time in getting there! I was trembling at the excitement of finally visiting this amazing place I had heard so much about!
And I was not disappointed. Audio Heaven. A fast paced tour of the building with its endless secret stairwells, glassy corridors and many, many doors leading to various media-related treasures left me breathless. Every room was filled with the very best of audio gear I have only imagined in my dreams. The building was quiet and had a very relaxed, creative atmosphere, it was a Bank Holiday so there were no classes that day. Students were indeed hard at work on their day off, I had the pleasure of listening to projects and watching students at home in their creative academic environment. They were so friendly and warm hearted, delighted to hear I was from Ireland studying Music Production also. The overall vibe was one of disciplined hard work with a relaxed atmosphere.
After being introduced to the fabulous Neve studio (the one I have been waiting for!) and the 7 other studios, we went to the cosy SSL studio and mixed one of my personal projects. Every Mac computer in the building (and there are MANY!) is fitted with the latest versions of every digital audio workstation known to man, and my Logic Pro 9 project worked like a dream. Logic Pro and Pro Tools are both taught in the institute, something which really impressed me as a Logic fan. I was among kindred spirits who had the same passion for the intuitiveness of my favourite DAW. I felt right at home!
Later in the evening we set forth, back to the Neve studio where Lee had booked a long session to continue one of his projects. There we spent an intense few hours recording vocals and overdubs, again working with Logic Pro 9. I have a tendency to be shy of studios and especially top of the range gear, I was honored to be assisting Lee and watching how he worked.
Taking a break, Lee introduced me to the magnificent Steinway grand piano in the main live room.
After wrapping up the session some hours later, we made our way to the film department and set up for a shoot, another one of Lee’s many projects! The popular Nerd Vs World series on YouTube. I was delighted to watch the visual set-up and delighted to help with the audio end of it. Something I never did before. The session ended pretty late in the night (or should I say early in the morning?!) and that was my first day in Oxford.
My second day was fun also, a proper school day, Lee attended his morning classes as I worked on my own project in the Practical Room, a room full of Macs and mixing desks, racks of equipment and controller interfaces. Everything I was permitted to use, thanks to my BCFE qualification, even though I felt like I shouldn’t even breathe near the stuff! I was assured I was most welcome to use anything I wished.
Later in the evening, after meeting the kind staff of SAE, I was invited to attend the guest lecture which was due to take place that day. The building was abuzz all day, the lecturers walking through the corridors, nabbing students, reminding them that a very special guest would be attending and not to miss out.
The very special guest was the very, very mind-blowing, beatjazz master, Onyx Ashanti. Onyx is the creator of a futuristic, improvisation based technology which involves live looping with software synths created (not triggered mind you, everything is live) by devices attached to his hands and mouth. Hard to explain, which is why I’m leaving a link here: Onyx Ashanti: This is beatjazz | Video on TED.com. I enjoyed his two hour lecture, despite being highly aware I was the only girl in the room (and the only non SAE student hahaha!). Onyx passed around the various parts which make his technology work, explaining in fine detail his technology, pure data and what inspires him to do this music. I was truly honored to be in his presence and I am very grateful to have been permitted to attend this lecture.
Exhausted from so much information, we chilled out with friends and remembered that we are Irish and Oxford has fantastic night clubs, it would have been a shame to pass up a dubstep night out! In Irish style, we partied in Oxford city centre until the small hours, enjoying wonderful music through the safety of ear plugs- never leave home without them!
And so was my experience of Oxford! A truly wonderful place with wonderful people. Oxford was every bit as exciting and educational as I thought it would be. I am left with a great desire to attend this wonderful college to pursue my own studies but alas, I am already 1/4 of my way through my current degree programme! I will surely come back to Oxford in the very near future and further explore the city, see my friends and exchange more music ideas and thoughts!
Thanks so much for the invite Lee and thanks to the kind people of Oxford 🙂 Until we meet again 🙂
I’m so excited to share this with you! This is a project that I have been working on for a couple of months and I’m delighted to introduce you to one very talented young lady- Monica Heldal.
Monica is a singer-songwriter from Bergen, Norway and at 21 years old, she has already taken the international music scene by storm and is one very busy lady! Her love for American country-blues and the music of Irish legend Rory Gallagher has brought her on a very busy musical journey so far. After playing the Rory Gallagher Festival in Ireland last year, Monica has been invited back to play again this summer during her busy Norway-Netherlands-France tour.
I have produced this song “Silly Willy”, a personal favourite from Monica’s original set. A delightful, bluesy, shuffling song which brings a smile to everyone’s face who’s heard it already! Monica exhibits raw, natural talent in her advanced acoustic guitar fingerstyle performance and in her alluring vocal on this recording and I think you’ll agree with me when I say that this lady is blessed with a gift!
Drums were performed by Daire Stanley, bass was performed by Sean Moher, electric guitar was performed by Darren Mc Eneaney and my recording assistant was Shauna Kearney. I recorded, produced and mixed the song and threw in some additional keyboard and electric guitars.
I really enjoyed this creative process and I’m pleased with the mix-down. This was my first full-band mix on Pro Tools (Logic Pro user!) and I hope you enjoy the song as much as we do 🙂
You can find lots more Monica material on her Facebook artist page: Monica Heldal.